The plot: a bitter scientist who can enter other people's dreams becomes an exorcist to hunt down the demon that killed his family.
If you're a fan of Aaron Eckhart, how could you not find this concept exciting? The problem is that the film gives you all kinds of promises and fails to deliver on any of them. Every step of the way, you're left thinking to yourself, "This movie could have been awesome." With such an over-the-top, absurd premise, you could have really gone crazy. Instead, it's by-the-numbers.
The dream sequences in particular could have been memorable. Remember The Cell by Tarsem Singh? That wasn't a great movie, but the dream sequences were great. Imagine what someone like David Cronenberg could have done with this concept! Instead, what do we get? A generic nightclub. A generic carnival. A generic park. When music videos from the 1990s look more visionary -- and disturbing -- than your horror movie, that's a problem.
Perhaps one of the more perplexing aspects of the story is that our hero rejects spiritual mumbo jumbo when it comes to demons, but he uses psychic powers to fight them. I suspect this was done to explain why he must fight the demons personally. But given that he's already obsessed with vengeance, why can't that be enough? Why does he also need superpowers?
The story is OK, but it often feels like it could have been so much more. Despite throwing several interesting ideas at you, it never rises above the pedestrian elevator pitch: "Fallen meets Inception". However, it's not boring, which is truly the only unforgivable sin in a horror movie.
If you're a fan of Aaron Eckhart, how could you not find this concept exciting? The problem is that the film gives you all kinds of promises and fails to deliver on any of them. Every step of the way, you're left thinking to yourself, "This movie could have been awesome." With such an over-the-top, absurd premise, you could have really gone crazy. Instead, it's by-the-numbers.
The dream sequences in particular could have been memorable. Remember The Cell by Tarsem Singh? That wasn't a great movie, but the dream sequences were great. Imagine what someone like David Cronenberg could have done with this concept! Instead, what do we get? A generic nightclub. A generic carnival. A generic park. When music videos from the 1990s look more visionary -- and disturbing -- than your horror movie, that's a problem.
Perhaps one of the more perplexing aspects of the story is that our hero rejects spiritual mumbo jumbo when it comes to demons, but he uses psychic powers to fight them. I suspect this was done to explain why he must fight the demons personally. But given that he's already obsessed with vengeance, why can't that be enough? Why does he also need superpowers?
The story is OK, but it often feels like it could have been so much more. Despite throwing several interesting ideas at you, it never rises above the pedestrian elevator pitch: "Fallen meets Inception". However, it's not boring, which is truly the only unforgivable sin in a horror movie.