Bud Abbott (Duke Eagan), Lou Costello (Chester Woolley), Marjorie Main (Widow Hawkins), Audrey Young (Juanita Hawkins), George Cleveland (Judge Benbow), Gordon Jones (Jake Frame), William Ching (Jim Simpson), Peter Thompson (Phil), Olin Howland (aka Howlin) (undertaker), Bill Clauson (Matt Hawkins), Billy O'Leary (Billy Hawkins), Pamela Wells (Sara Hawkins), Paul Dunn (Lincoln Hawkins), Diane Florentine (Sally Hawkins), Jimmie Bates (Jefferson Hawkins), Rex Lease (Hank), Glenn Strange (Lefty), Edmund Cobb (Lem), Dewey Robinson (miner), Emmett Lynn (old codger), Iris Adrian (dance hall hostess), Charles King (gunman), Ed Peil (townsman), Lee "Lasses" White (shot-gun rider), Gilda Feldrais (hostess), Billy Engle (undertaker's helper), Dave Sharpe (man thrown by widow), Frank Hagney (barfly), Harry Evans (card dealer), Frank Marlow, Ethan Laidlaw, Jerry Jerome, Zon Murray (cowboys), Wade Crosby (Squint), Murray Leonard (bartender), George Lewis (cow puncher), Jack Shutta (tough miner), Mickey Simpson (big miner), Forbes Murray.
Director: CHARLES BARTON. Screenplay: Robert Lees, Frederic I. Rinaldo, John Grant. Original screen story: D. D. Beauchamp, William Bowers. Film editor: Frank Gross. Music composed by Walter Schumann. Photography: Charles Van Enger. Art directors: Bernard Herzbrun, Gabriel Scognamillo. Set decorations: Russell A. Gausman, Charles Wyrick. Music orchestrations: David Tamkin. Assistant director: Joseph E. Kenny. Dialogue director: Norman Abbott. Costumes: Rosemary Odell. Hair styles: Carmen Dirigo. Make-up: Bud Westmore. Sound recording: Charles Felstead and Robert Pritchard. Associate producer: Sebastian Cristello. Producer: Robert Arthur.
Copyright 31 October 1947 by Universal Pictures Co., Inc and C S Co. Released through Universal. New York opening at Loew's State: 20 November 1947. U.S. release: October 1947. U.K. release: 15 November 1948 (sic). Australian release: 15 January 1948. 7,041 feet. 78 minutes.
U.K. release title: The WISTFUL WIDOW.
COMMENT: Critics who decry the work of Abbott & Costello will not find much ammunition in this agreeably-paced western directed with style and gusto and produced on a lavish budget.
In this film, Abbott & Costello's routines do not derive from radio or vaudeville, nor are they extraneous items clumsily tacked on to the main plot by an indifferent script-carpenter. Here, they form an integral part of a very amusing story based on an excellent comic idea.
The humor is much less noisy and frantic than usual and the script allows Bud and Lou — particularly Bud — much more scope with their respective characterizations. The supporting cast, headed by Marjorie Main and George Cleveland, has been well-chosen and offers Dewey Robinson a meaty part as an unruly drunk.
There is a fine action climax. Production values are first-class.
OTHER VIEWS: My editor always wanted to include Laurel and Hardy's "Way Out West" as a superb example of western satire for my book of Hollywood Classics. I said if I'm going to laud "Way Out West", I must also do a piece on "The Wistful Widow". (This abbreviated title was actually used for the film's U.K. release, so I'll stick with it). "The Wistful Widow" I said, is not only much funnier and more openly satirical, but it's a much smoother film than the Laurel and Hardy effort which suffers from jerky continuity and a lack of technical polish in many behind-camera departments, such as direction, photography, film editing and sound recording. These technical defects, admittedly small enough to be overlooked by rabid fans, give "Way Out West" something of a museum air.
But there's nothing musty, unpolished or less than thoroughly professional about "The Wistful Widow". In fact it's hilarious enough to rank as one of my favorite Abbott and Costello pictures. The boys play well with Marjorie Main and a great support cast, taking every advantage of a really funny script.
For the record, my top Abbott and Costello is "The Time Of Their Lives". Then "Meet Frankenstein", then "Hold That Ghost", then "The Wistful Widow."
Their worst film? That's easy — "Dance With Me Henry." JHR writing as George Addison.
Director: CHARLES BARTON. Screenplay: Robert Lees, Frederic I. Rinaldo, John Grant. Original screen story: D. D. Beauchamp, William Bowers. Film editor: Frank Gross. Music composed by Walter Schumann. Photography: Charles Van Enger. Art directors: Bernard Herzbrun, Gabriel Scognamillo. Set decorations: Russell A. Gausman, Charles Wyrick. Music orchestrations: David Tamkin. Assistant director: Joseph E. Kenny. Dialogue director: Norman Abbott. Costumes: Rosemary Odell. Hair styles: Carmen Dirigo. Make-up: Bud Westmore. Sound recording: Charles Felstead and Robert Pritchard. Associate producer: Sebastian Cristello. Producer: Robert Arthur.
Copyright 31 October 1947 by Universal Pictures Co., Inc and C S Co. Released through Universal. New York opening at Loew's State: 20 November 1947. U.S. release: October 1947. U.K. release: 15 November 1948 (sic). Australian release: 15 January 1948. 7,041 feet. 78 minutes.
U.K. release title: The WISTFUL WIDOW.
COMMENT: Critics who decry the work of Abbott & Costello will not find much ammunition in this agreeably-paced western directed with style and gusto and produced on a lavish budget.
In this film, Abbott & Costello's routines do not derive from radio or vaudeville, nor are they extraneous items clumsily tacked on to the main plot by an indifferent script-carpenter. Here, they form an integral part of a very amusing story based on an excellent comic idea.
The humor is much less noisy and frantic than usual and the script allows Bud and Lou — particularly Bud — much more scope with their respective characterizations. The supporting cast, headed by Marjorie Main and George Cleveland, has been well-chosen and offers Dewey Robinson a meaty part as an unruly drunk.
There is a fine action climax. Production values are first-class.
OTHER VIEWS: My editor always wanted to include Laurel and Hardy's "Way Out West" as a superb example of western satire for my book of Hollywood Classics. I said if I'm going to laud "Way Out West", I must also do a piece on "The Wistful Widow". (This abbreviated title was actually used for the film's U.K. release, so I'll stick with it). "The Wistful Widow" I said, is not only much funnier and more openly satirical, but it's a much smoother film than the Laurel and Hardy effort which suffers from jerky continuity and a lack of technical polish in many behind-camera departments, such as direction, photography, film editing and sound recording. These technical defects, admittedly small enough to be overlooked by rabid fans, give "Way Out West" something of a museum air.
But there's nothing musty, unpolished or less than thoroughly professional about "The Wistful Widow". In fact it's hilarious enough to rank as one of my favorite Abbott and Costello pictures. The boys play well with Marjorie Main and a great support cast, taking every advantage of a really funny script.
For the record, my top Abbott and Costello is "The Time Of Their Lives". Then "Meet Frankenstein", then "Hold That Ghost", then "The Wistful Widow."
Their worst film? That's easy — "Dance With Me Henry." JHR writing as George Addison.