Blood and Wine is directed by Bob Rafelson and Rafelson co-writes the screenplay with Nick Villiers and Alison Cross. It stars Jack Nicholson, Stephen Dorff, Jennifer Lopez, Judy Davis and Michael Caine. Music is by Michal Lorenc and cinematography by Newton Thomas Sigel.
A failed father and husband enlists an oily accomplice to enact the theft of a precious necklace. But when his wife and son get involved in the shady dealings, things quickly spiral out of control.
Bob Rafelson once again turns to his muse, Nicholson, to bring about another venture down the neo-noir lane. Unfortunately, just like the "The Postman Always Rings Twice" remake and "Black Widow", this also flatters to deceive.
Nothing wrong with the acting or story as such, Nicholson and Caine bounce off each other with scummy character glee, while Lopez and Dorff offer up some sexy sizzle in the supporting slots. In true noir fashion the pic is ripe with unlikable characters, while the vagaries of noirville fate comes into play. Yet as it plays out more as a character study than anything edgy or thrilling, it ends up being like a fine wine that has been corked.
Some nifty complexities in the narrative and the fine perfs ensure it's above average, but really it's not a must see for the noir faithful. 6/10
A failed father and husband enlists an oily accomplice to enact the theft of a precious necklace. But when his wife and son get involved in the shady dealings, things quickly spiral out of control.
Bob Rafelson once again turns to his muse, Nicholson, to bring about another venture down the neo-noir lane. Unfortunately, just like the "The Postman Always Rings Twice" remake and "Black Widow", this also flatters to deceive.
Nothing wrong with the acting or story as such, Nicholson and Caine bounce off each other with scummy character glee, while Lopez and Dorff offer up some sexy sizzle in the supporting slots. In true noir fashion the pic is ripe with unlikable characters, while the vagaries of noirville fate comes into play. Yet as it plays out more as a character study than anything edgy or thrilling, it ends up being like a fine wine that has been corked.
Some nifty complexities in the narrative and the fine perfs ensure it's above average, but really it's not a must see for the noir faithful. 6/10