5/10
Labored slapstick farce
26 January 2020
Ingmar Bergman cuts loose with this atypical homage to bedroom farce and (sometimes silent) slapstick comedy, a lark for one of the most serious filmmakers around the globe. There are fun moments, especially when Bergman breaks the fouth wall and winks at the audience ("these fireworks are not meant to be symbolic"!), but overall the film is stilted, static, and rather tiresome. The women are dazzling, but mostly wasted; despite the title, the central character is a man, and he occupies something like 90% of the running time. ** out of 4.
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