This spare, stark, simple double-cross story is hung on the bones of some of the best road-action camera work I've seen since the 1980s. The chase- scene shot sequencing hearkens back to the early giants of the genre: Bullit, The Driver, The Blues Brothers. The makers spend plenty of attention on watching the Wheelman manipulate the controls of his car and presenting realistic, easy-to-follow driving choreography. Nothing in this thing breaks your suspension of disbelief... unlike other multi-million dollar, CGI-choked car-chase franchises I can think of. Yes, as some reviewers have complained, most of the conflict is advanced through cell phone conversations, but that merely serves to throw the many actions sequences into even sharper relief. The director never pulls you out of the car to set you safely on the sidelines as the action goes whizzing by; you're in the seat with the bullets flicking past your head. Sit down, listen to the dialogue, and you'll like this inexpensive little jewel.
Review of Wheelman
