A quirky attempt at science fiction by Gainsborough Pictures. The mind boggles at what Goebbels must have made of this piece of fanciful wartime escapism if he ever saw it!
A zany time travel comedy that begins and ends in New York (hence the 'topical' jokes about Roosevelt and Walter Winchell) concerning a time machine that takes Tommy Handley back to the court of Queen Elizabeth; like a 'Dr Who' adventure played for laughs.
Referred to by it's inventor Felix Aylmer as 'The Time Ball', the time machine itself - with the possible exception of marking Graham Moffatt & Moore Marriott's final screen appearance together - is the most memorable aspect of the film (presumably the work of veteran art director John Bryan), whose equivalent it functions as of the Tardis. Resembling a flying bathysphere; the few effects shots of it in flight being obviously cheap but nevertheless satisfying.
A zany time travel comedy that begins and ends in New York (hence the 'topical' jokes about Roosevelt and Walter Winchell) concerning a time machine that takes Tommy Handley back to the court of Queen Elizabeth; like a 'Dr Who' adventure played for laughs.
Referred to by it's inventor Felix Aylmer as 'The Time Ball', the time machine itself - with the possible exception of marking Graham Moffatt & Moore Marriott's final screen appearance together - is the most memorable aspect of the film (presumably the work of veteran art director John Bryan), whose equivalent it functions as of the Tardis. Resembling a flying bathysphere; the few effects shots of it in flight being obviously cheap but nevertheless satisfying.