Marie Antoinette (2022– )
8/10
Despite its flaws a series full of potential
24 December 2022
If you are looking for historical accuracy you may want to look elsewhere but what Davis has delivered is a wry, intimate depiction of a royal family who, bored of their privilege, find purpose in tearing each other down. It doesn't quite match the production value of the Netflix & co behemoths but the costume and sets more than pull their weight.

Any shortcomings are elevated by a cast full of promise. Led by a fiery performance from Schüle full of charm and sincerity, well supported by her husband who gives a sensitive evolution to the Dauphin turned king. The machiavellian 'spare' and his wife Josephine are highly entertaining in their schemes yet still deliver a sense of pathos, and the Princess Lamballe provides a rare source of compassion in this cold and spiteful court. There are other gems in the ensemble although some characters can feel one-note at points; acceptable in a 2 hour satirical film but less forgivable in an 8-part series.

Cattiness and Gossip are the cornerstones of this Versailles, which whilst fun can become repetitive and feel trivial at points. Ultimately, the main throughline of this series is the romance (or lack of) between the young queen & king and so the potential of civil unrest disturbing these royals and their petty squabbles is an exciting prospect. Fortunately, knowing the fate of this family, the stakes can only be raised considerably in future seasons.
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