In the arts and literature there have been a number of works detailing advanced civilizations arriving on earth in their attempt to better the conditions we humans face here on Earth. Cinema is no exception. The first movie to have an alien travel to earth with the intention to create positive change was
September 1920's "Algol: The Tragedy of Power." The German-produced film's aim is not so much to illustrate a science fiction technological marvel delivered by the planet Algol, but to reflect mankind's behavior when such an all-powerful energy-producing machine is in the hands of one ordinary person.
A coal miner, Emil Jannings, and his co-laborers face the daily drudgery of descending down the dark passages of earth to extract black coal for producing energy--the main source of heating and electricity back in the early 1900's. The inhabitants of the distant planet Algol observe these poor, retched workers and figure with just one of their clean energy machines, they could introduce to earthlings the power to eliminate coal and produce all the electricity the world would ever need. They send one of their deliverymen to give it to Jannings so he can share the machine's wonders with his fellow beings.
Despite all the good intentions of the Algols, their plan go awry. Jannings isn't going to distribute the knowledge nor the rewards of having Earth's monopoly of free energy with anyone. He creates a corrupt totalitarian hierarchy with his gift, setting an example of what director Hans Werckmeister, who produced just a handful of films in his short career, intended to reflect man's avarice when given such a tremendous treasure of power.
The movie covers a twenty-year span, from 1920 to 1940. It would be easy to see this as a prescient parable of Adolph Hitler's rise to power, creating his own totalitarian dictatorship. Werckmeister's message though was such power shouldn't be used to control the world but, as the Algol's intended, it should be used to elevate the planet's inhabitants.
A coal miner, Emil Jannings, and his co-laborers face the daily drudgery of descending down the dark passages of earth to extract black coal for producing energy--the main source of heating and electricity back in the early 1900's. The inhabitants of the distant planet Algol observe these poor, retched workers and figure with just one of their clean energy machines, they could introduce to earthlings the power to eliminate coal and produce all the electricity the world would ever need. They send one of their deliverymen to give it to Jannings so he can share the machine's wonders with his fellow beings.
Despite all the good intentions of the Algols, their plan go awry. Jannings isn't going to distribute the knowledge nor the rewards of having Earth's monopoly of free energy with anyone. He creates a corrupt totalitarian hierarchy with his gift, setting an example of what director Hans Werckmeister, who produced just a handful of films in his short career, intended to reflect man's avarice when given such a tremendous treasure of power.
The movie covers a twenty-year span, from 1920 to 1940. It would be easy to see this as a prescient parable of Adolph Hitler's rise to power, creating his own totalitarian dictatorship. Werckmeister's message though was such power shouldn't be used to control the world but, as the Algol's intended, it should be used to elevate the planet's inhabitants.