Despite being of Polish descent and not learning English until his twenties Joseph Conrad became one of the greatest writers in the English language. His novels are deeply pessimistic and depict Man as being able neither to escape nor elude his destiny. To say that his works are unfilmable would be an overstatement but they certainly pose particular challenges. Such a pity that David Lean's plan to direct Conrad's late work 'Nostromo' did not come to fruition.
Here we have his second novel directed by another of our truly great directors Carol Reed. Although Reed's films of the 1960's show a distinct falling off, this comes from a period when he is really 'on form'. There are changes from the novel but that is par for the course where film adaptations are concerned. Conrad was fascinated by the nature of evil and here it is personified by Trevor Howard as Willems who plays his part with tremendous relish. Ralph Richardson brings his presence to bear as Lingard although his appearance is rather pantomimic. Robert Morley and Wendy Hiller are excellent as Mr. And Mrs. Almayer but her role is underwritten and 'ambiguous' to say the least.
In the novel Willems dies but here he is left to exist in the living hell he has created for himself and Aissa, played by Kerima, whose sexual magnetism has caused so much destruction. Willems has described his feelings for her as 'something between love and hate but stronger' and this ambivalence is powerfully depicted.
Reed and adaptor William Fairchild have ended the film with a masterful shot of Aissa lowering her head in despair. This sweeping and mesmerising film with a majestic score by Brian Easdale is from a director at the top of his game.
Here we have his second novel directed by another of our truly great directors Carol Reed. Although Reed's films of the 1960's show a distinct falling off, this comes from a period when he is really 'on form'. There are changes from the novel but that is par for the course where film adaptations are concerned. Conrad was fascinated by the nature of evil and here it is personified by Trevor Howard as Willems who plays his part with tremendous relish. Ralph Richardson brings his presence to bear as Lingard although his appearance is rather pantomimic. Robert Morley and Wendy Hiller are excellent as Mr. And Mrs. Almayer but her role is underwritten and 'ambiguous' to say the least.
In the novel Willems dies but here he is left to exist in the living hell he has created for himself and Aissa, played by Kerima, whose sexual magnetism has caused so much destruction. Willems has described his feelings for her as 'something between love and hate but stronger' and this ambivalence is powerfully depicted.
Reed and adaptor William Fairchild have ended the film with a masterful shot of Aissa lowering her head in despair. This sweeping and mesmerising film with a majestic score by Brian Easdale is from a director at the top of his game.