Dezzy (Dora Madison) is a struggling artist. The muse seems to have deserted her. She spends her time high as a kite, having sex, listening to chunky grunge music and swearing. A lot. To have a good time, or to cope with a bad time, she meets up with others just like herself. Together, they get as high as a kite, have sex and listen to chunky grunge music. Oh, and they swear a lot. So much so that, at the beginning of the film, their stream of endless profanities and imaginatively arranged expletives are riotously funny - until you get used to it and it just becomes irritating. In between all these pastimes, they talk about themselves endlessly. Who would have thought being so 'bad' could be so boring?
That's the characters, though, not this film. 'Bliss' moves along at a brisk pace. 'Norm' (George Wendt) turns up as 'Pop' for the briefest time. Even he is surrounded by thick cigarette smoke and a whirl of bad language. Director Joe Begos clearly wants us to become as immersed in this grindhouse lifestyle as possible. There are eccentric camera angles and fast edits to create for us a disorientating world. There's even a warning for epileptics at the beginning.
I enjoyed the film. It's a slow build-up. Yes, we understand - these characters are hardcore! But it is a convincing environment and the horror, when it comes, alongside some excellent gore effects, is effective and above all - does something different.
It isn't possible to sympathise with someone who takes so many narcotics just so she can function enough to take *more* narcotics - and then complains, in the strongest possible terms of course, that she is not well. I get the impression, though, we're not being asked to sympathise with her. Whether we care about her is up to us - she is presented as what she is: take it or leave it. In real life, I would definitely leave it, but in this film, it is interesting to see where her increasingly deadly trips - and her equally immersive art - are taking her.
That's the characters, though, not this film. 'Bliss' moves along at a brisk pace. 'Norm' (George Wendt) turns up as 'Pop' for the briefest time. Even he is surrounded by thick cigarette smoke and a whirl of bad language. Director Joe Begos clearly wants us to become as immersed in this grindhouse lifestyle as possible. There are eccentric camera angles and fast edits to create for us a disorientating world. There's even a warning for epileptics at the beginning.
I enjoyed the film. It's a slow build-up. Yes, we understand - these characters are hardcore! But it is a convincing environment and the horror, when it comes, alongside some excellent gore effects, is effective and above all - does something different.
It isn't possible to sympathise with someone who takes so many narcotics just so she can function enough to take *more* narcotics - and then complains, in the strongest possible terms of course, that she is not well. I get the impression, though, we're not being asked to sympathise with her. Whether we care about her is up to us - she is presented as what she is: take it or leave it. In real life, I would definitely leave it, but in this film, it is interesting to see where her increasingly deadly trips - and her equally immersive art - are taking her.