Night Drive (1977 TV Movie)
5/10
Every cliché in the book.
8 December 2020
Warning: Spoilers
Certainly it is impossible not to feel anguish for the terrified wife and mother played by Valarie Harper, then nearing the end of her run as Rhoda after two sitcoms and numerous Emmy's. Harper breaks through her wisecracking comic persona to play a woman in serious jeopardy after she witnesses a murder on a lone highway with the obviously psychotic Richard Romanus having just killed a police officer right in front of her. She's on her way to Denver from Phoenix after learning that her young son is in a hospital, so she has more to worry about than her own life being in jeopardy.

Everything that can go wrong for Harper does go wrong, having already started when she couldn't get a flight out because of weather conditions, and later running out of gas after an irresponsible gas station attendant decides to close early so he can go partying with friends. She breaks into another closed gas station where she finds nothing but a homeless man (John Quade), and later tries to get help with Nicholas Pryor, a man in his car on the side of the road getting drunk while waiting for a huge rain storm to subside. That leads to more carnage and puts Harper deeper into hysteria.

This TV movie solely rests on Harper's shoulders as she is practically in every scene, and it is not surprising that considering her situation, her character does not make the best decisions in the effort to save her life and get away from him. She is truly riveting in the nail biting situation, but the script relies on so many stereotypical situations and twists and turns and blockades to her getting away that after a while it ends up being just too much. Too melodramatic, too depressing, too filled with paranoia that it probably prevented other women like Harper to go out for necessary long drives on their own.

The young Quinn Cummings, who would be nominated an Oscar early the next year for "The Goodbye Girl", plays Harper's daughter, showing the same amount of sarcasm and brattiness that she would as Marsha Mason's daughter in that comedy classic. Richard Romanus truly is frightening as the mostly silent killer whose real voice you never hear, only altered by a device that completely distorts it. But this is Harper's film, and it would not be the only time in a TV movie where she'd find herself as a victim, something our beloved Rhoda was not.
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