Over the past few years there has been numerous, very good films detailing the tumultuous times of the 1960's - and many of them have been Oscar Nominated. From THE TRIAL OF THE CHICAGO 7 to JUDAS AND THE BLACK MESSIAH to SELMA, one can get quite a history education by watching these films.
Add to this, RUSTIN, with Colman Domingo Oscar Nominated for portraying the titular character, Bayard Rustin - a gay, black man - who Organized the famed March on Washington in 1963.
Colman is a deserved Oscar Nominee for portraying a character that is strong in his beliefs - including his sexual preferences - and is not afraid to let anyone know that he believes that African-Americans...and homosexuals...deserve equal rights under the law.
Being both Black AND Gay in the 1960's in America is not an easy thing to endure.
And so this film tells us. Again...and again...and again. Such to the point that one loses the main thrust of the film - the pivotal March on Washington that was a seminal moment in the 1960's Civil Rights Movement - and, instead gets bogged down in the Soap Opera-y antics of a philandering, gay black man. And...this is too bad for Director George C. Wolfe (MA RAINEY'S BLACK BOTTOM) has the makings of a strong, effective film - with a charismatic, engrossing central performance - but loses the way of the film as it descends into melodrama.
And, perhaps, that is the film that Wolfe wanted to make all along, but it comes at the detriment of the larger themes that could have been mined.
Clearly many in the African-American Performing Community thought highly of the project to appear in small, almost cameo, roles. From fellow 2023 Oscar Nominees Jeffrey Wright (for AMERICAN FICTION) to Da'Vine Joy Randolph (THE HOLDOVERS) to Chris Rock, Audra McDonald, CCH Pounder and Glynn Turman, one could feel to star power on the screen.
If only Director Wolfe and screenwriters Julian Breece and Dustin Lance Black had given them a better vehicle to star in.
The themes were there, they were just missed.
Letter Grade: B (solid performances for Domingo and others)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Add to this, RUSTIN, with Colman Domingo Oscar Nominated for portraying the titular character, Bayard Rustin - a gay, black man - who Organized the famed March on Washington in 1963.
Colman is a deserved Oscar Nominee for portraying a character that is strong in his beliefs - including his sexual preferences - and is not afraid to let anyone know that he believes that African-Americans...and homosexuals...deserve equal rights under the law.
Being both Black AND Gay in the 1960's in America is not an easy thing to endure.
And so this film tells us. Again...and again...and again. Such to the point that one loses the main thrust of the film - the pivotal March on Washington that was a seminal moment in the 1960's Civil Rights Movement - and, instead gets bogged down in the Soap Opera-y antics of a philandering, gay black man. And...this is too bad for Director George C. Wolfe (MA RAINEY'S BLACK BOTTOM) has the makings of a strong, effective film - with a charismatic, engrossing central performance - but loses the way of the film as it descends into melodrama.
And, perhaps, that is the film that Wolfe wanted to make all along, but it comes at the detriment of the larger themes that could have been mined.
Clearly many in the African-American Performing Community thought highly of the project to appear in small, almost cameo, roles. From fellow 2023 Oscar Nominees Jeffrey Wright (for AMERICAN FICTION) to Da'Vine Joy Randolph (THE HOLDOVERS) to Chris Rock, Audra McDonald, CCH Pounder and Glynn Turman, one could feel to star power on the screen.
If only Director Wolfe and screenwriters Julian Breece and Dustin Lance Black had given them a better vehicle to star in.
The themes were there, they were just missed.
Letter Grade: B (solid performances for Domingo and others)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)