Gabriel Byrne is aces as Tom Reagan, a top adviser to Prohibition-era Irish gangster Leo (Albert Finney). Tom is absolutely cold-blooded, yet does have his own personal code. Tom and Leo end up having a falling-out over a woman named Verna (Marcia Gay Harden, in her first substantial film role). And so Tom ends up associating with Italian mob boss Johnny Caspar (Jon Polito), incurring the suspicion of Caspars' number one henchman Eddie Dane (J.E. Freeman). As the elaborate story unfolds, Tom plays every angle he can think of to come out on top.
Still, he takes a TON of physical punishment as this plays out. Although it may be a little difficult investing time in a character who's so antiheroic, he is a compelling character, and it would be hard not to feel SOME sympathy for him every time he gets a fresh beating.
Overall, "Miller's Crossing" is well worth a look, especially for any fan of filmmaking brothers Joel and Ethan Coen. It's quite an absorbing story, and the impressive cast has such a field day with the Coens' memorable dialogue that it makes a one hour and 55 minute run time almost fly by. The Coens do a respectable job at recreating the period (what city or town in which this takes place is never really specified) while indulging in various amusing bursts of in-your-face violence certain to delight some people and repulse others. It's all enhanced by a haunting and lovely score by frequent Coen brothers collaborator Carter Burwell, still a somewhat under valued composer.
Finney is quite likeable, while a young and fiery Harden leaves quite the impression in the only major female role. Polito is a scene stealing live wire, in contrast to the more icy cold Freeman as the brutish Dane. John Turturro is highly effective playing Vernas' brother Bernie, a truly wretched weasel if ever there was one. Familiar faces in smaller roles include Mike Starr, Steve Buscemi, Olek Krupa, Michael Jeter, and Michael Badalucco.
A good, well-told, potent story of friendship, loyalty, and survival instinct, with characters doing whatever they have to do to get by.
Look for Sam Raimi, a longtime friend of Joel and Ethan, and Joels' wife Frances McDormand, in quick cameos.
Eight out of 10.
Still, he takes a TON of physical punishment as this plays out. Although it may be a little difficult investing time in a character who's so antiheroic, he is a compelling character, and it would be hard not to feel SOME sympathy for him every time he gets a fresh beating.
Overall, "Miller's Crossing" is well worth a look, especially for any fan of filmmaking brothers Joel and Ethan Coen. It's quite an absorbing story, and the impressive cast has such a field day with the Coens' memorable dialogue that it makes a one hour and 55 minute run time almost fly by. The Coens do a respectable job at recreating the period (what city or town in which this takes place is never really specified) while indulging in various amusing bursts of in-your-face violence certain to delight some people and repulse others. It's all enhanced by a haunting and lovely score by frequent Coen brothers collaborator Carter Burwell, still a somewhat under valued composer.
Finney is quite likeable, while a young and fiery Harden leaves quite the impression in the only major female role. Polito is a scene stealing live wire, in contrast to the more icy cold Freeman as the brutish Dane. John Turturro is highly effective playing Vernas' brother Bernie, a truly wretched weasel if ever there was one. Familiar faces in smaller roles include Mike Starr, Steve Buscemi, Olek Krupa, Michael Jeter, and Michael Badalucco.
A good, well-told, potent story of friendship, loyalty, and survival instinct, with characters doing whatever they have to do to get by.
Look for Sam Raimi, a longtime friend of Joel and Ethan, and Joels' wife Frances McDormand, in quick cameos.
Eight out of 10.