To chase after an iconic masterpiece, to imitate or to try and supplant its rightful place, is a fool's errand.
Thankfully director Denis Villeneuve along with his talented collaborators never succumbs to imitating or trying to super-cede Ridley Scott's 1982 landmark "Blade Runner".
Hampton Fancher, who created the story of the original, has crafted a new screenplay with Michael Green, that not only builds on the themes of "Blade Runner", but ties them together with larger questions about the current human state and its challenges.
Ryan Gosling stars as a replicant of the latest generation, who tries to solve a puzzle that leads him into the realm of real and manufactured life, and walks along the same noirish paths that made the original so gripping. Gosling imbues his character with a very compelling façade, which starts to crumble as his humanity takes over his mechanical design.
The equally thrilling performances by Jared Leto, Ana De Armas, Robin Wright, Carla Juri and of course Mr. Harrison Ford, forge a credible bond with the audience and enhance the visual grandeur created by cinematographer Roger Deakins and production designer Dennis Gassner.
And although "Blade Runner 2049" may not achieve the same level of force as its predecessor, it is a tremendously immersive, philosophical and touching experience, that should be enjoyed on the largest screen possible.
The movie's pace is deliberately patient, which may confuse some members of the audience. But by slowing down and observing, the audience can revel in the immensity of the images.
The more we move, inexorably it seems, towards the do-or-die reality of "Blade Runner", the more vital these stories become.
Whatever the box-office-fate of "Blade Runner 2049" will be, the long wait has paid off. It is far more than just a quick cash-in on a cult classic or an overly devoted sequel. It stands on its own and adds many new layers to the question: "What makes us human?"
And it urges us on to find the truth in the rain.
Thankfully director Denis Villeneuve along with his talented collaborators never succumbs to imitating or trying to super-cede Ridley Scott's 1982 landmark "Blade Runner".
Hampton Fancher, who created the story of the original, has crafted a new screenplay with Michael Green, that not only builds on the themes of "Blade Runner", but ties them together with larger questions about the current human state and its challenges.
Ryan Gosling stars as a replicant of the latest generation, who tries to solve a puzzle that leads him into the realm of real and manufactured life, and walks along the same noirish paths that made the original so gripping. Gosling imbues his character with a very compelling façade, which starts to crumble as his humanity takes over his mechanical design.
The equally thrilling performances by Jared Leto, Ana De Armas, Robin Wright, Carla Juri and of course Mr. Harrison Ford, forge a credible bond with the audience and enhance the visual grandeur created by cinematographer Roger Deakins and production designer Dennis Gassner.
And although "Blade Runner 2049" may not achieve the same level of force as its predecessor, it is a tremendously immersive, philosophical and touching experience, that should be enjoyed on the largest screen possible.
The movie's pace is deliberately patient, which may confuse some members of the audience. But by slowing down and observing, the audience can revel in the immensity of the images.
The more we move, inexorably it seems, towards the do-or-die reality of "Blade Runner", the more vital these stories become.
Whatever the box-office-fate of "Blade Runner 2049" will be, the long wait has paid off. It is far more than just a quick cash-in on a cult classic or an overly devoted sequel. It stands on its own and adds many new layers to the question: "What makes us human?"
And it urges us on to find the truth in the rain.