Many of the reviews point out how dated some of this movie is. And it is. It is a museum piece. That does not make it unwatchable. The story is cliche-ed by now, but only because Hollywood kept making various versions of it over the years. The talking movie was in its infancy then and silent movies were still a recent memory. The stage is where many film actors of the time started and performing in the theater meant putting the material across for the audience and projecting which current movie acting does not require. (Just show up and be yourself.) The theater had more cache in 1932 than movies and it is perfectly understandable Eva Lovelace would be attracted to it. Hepburns Bryn Mawr accent fits perfectly with the character who worries too much about how she sounds and wants to sound more British or high-toned. Her naivete makes her laughable at one moment and charming in another. Hepburn does a good job with all of that. She talks too much and says silly thinks that reflect her youth and romantic ideas about the stage, as the character is from some town in Vermont. She can be grating as the character no doubt would have been.
The script does not shy away from what went on with Adolph Menjou the night of the party where she gets drunk. (Pre-Code) The fascination with drunken writers and witty theater critics fits the time and is long gone today.
Even the great movie stars of the time felt that they had to appear in the theater at some point to show they were really as good as advertised.
Expecting Morning Glory to be something like The Power of the Dog of 1932 shows only how silly we are ourselves. I'm sure in 2112 Don't Look Up and the recent Batman will look very quaint and dated as well.
Douglas Fairbanks Jr. Does a lot with his part. (Why did he not have a bigger career?) Menjou is perfectly credible and restrained in his role that could have lent itself to scenery chewing.. The part that meshes best with Hepburn's is C. Aubrey Smith who is just British and paternalistic enough to make the role credible without overdoing it. He does a lot with his expressions. Mary Duncan as the egocentric star who gets the boot is fine. The catty dialog between divas is still funny. Yes there are gaps in the script's timeline that leave important events out. Lengthy talking scripts were a rarity then. Movies were still measured in reels. Yes it is old and the plot has been done many times since, but as a glimpse at what was popular with audiences in 1932, it is still worth a look. Hepburn, though a mannered actress at times, turned out to be no Morning Glory herself.
The script does not shy away from what went on with Adolph Menjou the night of the party where she gets drunk. (Pre-Code) The fascination with drunken writers and witty theater critics fits the time and is long gone today.
Even the great movie stars of the time felt that they had to appear in the theater at some point to show they were really as good as advertised.
Expecting Morning Glory to be something like The Power of the Dog of 1932 shows only how silly we are ourselves. I'm sure in 2112 Don't Look Up and the recent Batman will look very quaint and dated as well.
Douglas Fairbanks Jr. Does a lot with his part. (Why did he not have a bigger career?) Menjou is perfectly credible and restrained in his role that could have lent itself to scenery chewing.. The part that meshes best with Hepburn's is C. Aubrey Smith who is just British and paternalistic enough to make the role credible without overdoing it. He does a lot with his expressions. Mary Duncan as the egocentric star who gets the boot is fine. The catty dialog between divas is still funny. Yes there are gaps in the script's timeline that leave important events out. Lengthy talking scripts were a rarity then. Movies were still measured in reels. Yes it is old and the plot has been done many times since, but as a glimpse at what was popular with audiences in 1932, it is still worth a look. Hepburn, though a mannered actress at times, turned out to be no Morning Glory herself.