Quick note for context: I'm writing this review in 2021, a full 75 years since this film was made. On this morning the news headlines scream of lynchings & mob violence in Israel/Palestine as well as pandemic-fueled hate crimes in the USA and gawd knows what else because I really need to shut off the news and go back to watching the Teletubbies.
"Panique" is a magnificently shot, suspensefully told, expertly acted, and powerfully poignant tale about the absolute folly of the human race. Brought to us by master director Julien Duvivier, France's favorite cynic, it's a merciless caricature of humankind which was doubtlessly inspired by the postwar paranoia and righteous rage of the time--itself a vigilante backlash to the insanity of fascism that had dunked Europe into its darkest decade.
That's a mouthful, but if you're going to watch this movie, it's pretty important to realize that the story isn't so much a straightforward crime thriller as much as it's a dark fable, a grotesque portrait of humanity at its worst. Almost every character is detestable, with the fascinating exception of our protagonist "Hire" whom we initially dislike for his coldness but who gradually becomes one of the most endearing & charming characters since Quasimodo. Major props to lead actor Michel Simon for his nuanced performance which leads us through this transformation in our own minds.
Plot overview: Hire is an outsider in his own world. Nobody likes him because he's so distant, unapproachable and worst of all, intelligent. Then one day a beautiful woman rolls into town, the mistress of a criminal who's hiding out there. Hire falls for this dark haired beauty, and as you might guess, this gets him into deep bouillabaisse.
What we get next is a slow, relentless buildup of the plight of the lone individual vs the entire human race. One can't help but feel as if this film is Duvivier's greatest autobiographical work, expressing in no uncertain terms how disappointed he was at society for its less-than-kind reception of his works and himself (Duviver was at one point accused of being a traitor for escaping to the USA during the Nazi occupation). This film begins innocently enough but slowly reels us into one of the most cynical portrayals of human society since Night of the Living Dead. But what keeps this flick entertaining rather than outright depressing is the darkly humorous way in which it's presented. For example:
One scene shows a carnival attraction in a cramped tent: a bunch of female wrestlers preparing to pummel each other for a packed audience's thrill. Over the din of the crowd, someone yells to someone else, "They found the murderer!" to which someone else shouts "What? There's a murderer in here?!" to which someone else shouts "A fire! There's a fire!" to which the whole crowd erupts in "FIRE! RUN FOR YOUR LIVES!"
This is just one example of Duvivier's many satirical skewerings of society's idiocy and mob mentality. Images, faces and lighting are wonderfully exaggerated. As you're watching this film, the name Hitchcock will cross your mind dozens of times, but make note that this film was made in 1946 predating many of Hitchcock's masterpieces. You can't help but wonder if the master Hitch himself lifted a few tools from Duvivier's toolbox which he would use in films like "Strangers on a Train" (the carnival scenes), "Rear Window" (the impotent voyeur), and "Vertigo" (a stunning climactic scene which I won't spoil).
"Panique" is sure to burn an imprint on your mind. You definitely don't need to be following this with cable news. Now if I can only find my nephew's Teletubbies DVDs all will be well in the world.
"Panique" is a magnificently shot, suspensefully told, expertly acted, and powerfully poignant tale about the absolute folly of the human race. Brought to us by master director Julien Duvivier, France's favorite cynic, it's a merciless caricature of humankind which was doubtlessly inspired by the postwar paranoia and righteous rage of the time--itself a vigilante backlash to the insanity of fascism that had dunked Europe into its darkest decade.
That's a mouthful, but if you're going to watch this movie, it's pretty important to realize that the story isn't so much a straightforward crime thriller as much as it's a dark fable, a grotesque portrait of humanity at its worst. Almost every character is detestable, with the fascinating exception of our protagonist "Hire" whom we initially dislike for his coldness but who gradually becomes one of the most endearing & charming characters since Quasimodo. Major props to lead actor Michel Simon for his nuanced performance which leads us through this transformation in our own minds.
Plot overview: Hire is an outsider in his own world. Nobody likes him because he's so distant, unapproachable and worst of all, intelligent. Then one day a beautiful woman rolls into town, the mistress of a criminal who's hiding out there. Hire falls for this dark haired beauty, and as you might guess, this gets him into deep bouillabaisse.
What we get next is a slow, relentless buildup of the plight of the lone individual vs the entire human race. One can't help but feel as if this film is Duvivier's greatest autobiographical work, expressing in no uncertain terms how disappointed he was at society for its less-than-kind reception of his works and himself (Duviver was at one point accused of being a traitor for escaping to the USA during the Nazi occupation). This film begins innocently enough but slowly reels us into one of the most cynical portrayals of human society since Night of the Living Dead. But what keeps this flick entertaining rather than outright depressing is the darkly humorous way in which it's presented. For example:
One scene shows a carnival attraction in a cramped tent: a bunch of female wrestlers preparing to pummel each other for a packed audience's thrill. Over the din of the crowd, someone yells to someone else, "They found the murderer!" to which someone else shouts "What? There's a murderer in here?!" to which someone else shouts "A fire! There's a fire!" to which the whole crowd erupts in "FIRE! RUN FOR YOUR LIVES!"
This is just one example of Duvivier's many satirical skewerings of society's idiocy and mob mentality. Images, faces and lighting are wonderfully exaggerated. As you're watching this film, the name Hitchcock will cross your mind dozens of times, but make note that this film was made in 1946 predating many of Hitchcock's masterpieces. You can't help but wonder if the master Hitch himself lifted a few tools from Duvivier's toolbox which he would use in films like "Strangers on a Train" (the carnival scenes), "Rear Window" (the impotent voyeur), and "Vertigo" (a stunning climactic scene which I won't spoil).
"Panique" is sure to burn an imprint on your mind. You definitely don't need to be following this with cable news. Now if I can only find my nephew's Teletubbies DVDs all will be well in the world.