...And she still has the worst line delivery in screen history!
Perhaps it was the melodramatic performance of Erich Von Stroheim or the strange set or the way this "A" feature from a "B-" studio was filmed. Perhaps it is because it is a more detailed film of "Donovan's Brain" with excellent character development and even better story telling than the good United Artists remake from just nine years later.
So somewhere in the Arizona desert is a gloomy looking mansion where doctors Erich Von Stroheim and Richard Arlen are doing experiments on animals to see if their brains continue to work after the animal's heart has stopped beating and they have been pronounced dead. A monkey dying of lymphoma is experimented on, and the brain continues to thrive for an hour after the poor cute little creature has passed on. This inspires the bellowing Von Stroheim to take the step further: to try it on a human! He has his hands full, being domineering to his nurse (Ralston) who is in love with Von Stroheim's assistant (Richard Arlen) whom Von Stroheim considers unworthy of her. A convenient plane crash gives Von Stroheim an excuse to interrupt Arlen and Ralston's date, sending them to the sight of the crash to retrieve the dead body of a passenger (named Donovan, an alleged financial wizard) for an autopsy. Realizing that while Donovan is dead, his brain is still functioning makes Von Stroheim decided to remove the brain for further experimentation in hopefully using this for the good of society to keep the great deeds and words of great men going. But was Donovan really the great man they believe? A visit from his widow opens up that can of worms, and Arlen is soon used as a vessel to bring Donovan's spirit back to life, not necessarily a good thing.
It's easy to see why Herbert J. Yates, the head of Republic Studios, thought he could make a silk purse actress out of a sow's ear non-actress, as Ralston is very photogenic here, but unfortunately, that never transfers onto the screen as either great acting or star quality. She's very hesitant in taking chances, and as a result, comes off bland and unsure of herself. Making matters worse is pairing her opposite two film veterans from the silent era. Arlen, still handsome, is very good in going between his noble assistant and the increasingly evil Donovan, while Von Stroheim blasts his lines as if he was Harry James or Glenn Miller leading their bands. Mary Nash, as Von Stroheim's Mrs. Danvers like housekeeper, gives a slow volcanic rising performance, initially cool and dark, and as she begins to see the sinister things rising around her, daring to stand up to Von Stroheim in some shocking ways. Helen Vinson, as Donovan's widow, and Sidney Blackmer, as her attorney lover, are also memorable in their smaller roles, but the screaming Juanita Quigley as a young girl involved in a plot twist involving Donovan, is majorly annoying.
Aided by excellent photography, lighting and the genuinely ghoulish atmosphere, this thriller has enough of an edge to keep you hooked, and for that reason, I rate it two stars higher than its better known 1950's remake. Von Stroheim keeps in character throughout, manages to emote over dramatically without somehow becoming too campy or over-the-top, and Arlen gives it a true touch of class. Even with the complete non-acting of Vera Hruba Ralston, the film stays devoted to its theme of how mankind should not interfere in extending life beyond its expiration date, and how when they do, it turns out to be a complete disaster for everybody involved.
Perhaps it was the melodramatic performance of Erich Von Stroheim or the strange set or the way this "A" feature from a "B-" studio was filmed. Perhaps it is because it is a more detailed film of "Donovan's Brain" with excellent character development and even better story telling than the good United Artists remake from just nine years later.
So somewhere in the Arizona desert is a gloomy looking mansion where doctors Erich Von Stroheim and Richard Arlen are doing experiments on animals to see if their brains continue to work after the animal's heart has stopped beating and they have been pronounced dead. A monkey dying of lymphoma is experimented on, and the brain continues to thrive for an hour after the poor cute little creature has passed on. This inspires the bellowing Von Stroheim to take the step further: to try it on a human! He has his hands full, being domineering to his nurse (Ralston) who is in love with Von Stroheim's assistant (Richard Arlen) whom Von Stroheim considers unworthy of her. A convenient plane crash gives Von Stroheim an excuse to interrupt Arlen and Ralston's date, sending them to the sight of the crash to retrieve the dead body of a passenger (named Donovan, an alleged financial wizard) for an autopsy. Realizing that while Donovan is dead, his brain is still functioning makes Von Stroheim decided to remove the brain for further experimentation in hopefully using this for the good of society to keep the great deeds and words of great men going. But was Donovan really the great man they believe? A visit from his widow opens up that can of worms, and Arlen is soon used as a vessel to bring Donovan's spirit back to life, not necessarily a good thing.
It's easy to see why Herbert J. Yates, the head of Republic Studios, thought he could make a silk purse actress out of a sow's ear non-actress, as Ralston is very photogenic here, but unfortunately, that never transfers onto the screen as either great acting or star quality. She's very hesitant in taking chances, and as a result, comes off bland and unsure of herself. Making matters worse is pairing her opposite two film veterans from the silent era. Arlen, still handsome, is very good in going between his noble assistant and the increasingly evil Donovan, while Von Stroheim blasts his lines as if he was Harry James or Glenn Miller leading their bands. Mary Nash, as Von Stroheim's Mrs. Danvers like housekeeper, gives a slow volcanic rising performance, initially cool and dark, and as she begins to see the sinister things rising around her, daring to stand up to Von Stroheim in some shocking ways. Helen Vinson, as Donovan's widow, and Sidney Blackmer, as her attorney lover, are also memorable in their smaller roles, but the screaming Juanita Quigley as a young girl involved in a plot twist involving Donovan, is majorly annoying.
Aided by excellent photography, lighting and the genuinely ghoulish atmosphere, this thriller has enough of an edge to keep you hooked, and for that reason, I rate it two stars higher than its better known 1950's remake. Von Stroheim keeps in character throughout, manages to emote over dramatically without somehow becoming too campy or over-the-top, and Arlen gives it a true touch of class. Even with the complete non-acting of Vera Hruba Ralston, the film stays devoted to its theme of how mankind should not interfere in extending life beyond its expiration date, and how when they do, it turns out to be a complete disaster for everybody involved.