Have for a while been on a roll tracking down and watching not so well known (near-obscure in some cases) films from filmographies of actors/actresses that varied from very famous to practically forgotten today. In 'Code Two's' case Ralph Meeker and Keenan Wynn were the best-known of the cast. Also have always really liked the genre and liked the concept, so they were further reasons for wanting to see 'Code Two'. If it weren't for me seeing a few of Meeker's films recently, this film's existence would still be unknown to me.
On the whole, 'Code Two' is worth tracking down, even non-motorcycling fans should find some worth (speaking as one but appreciate them), and that it is near-forgotten today is not that deserved. It is not a great film, or an essential, and is a film of two halves in my view, one a good deal stronger than the other. There are though a lot of strong things about it and anybody that loves the genre should see it for at least completest sake.
'Code Two' isn't perfect. Some of the first half is nostalgic and amusing and the atmosphere of the academy is done accurately, but it is also rather exposition-heavy, thin on plot and takes too long to set up. The second half is certainly much better, but it did mean that it was like seeing two films in one and of two different tones, one more nostalgic and light-hearted and the other grittier and more tough.
Meeker does give a confident performance in the lead and it is the sort of role that suits him well, sadly though Chuck is agreed quite obnoxious and not easy to get behind. The very end felt on the cheesy side and jarred by the quite suspenseful build up.
However, 'Code Two' has a very effectively noir-ish look in especially the second half. The semi-docmentary look of the truly startling and quite brutal opening is also incredibly effective and hits hard. The music serves its purpose well and fits at least, not over-emphasising the mood. The direction is assured and a good mix of affectionate and unyielding on the most part, apart from some lapses in momentum in more expositionary moments. The motorcycles are very cool and will be a treat for anybody that has an interest in them.
The script has entertainment value and tautness and while the first half was for me flawed the film did start off brilliantly with an opening that as said hits hard. The second half, also as already said, is the stronger and much more consistent half. It isn't earth shattering originality wise, but more than makes up for it with its tight pace, its grim tension and its non-holding back atmosphere. Meeker, despite his character, carries the film well and is very well supported by Wynn (as a contender for the most interesting character), sympathetic Elaine Stewart and Robert Horton.
All in all, uneven but above average curiosity. 6/10
On the whole, 'Code Two' is worth tracking down, even non-motorcycling fans should find some worth (speaking as one but appreciate them), and that it is near-forgotten today is not that deserved. It is not a great film, or an essential, and is a film of two halves in my view, one a good deal stronger than the other. There are though a lot of strong things about it and anybody that loves the genre should see it for at least completest sake.
'Code Two' isn't perfect. Some of the first half is nostalgic and amusing and the atmosphere of the academy is done accurately, but it is also rather exposition-heavy, thin on plot and takes too long to set up. The second half is certainly much better, but it did mean that it was like seeing two films in one and of two different tones, one more nostalgic and light-hearted and the other grittier and more tough.
Meeker does give a confident performance in the lead and it is the sort of role that suits him well, sadly though Chuck is agreed quite obnoxious and not easy to get behind. The very end felt on the cheesy side and jarred by the quite suspenseful build up.
However, 'Code Two' has a very effectively noir-ish look in especially the second half. The semi-docmentary look of the truly startling and quite brutal opening is also incredibly effective and hits hard. The music serves its purpose well and fits at least, not over-emphasising the mood. The direction is assured and a good mix of affectionate and unyielding on the most part, apart from some lapses in momentum in more expositionary moments. The motorcycles are very cool and will be a treat for anybody that has an interest in them.
The script has entertainment value and tautness and while the first half was for me flawed the film did start off brilliantly with an opening that as said hits hard. The second half, also as already said, is the stronger and much more consistent half. It isn't earth shattering originality wise, but more than makes up for it with its tight pace, its grim tension and its non-holding back atmosphere. Meeker, despite his character, carries the film well and is very well supported by Wynn (as a contender for the most interesting character), sympathetic Elaine Stewart and Robert Horton.
All in all, uneven but above average curiosity. 6/10