Gorgeously shot in Eastman Colour by Reg Wyer with an attractive cast. Despite - or perhaps because - of the extensive photography on location and at sea which at the time probably seemed very glamorous, today it all seems cramped, garrulous and drawn out (although enlivened by the business with the casino), with a relentlessly 'jolly' nautical score by Robert Farnon.
The presence of John Gregson - and the ending - already revives memories of 'Genevieve', with the women reluctantly dragged along again far more chic and much cooler and more sensible than the men.
The presence of John Gregson - and the ending - already revives memories of 'Genevieve', with the women reluctantly dragged along again far more chic and much cooler and more sensible than the men.