Emma (Mia Wasikowska) leaves the convent to marry boring country doctor Charles Bovary (Henry Lloyd-Hughes). Life is dull. She flirts with awkward law clerk Léon Dupuis (Ezra Miller) and has an affair with the dashing Marquis d'Andervilliers (Logan Marshall-Green). She spends outrageously beyond her means and lecherous Monsieur Lheureux (Rhys Ifans) is too willing to give her credit. Monsieur Homais (Paul Giamatti) is the pharmacist friend.
Everybody speaks softly especially Mia. Her dull life is filmed in long scenes which only accentuates the dullness and infects the movie with its dullness. At least, the dullness is quite convincing. Mia needs to pierce that dullness with more powerful passionate acting but she is going for callous and wanting. She is still the heroine. It's all very subdue. I'm no literary person and maybe she is supposed to be this way. I can't comment on the accuracy of the depiction. It would be more compelling for her to embrace the darkness. It is beautiful in a moody sunset period piece way but it doesn't have the exuberance. It's kinda dull.
Everybody speaks softly especially Mia. Her dull life is filmed in long scenes which only accentuates the dullness and infects the movie with its dullness. At least, the dullness is quite convincing. Mia needs to pierce that dullness with more powerful passionate acting but she is going for callous and wanting. She is still the heroine. It's all very subdue. I'm no literary person and maybe she is supposed to be this way. I can't comment on the accuracy of the depiction. It would be more compelling for her to embrace the darkness. It is beautiful in a moody sunset period piece way but it doesn't have the exuberance. It's kinda dull.