This is simply one of Bergman's early, most overlapping reminiscences. Multiple women's memories, memories over memories, and I believe that this technique not only allows the audience to feel the delicate flow of emotions from the characters, but also allows Bergman himself to find a point of self style.
I really appreciate the elevator scene, Bergman's own directorial strength of stage play, perfect play dramatic conflict full. Just the only regret CC's bad Chinese subtitles. But the only place worthy of criticism that is that strong flavor of the father, that traditional marital relations of the stench, perhaps this is why my professor once told me that "can not understand the Bergman are not up to age" also to the old age, perhaps the ambiguity of this tradition is the most touching, on the basis of which can not be made a big deal, after all, Bergman's women! After all, Bergman's women are still portrayed quite accurately and vividly. This is reflected in most of the narratives unfolding from a female perspective, and the hysterical performances of men.
I was planning to watch this hypnosis did not realize that the more I watched, the more excited, each memory unfolds like a novel-like chapters marked the story, which in the early Bergman is considered to be a moving work, the first few Summer Chronicles and Thirst here again was a tribute to the order of watching down the feeling is very good.
I really appreciate the elevator scene, Bergman's own directorial strength of stage play, perfect play dramatic conflict full. Just the only regret CC's bad Chinese subtitles. But the only place worthy of criticism that is that strong flavor of the father, that traditional marital relations of the stench, perhaps this is why my professor once told me that "can not understand the Bergman are not up to age" also to the old age, perhaps the ambiguity of this tradition is the most touching, on the basis of which can not be made a big deal, after all, Bergman's women! After all, Bergman's women are still portrayed quite accurately and vividly. This is reflected in most of the narratives unfolding from a female perspective, and the hysterical performances of men.
I was planning to watch this hypnosis did not realize that the more I watched, the more excited, each memory unfolds like a novel-like chapters marked the story, which in the early Bergman is considered to be a moving work, the first few Summer Chronicles and Thirst here again was a tribute to the order of watching down the feeling is very good.