This episode focuses mostly on the Warners. One assists Jack in trying to come up with the main terrorist. The other is a sociopath who is in deep. She is the one that needs to get a trigger for the bomb being kept in a locker. The father continues to be held at CTU. Kim is in running from the law and gets herself caught in a trap, approached by a mountain lion. The one thing that needs to be dealt with is why the lily white Marie is working with the terrorists.
3 Reviews
The narrative reaches a critical juncture as Jack Bauer gets closer to thwarting the terrorists' plans
fernandoschiavi26 May 2024
In the eleventh episode of season two, the narrative reaches a critical juncture as Jack Bauer gets closer to thwarting the terrorists' plans. The episode opens with Bauer executing a daring operation to intercept a crucial piece of intelligence. The direction is sharp, capturing the high-stakes nature of Bauer's mission with dynamic camera work and tight editing. The tension is palpable as Bauer navigates dangerous situations, his determination and tactical acumen driving the narrative forward.
At CTU, the team faces mounting pressure as they work to support Bauer's mission and decode the intelligence he uncovers. The interactions between the characters reveal the strains of their high-pressure environment, with moments of conflict and camaraderie adding depth to their relationships. Tony Almeida and Michelle Dessler's interactions are particularly noteworthy, reflecting the emotional toll of their roles. The direction effectively balances action with character development, creating a rich and engaging storyline.
President Palmer's storyline also advances as he confronts the political and ethical implications of the nuclear threat. Palmer's leadership and decision-making are put to the test, revealing the pressures and responsibilities of his position. His interactions with his advisors and family reveal the personal and political ramifications of his decisions, adding depth and complexity to his character. The subplot provides a compelling counterpoint to Bauer's action-driven narrative, exploring the broader implications of the crisis.
At CTU, the team faces mounting pressure as they work to support Bauer's mission and decode the intelligence he uncovers. The interactions between the characters reveal the strains of their high-pressure environment, with moments of conflict and camaraderie adding depth to their relationships. Tony Almeida and Michelle Dessler's interactions are particularly noteworthy, reflecting the emotional toll of their roles. The direction effectively balances action with character development, creating a rich and engaging storyline.
President Palmer's storyline also advances as he confronts the political and ethical implications of the nuclear threat. Palmer's leadership and decision-making are put to the test, revealing the pressures and responsibilities of his position. His interactions with his advisors and family reveal the personal and political ramifications of his decisions, adding depth and complexity to his character. The subplot provides a compelling counterpoint to Bauer's action-driven narrative, exploring the broader implications of the crisis.
Torture time
MaxBorg8925 March 2008
"You really are very sweet...". Normally, a phrase like that is not followed by murder, but hey, 24 is no rom-com, right? Still, cute little Marie Warner (Laura Harris), one of the bad guys? Kudos to the writing team - never saw that one coming.
So, with Reza dead and Marie on the run, Jack's only lead in the pursuit of Syed Ali is Kate Warner, who overheard a conversation between the terrorist leader and his followers: he is going to a mosque for one final prayer before the attack is carried out. While the manhunt reaches its end, David Palmer has to make a tough decision as he has Roger Stanton arrested and brings in a torture specialist (Steven Culp) to extract information from the treacherous NSA director.
Whereas the majority of thrillers would exploit similar plot lines to squeeze in some extra action/violence, this series relies on intelligent scripts which highlight the complex personalities that inhabit the show's relentlessly gripping universe. Revealing a typical L.A. girl was working for the enemy is a stroke of genius; accompanying that with an unseen character trait of the Commander in Chief is one of the program's most laudable achievements. Having already dealt with Palmer's rougher side in Day 1, when Sherry's machinations required desperate measures, Haysbert goes even deeper in this episode, and he does it with a profound sense of self-awareness that puts all other TV presidents, The West Wing's Bartlet aside, to shame. Those who wrote the watchable but utterly dumb Harrison Ford vehicle Air Force One ought to take note: this is how a realistic Presidential figure handles bad events.
So, with Reza dead and Marie on the run, Jack's only lead in the pursuit of Syed Ali is Kate Warner, who overheard a conversation between the terrorist leader and his followers: he is going to a mosque for one final prayer before the attack is carried out. While the manhunt reaches its end, David Palmer has to make a tough decision as he has Roger Stanton arrested and brings in a torture specialist (Steven Culp) to extract information from the treacherous NSA director.
Whereas the majority of thrillers would exploit similar plot lines to squeeze in some extra action/violence, this series relies on intelligent scripts which highlight the complex personalities that inhabit the show's relentlessly gripping universe. Revealing a typical L.A. girl was working for the enemy is a stroke of genius; accompanying that with an unseen character trait of the Commander in Chief is one of the program's most laudable achievements. Having already dealt with Palmer's rougher side in Day 1, when Sherry's machinations required desperate measures, Haysbert goes even deeper in this episode, and he does it with a profound sense of self-awareness that puts all other TV presidents, The West Wing's Bartlet aside, to shame. Those who wrote the watchable but utterly dumb Harrison Ford vehicle Air Force One ought to take note: this is how a realistic Presidential figure handles bad events.
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