More of a parody than a homage, Sam Raimi's western "The Quick and the Dead" is something of a one-off, an ultra stylish exercise in what might best be described a 'pure cinema' with style of the pop-art variety dominating virtually every frame and if the, admittedly gorgeous imagery isn't enough, there's always that cast, (Sharon Stone, Gene Hackman, Russell Crowe, Leonardo DiCaprio, Pat Hingle, Keith David, Kevin Conway, Lance Henriksen, Gary Sinise, Roberts Blossom et al).
The thin plot has Stone riding into town with the sole intention of avenging her father's killing only to find herself in the middle of a gunfight competition, a kind of last man, (or in this case, woman), standing and the incentive for all this gun-play and almost surrealistic killing is a large pot of money for the eventual winner.
Of course, Raimi's name on the credits should be a clue as to what kind of film you are going to get. Dante Spinotti provides the sometimes mind-boggling images and Pietro Scalia's editing is as quickfire as the gun play but it's Hackman who owns the film, giving it that added touch of class it would otherwise have lacked. Naturally it draws attention to itself from one frame to the next but it's also ridiculously entertaining. Perhaps too popular to be called a 'cult movie' it's some sort of classic nevertheless.
The thin plot has Stone riding into town with the sole intention of avenging her father's killing only to find herself in the middle of a gunfight competition, a kind of last man, (or in this case, woman), standing and the incentive for all this gun-play and almost surrealistic killing is a large pot of money for the eventual winner.
Of course, Raimi's name on the credits should be a clue as to what kind of film you are going to get. Dante Spinotti provides the sometimes mind-boggling images and Pietro Scalia's editing is as quickfire as the gun play but it's Hackman who owns the film, giving it that added touch of class it would otherwise have lacked. Naturally it draws attention to itself from one frame to the next but it's also ridiculously entertaining. Perhaps too popular to be called a 'cult movie' it's some sort of classic nevertheless.