Jerry Lewis was already a huge star when this film came out, but this film marked his first outing as a director and it's an assured first film. Like most Lewis directed comedies, the film is often series of vignette comic set pieces. Jerry's "Kid" character is a Miami hotel bellboy who has lots of various tasks that mostly go comically awry, whether it's answering phones, having to fill an enormous ballroom with chairs, or conducting an imaginary orchestra, it's all quite funny. There's no real story and this is even openly stated by the film's fiction producer at the film's outset. An interesting film history note, Jerry is credited with creating the video-assist technique on this film, where he put monitors on the set that allowed him to immediately see what was filmed live on set, which is now a standard practice on films. Overall, the film is nothing brilliant, but it's quite enjoyable and a solid directorial debut for Lewis. Milton Berle and Walter Winchell have cameo appearances and future longtime Lewis collaborator Bill Richardson appears in the film as Stan Laurel.
Review of The Bellboy
