...based on the 18th century play by Chikamatsu. Married paper merchant Jihei (Kichiemon Nakamura) falls in love with indentured prostitute Koharu (Sima Iwashita), and promises to raise the money necessary to secure her freedom. However, when their plans look unlikely to succeed, they swear to commit suicide together to be united in eternity. Sima Iwashita also plays Jihei's long-suffering wife Osan.
Director Masahiro Shinoda opts for a highly stylized production. The film open with a bunraku, or puppet show, troupe preparing for a performance of the play while Shinoda is heard discussing the film's script with screenwriter Toru Takemitsu. When the story finally gets underway, the performances range from realism to kabuki expressionism, while the sets are also a blend of the real-world with the deliberately artificial. The most striking aspect is the presence of stagehands, dressed in black from head to toe as is the traditional way in stage performances, lurking about the sets. Their otherworldly appearance and silent presence turn them into a sort of grim reaper hovering over the characters, signaling their inevitable fate.
Director Masahiro Shinoda opts for a highly stylized production. The film open with a bunraku, or puppet show, troupe preparing for a performance of the play while Shinoda is heard discussing the film's script with screenwriter Toru Takemitsu. When the story finally gets underway, the performances range from realism to kabuki expressionism, while the sets are also a blend of the real-world with the deliberately artificial. The most striking aspect is the presence of stagehands, dressed in black from head to toe as is the traditional way in stage performances, lurking about the sets. Their otherworldly appearance and silent presence turn them into a sort of grim reaper hovering over the characters, signaling their inevitable fate.