I didn't think it possible to improve on what I considered to be perfection but Steven Zallian's 8 part television series "Ripley" puts all previous screen 'Ripley's' in the shade. Adapted from Patricia Highsmith's novel "The Talented Mr. Riley" it has in Andrew Scott a Ripley not so much talented as lucky. Tom Ripley kills twice in the course of the series without really thinking too much about the consequences of his actions and once he decides to take over the identity of his first victim, Dickie Greenleaf, he seems to be living entirely on his wits as well as on Dickie's money, barely keeping one step ahead of the police.
Scott, one of our finest actors, is simply magnificent as Ripley, full of nervous charm and tightly controlled terror and there's terrific work, too, from Dakota Fanning as Dickie's girlfriend Marge, suspicious of Tom's motives from the start and from Maurizio Lombardi as the dogged Italian detective on Ripley's trail without actually knowing whose trail he's on.
The murders themselves, (the two take up almost all of two of the eight episodes), are messy and gripping in ways that murders seldom are on film and benefit considerably from being shot, 'Psycho-style', in perhaps the best black and white cinematography I've seen on any screen, large or small, certainly in recent times; the cinematographer is the great Robert Elswit. In fact I'm pretty sure I won't see anything better than this again in the coming twelve months. Oh, and it's also very funny in its grisly way and has the best 'performance' by a cat that I can remember seeing...ever.
Scott, one of our finest actors, is simply magnificent as Ripley, full of nervous charm and tightly controlled terror and there's terrific work, too, from Dakota Fanning as Dickie's girlfriend Marge, suspicious of Tom's motives from the start and from Maurizio Lombardi as the dogged Italian detective on Ripley's trail without actually knowing whose trail he's on.
The murders themselves, (the two take up almost all of two of the eight episodes), are messy and gripping in ways that murders seldom are on film and benefit considerably from being shot, 'Psycho-style', in perhaps the best black and white cinematography I've seen on any screen, large or small, certainly in recent times; the cinematographer is the great Robert Elswit. In fact I'm pretty sure I won't see anything better than this again in the coming twelve months. Oh, and it's also very funny in its grisly way and has the best 'performance' by a cat that I can remember seeing...ever.