During his first few years as director, Chuck Jones actually veered more away from the zany comedy that had come to characterize Warner Bros. animation (although he did direct a few wacky cartoons, it seems like his work only turned to the totally crazy once he started directing Bugs Bunny). Two of his cartoons from this era - both stripped of their opening credits in the Blue Ribbon reissue - were so bereft of zaniness that it's a surprise that they even came from Termite Terrace: "Old Glory" and "Tom Thumb in Trouble".
The latter portrays a woodsman and his minuscule son Tom (would so tiny a boy actually use the mature form instead of the diminutive Tommy?) living alone in a log cabin. When the dad goes out and Tom nearly drowns, a bird flies in and saves the tyke. And then the dad arrives home and assumes that the bird attacked little Tom! Has the world run completely amok?! Here's what I mean by calling this cartoon a combination of Wagner's music and Alfred Hitchcock's "The Birds". In the scene where Tom walks through the snow-laden forest in search of the bird, we hear "Ride of the Valkyries" (which Chuck Jones later used in "What's Opera, Doc?" when Elmer sings "Kill the wabbit! Kill the wabbit! Kill the wabbit!"). The Hitchcock connection arises in the scene where the dad finds the bird with Tom. It's clear that the bird crashed through the window - you may recall the scene where Jessica Tandy's character finds the man with his eye pecked out - and it looks as though the avian has turned violent.
OK, so I'm probably the only person who interpreted this cartoon like that. It's just that with the more saccharine cartoons, I like to maintain full sanity by coming up with weird interpretations. Overall, this one's okay in a pinch.
The latter portrays a woodsman and his minuscule son Tom (would so tiny a boy actually use the mature form instead of the diminutive Tommy?) living alone in a log cabin. When the dad goes out and Tom nearly drowns, a bird flies in and saves the tyke. And then the dad arrives home and assumes that the bird attacked little Tom! Has the world run completely amok?! Here's what I mean by calling this cartoon a combination of Wagner's music and Alfred Hitchcock's "The Birds". In the scene where Tom walks through the snow-laden forest in search of the bird, we hear "Ride of the Valkyries" (which Chuck Jones later used in "What's Opera, Doc?" when Elmer sings "Kill the wabbit! Kill the wabbit! Kill the wabbit!"). The Hitchcock connection arises in the scene where the dad finds the bird with Tom. It's clear that the bird crashed through the window - you may recall the scene where Jessica Tandy's character finds the man with his eye pecked out - and it looks as though the avian has turned violent.
OK, so I'm probably the only person who interpreted this cartoon like that. It's just that with the more saccharine cartoons, I like to maintain full sanity by coming up with weird interpretations. Overall, this one's okay in a pinch.