Review of 3%

3% (2016–2020)
8/10
Brazilian through and through
10 September 2020
What do we know about Brazil? Beautiful country. Gisele Bündchen. TV shows with less than 2,500 episodes are considered mini-series. Oh, and Embraer. And it's actually spelled Brasil.

This show delivers on all fronts. From the first minute you are thrown into an endless kaleidoscope of hotties of both genders who look GORGEOUS in their slum-rugs, obviously designed by someone with only a first name. (Did you know that Kenzo's last name is Takada?) I bet even the dirt smeared on them was imported from some exotic place. A cross between steam punk and Victoria's Secret. The looking-good box ticked BIGLY. The production design team has done an amazing job. Total success - the show looks A-mazing! The set decorations, the costumes, make-up, accessories - CHEF'S KISS!!!! Well done!

The plot is interesting enough to keep the intrigue going. Something very social and very progressive. And, eventually, very Embraer-esgue-ly high-tech. As in all Brazilian telenovellas, it is both incredibly naive, borderline primitive, and even more incredibly twisted. Artificial selection process, some rebels group, power struggle on both sides, hatred, betrayal, and love polygons of all shapes.

The plot develops nicely and gradually. Secrets are revealed in their own time, but you are not left scratching your head for too long on any mystery. Every once in a while the writers drop back to their roots, and you get a strong dose of telenovella in the form of an out-of-character tantrum or a sudden burst of guilt/shame/fear/joy/all-of-the-above. But they quickly course-correct and off we go again.

All-in-all, it looks both very familiar and surprisingly fresh. If you liked City of God and Sandpit Generals, you will like the long form Brazilian cinematography.
21 out of 27 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed