"Birdemic 3 came out today, and Nguyen is already planning a fourth. But all I can think about is Evan Husney's sad portrait of a man who desperately wants to be a respected filmmaker but is so unable to let go of the movie that made him a cult hit that he sabotages himself."
This is what Ed Glaser wrote on Twitter alongside a clip of James Nguyen in a documentary from Vice, displaying his apparent inability to move on from the Birdemic phenomenon -- while leaving us confused whether he understands how deeply hilarious his movie about the attack of the killer bird GIFs truly is, or at least why this is so.
After all, the previous movie was trying to be funny on purpose. Alas, it is typical for a "so bad that it's good" filmmaker to lack the self-awareness to understand why people were laughing in the first place (just look at what happens when Tommy Wiseau, director of the legendarily inept The Room, tries to make us laugh INTENTIONALLY with The Neighbors) and sure enough, Birdemic 2 was just plain unwatchable.
Now, for some reason, Birdemic 3: Sea Eagle IS actually kinda funny.
Nguyen leans into what made the original movie so transfixingly terrible (the constantly shifting audio quality, white balance, and saturation seem all the more jarring with the improved picture quality) but isn't trying to be cheeky about it. The impression I got was that of a filmmaker who, deep down, does think this all looks really cool and that these sub-PSA "insights" about global warming and environmentalism are genuinely profound (one is reminded of bad movie legend Neil Breen, who still plays everything straight, possibly because he knows how hilarious that makes him).
But then, the movie does come with the additional (depressing) undertone generated by what we know from the aforementioned documentary: this is all Nguyen has in him. I was pondering this as I watched, but promptly forgot about all that when I heard a track by Melodysheep (composed for his sublime YouTube doc about life in the cosmos and its inevitable fate) among the stock music.
He's got taste, that James Nguyen.
This is what Ed Glaser wrote on Twitter alongside a clip of James Nguyen in a documentary from Vice, displaying his apparent inability to move on from the Birdemic phenomenon -- while leaving us confused whether he understands how deeply hilarious his movie about the attack of the killer bird GIFs truly is, or at least why this is so.
After all, the previous movie was trying to be funny on purpose. Alas, it is typical for a "so bad that it's good" filmmaker to lack the self-awareness to understand why people were laughing in the first place (just look at what happens when Tommy Wiseau, director of the legendarily inept The Room, tries to make us laugh INTENTIONALLY with The Neighbors) and sure enough, Birdemic 2 was just plain unwatchable.
Now, for some reason, Birdemic 3: Sea Eagle IS actually kinda funny.
Nguyen leans into what made the original movie so transfixingly terrible (the constantly shifting audio quality, white balance, and saturation seem all the more jarring with the improved picture quality) but isn't trying to be cheeky about it. The impression I got was that of a filmmaker who, deep down, does think this all looks really cool and that these sub-PSA "insights" about global warming and environmentalism are genuinely profound (one is reminded of bad movie legend Neil Breen, who still plays everything straight, possibly because he knows how hilarious that makes him).
But then, the movie does come with the additional (depressing) undertone generated by what we know from the aforementioned documentary: this is all Nguyen has in him. I was pondering this as I watched, but promptly forgot about all that when I heard a track by Melodysheep (composed for his sublime YouTube doc about life in the cosmos and its inevitable fate) among the stock music.
He's got taste, that James Nguyen.