2/10
Unwatchable excess of post-production
12 May 2018
I see what Madden was going for--a kind of tribute to the old-school adventure films of the early 1900s, but whatever he had in mind is ultimately lost in interwoven excess of choppy editing that would make David Fincher blush. Every inch of the films is sliced to bits and stitched through various quotes and distorted images that bleed together from scene to scene. The production design is low budget though accurate for what the director is going for and the cinematography contains some lovely shots that feel like they belong in a movie 80 years ago, but the camera is shaky on a Greengrass level that--coupled with the fragmented editing--makes it hard to even look at the screen. It is as though the director set up everything to be vintage and then decided to film it like a 21st century spy thriller. The final straw is the music--a blaring array of organs and orchestras that teeter in and out of tone and are as choppy and unpleasant as the rest of the film. I don't understand how this could have been shown to people in it's current form nonetheless how it was shown to critics and met with applause--it has a certified fresh rating on RT and is in the top 100 of 2015. "The Forbidden Room" is like a big practical joke perpetrated by all of critical media to get interested film buffs to sit through the movie equivalent of pouring battery acid in your eyes while listening to a group of Chimpanzees screw.
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