Even though I'm a massive horror fan, I've never been particularly fond of the haunted house sub-genre. With a few wonderful exceptions, most recent entries in the field are dull knock-offs of THE AMITYVILLE HORROR, a film which was bad to begin with. Still, I've seen very few Swedish horror flicks and THE VISITORS seems to be well-regarded by the few who've seen it, so I figured I'd give it a shot. My feelings are mixed.
Plot-wise, it's what you'd expect. A family moves into a new house in the middle of the countryside. There's a lot of marital drama and the father figure (played rather well by Kjell Bergqvist) is slipping into alcoholism while losing his grasp on job security. When weird happenings start occurring in the house, the father brings in a psychic specialist and it all goes south from there.
What struck me as odd about THE VISITORS is how mild a case of haunting the family experiences. One room in the house rejects wallpaper and the cellar door keeps opening, but that's about it! It really seems like a livable case of possession to me! This makes for a slow start to a film, one only kept moving by entertaining, surprisingly solid performances by the main and supporting cast.
Unfortunately, there's not too many scares to be had. There's a couple solid suspense sequences and moments of shock, but the film mostly floats along towards its conclusion, which ups the ante a little too much far too quickly. The ending feels rushed and doesn't hit with any real impact. Factor in TV-film-level direction and a horridly cheesy music score, and THE VISITORS really falls a bit flat. It's not the worst I've seen in the genre by a long shot, but it didn't make me believe there's a lost canon of wonderful '80s horror flicks from Sweden floating around, waiting to be found.
Plot-wise, it's what you'd expect. A family moves into a new house in the middle of the countryside. There's a lot of marital drama and the father figure (played rather well by Kjell Bergqvist) is slipping into alcoholism while losing his grasp on job security. When weird happenings start occurring in the house, the father brings in a psychic specialist and it all goes south from there.
What struck me as odd about THE VISITORS is how mild a case of haunting the family experiences. One room in the house rejects wallpaper and the cellar door keeps opening, but that's about it! It really seems like a livable case of possession to me! This makes for a slow start to a film, one only kept moving by entertaining, surprisingly solid performances by the main and supporting cast.
Unfortunately, there's not too many scares to be had. There's a couple solid suspense sequences and moments of shock, but the film mostly floats along towards its conclusion, which ups the ante a little too much far too quickly. The ending feels rushed and doesn't hit with any real impact. Factor in TV-film-level direction and a horridly cheesy music score, and THE VISITORS really falls a bit flat. It's not the worst I've seen in the genre by a long shot, but it didn't make me believe there's a lost canon of wonderful '80s horror flicks from Sweden floating around, waiting to be found.