Edward Dmytryk's first film in Technicolor is unlikely to have been a milestone he took pride in, grateful as he doubtless was simply for the work after having been jailed as one of the Hollywood Ten.
Several other talented people were also slumming in this reasonably ambitious King Brothers potboiler (notably Angela Lansbury as a treacherous, high maintenance femme fatale), enhanced by a Dimitri Tiomkin score and atmospheric photography by Ernest Laszlo (which goes some way towards mitigating the stationary painted clouds that ruin most of the scenes on deck).
The script by Philip Yordan (assuming he's signing his own work this time) is actually pretty witty & imaginative; and the similarity of the ignominious fate suffered by one character and incorporation into the plot of an early submersible suggests he knew both his Shakespeare and his military history.
Several other talented people were also slumming in this reasonably ambitious King Brothers potboiler (notably Angela Lansbury as a treacherous, high maintenance femme fatale), enhanced by a Dimitri Tiomkin score and atmospheric photography by Ernest Laszlo (which goes some way towards mitigating the stationary painted clouds that ruin most of the scenes on deck).
The script by Philip Yordan (assuming he's signing his own work this time) is actually pretty witty & imaginative; and the similarity of the ignominious fate suffered by one character and incorporation into the plot of an early submersible suggests he knew both his Shakespeare and his military history.