While Marcello Mastroianni and Sophia Loren may rate among the most visually appealing couples in cinematic history, the sad and profound beauty that they create here is far, far deeper than that of superficial appearance alone. Mastroianni is outstanding as Gabriele, a completely alienated and repressed gay man at the height of fascism's grip on Italian society during World War II. Loren plays Antonietta, an equally stifled housewife and mother of six who has been humiliated by her unfaithful and disrespectful husband. They live directly across from each other in a large apartment building in Rome, and they meet by chance when all of their neighbors suddenly vanish in order to attend political rallies all over the city on Hitler's first visit to the Italian capital.
Even as a tired, frumpy housewife who had been drained of life itself, Sophia radiates a quiet, subdued beauty that could only flow from her and no one else. Even the routine, mundane task of clearing off a kitchen table is captivating when Sophia Loren is doing it. What makes "A Special Day" so "special" is not only Sophia but Marcello in his Oscar nominated role and the superb direction by Ettore Scola.
As the very intense, human relationship between two lost souls continues to develop through the "special day", the mechanized, military marches of Nazi Germany and the deafening roar of the adoring mobs in response to Hitler's public appearance assault the ears from the building caretaker's radio, providing a stark contrast of two opposing but powerful forces in the world, love and hate. As I listened to the steady, harsh brutality of the German marches and the enthusiastic reaction by the Italian multitude, I was even more perplexed by the alliance of these two nations, Germany and Italy, with cultural roots that seemed as far apart from one another as any two on the face of the earth. The unlikelihood of Gabriele's and Antonietta's unique friendship paled in comparison to the oddity of a pact between the likes of Italy and Germany, an alliance that was an indisputable fact of history, as difficult as that may be to believe.
Although the film ends tragically, the beauty and strength of Gabriele's and Antonietta's complex relationship triumphs in its own, extraordinary way. Even in the darkness and the gloom, I was somehow left with a glimmer of hope for the pathetic, pitiful human race. I don't know exactly why.
Even as a tired, frumpy housewife who had been drained of life itself, Sophia radiates a quiet, subdued beauty that could only flow from her and no one else. Even the routine, mundane task of clearing off a kitchen table is captivating when Sophia Loren is doing it. What makes "A Special Day" so "special" is not only Sophia but Marcello in his Oscar nominated role and the superb direction by Ettore Scola.
As the very intense, human relationship between two lost souls continues to develop through the "special day", the mechanized, military marches of Nazi Germany and the deafening roar of the adoring mobs in response to Hitler's public appearance assault the ears from the building caretaker's radio, providing a stark contrast of two opposing but powerful forces in the world, love and hate. As I listened to the steady, harsh brutality of the German marches and the enthusiastic reaction by the Italian multitude, I was even more perplexed by the alliance of these two nations, Germany and Italy, with cultural roots that seemed as far apart from one another as any two on the face of the earth. The unlikelihood of Gabriele's and Antonietta's unique friendship paled in comparison to the oddity of a pact between the likes of Italy and Germany, an alliance that was an indisputable fact of history, as difficult as that may be to believe.
Although the film ends tragically, the beauty and strength of Gabriele's and Antonietta's complex relationship triumphs in its own, extraordinary way. Even in the darkness and the gloom, I was somehow left with a glimmer of hope for the pathetic, pitiful human race. I don't know exactly why.