It's a movie that we've seen many times. I do not know why these types of films always have to be so extremely slow. They abuse of a slow tempo. It has plans that will last several seconds when no two would be worth.
It is a film that can tell us a hard story, which we have seen many times, but not so it is less harsh. The problem is that it tells us in a way that keeps us away. Get him to never empathize with the movie.
The actors are very well, but there are moments that try to squeeze both a situation that takes you out. When you make a close-up of an actor of several seconds and spare half, you go from what expresses you to saturation. Of course, I can not empathize with anyone and that is a problem.
The photograph does not exist. I think he has not used any bulbs. It is okay that the photograph is cold, it would fit the film very well, but it is that this photograph is not cold, it is white.
The director, I do not know if he does not know how to use the flat sizes, but he puts general plans in too many moments and only manages to get you out of the story. It abuses the slow tempo, which only has to be used sometimes.
Spoiler:
One thing that I like is the moment he gets into bed with the girl. It is an incredible act of love, so that she does not suffer. The problem is that it is very badly rolled, you only feel it if you put yourself in its place, not because of what you see and it transmits you if not if you think about what it would feel. However, he does it with the father and that is repetitive and he pulls me out.
I like the way the moment the lady gets into bed with him. Use the mirror in a smart way. It is a way of counting, without offense and with delicacy. It is a very nice plan, since you see everything and it is very well composed. That is to use the camera to narrate, in this case the blur thank you.
It is a film that can tell us a hard story, which we have seen many times, but not so it is less harsh. The problem is that it tells us in a way that keeps us away. Get him to never empathize with the movie.
The actors are very well, but there are moments that try to squeeze both a situation that takes you out. When you make a close-up of an actor of several seconds and spare half, you go from what expresses you to saturation. Of course, I can not empathize with anyone and that is a problem.
The photograph does not exist. I think he has not used any bulbs. It is okay that the photograph is cold, it would fit the film very well, but it is that this photograph is not cold, it is white.
The director, I do not know if he does not know how to use the flat sizes, but he puts general plans in too many moments and only manages to get you out of the story. It abuses the slow tempo, which only has to be used sometimes.
Spoiler:
One thing that I like is the moment he gets into bed with the girl. It is an incredible act of love, so that she does not suffer. The problem is that it is very badly rolled, you only feel it if you put yourself in its place, not because of what you see and it transmits you if not if you think about what it would feel. However, he does it with the father and that is repetitive and he pulls me out.
I like the way the moment the lady gets into bed with him. Use the mirror in a smart way. It is a way of counting, without offense and with delicacy. It is a very nice plan, since you see everything and it is very well composed. That is to use the camera to narrate, in this case the blur thank you.