"Adam-12" Skywatch: Part 1 (TV Episode 1974) Poster

(TV Series)

(1974)

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7/10
Great Vintage SoCal Aerial Views
Native_Texan6 August 2022
The highlight of this episode (and its second part) is the vintage southern California aerial views. Yes, some shots are quite smoggy, but it provides some interesting insight on the Los Angeles area a half-century ago.

For vintage technology fans, you'll appreciate the portable camera/binoculars the airborne officers use that's the size of a toaster oven!
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7/10
California smoggin
bobbrum5 April 2023
As a lifelong resident of Pennsylvania, I never understood why the west coast were such environmental crazies. Now I am reminded. California sure did have a pollution problem. The arial shots were an amazing insight into why action was needed. Catalytic converters started to appear during this time and for good reason.

As far as this episode, it was fun for watching helicopters, but thin on plot. The writers must've been on vacation. It's just eye candy for aircraft aficionados.

We'll, now I gotta come up an additional 116 characters of nonsense in order to post this, so please disregard this last paragraph.
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6/10
Above The Crowd
StrictlyConfidential7 February 2021
(*Officer Mills quote*) - "That's our boy."

Officers Reed and Malloy take part in a pilot program to ride along as observers on the police helicopter patrol. It's here that they learn how best to work along with Air-70.

As they travel around the city they get a bird's eye view of matters and are able to offer a quick response to any crime situation visible from above.
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6/10
Malloy & Reed Fly The Friendly Skies - Part 1
chashans14 June 2023
Warning: Spoilers
A very out of the norm episode. Malloy and Reed ditch the squad car and head skyward in a Police helicopter. Though there are loads of great views of the Los Angeles area from way above, the episode features very little of M & R. They're there along for the ride, but they're relegated to the back seat in more ways than one.

The first segment has the helicopter zipping around two identical skyscrapers in downtown L. A.. The four Officers aboard play hide and seek with a male/female duo inside one of the buildings. They're suspected of robbery. Reed spots them through a window on the 26th floor. Huh?? How would they know what floor their looking at other than to start at the bottom of the tower and count upward. Of the countless numbers of windows, how could Reed possibly look into the exact correct window at which the suspects are standing, motionless? This entire segment plays as incredibly unlikely.

The next segment has the helicopter in pursuit of a yellow AMC Javelin. It's driver is suspected of homicide. There's some great camera work here as we see a car chase from above. After this, Malloy wants to have lunch. This is one of the few things actor Martin Milner gets to say in the entire episode. Kent McCord doesn't fare much better.

Malloy doesn't get his lunch as it's right back up into the sky to chase a stolen airplane. M & R are then split between two copters. Reed asks, "What do we do if we spot him?" (The stolen plane.) "Make sure he stays away from populated areas." This entire scenario is just odd. We're even told that the Burbank Airport has the stolen plane on radar. So why are these two helicopters needed?

So this is a strange episode, certainly. It probably sounded like a great idea to put Malloy and Reed up in the air. With them having little to do and the story segments seeming a bit forced, this just isn't Adam-12 at it's best. Unfortunately, this is the first of a two-parter.

Most incredible of all though, the overhead camera shots of the massive tangle of Los Angeles area freeways reveals... no traffic whatsoever. Wow.
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2/10
Dreary
jchristopher-18 December 2021
Jack Webb thought that fans would enjoy this inside look at the then-fledgling Police Chopper program of the LAPD. He was wrong. Terminally dull with a sophomoric story woven around long stretches featuring beauty shots of smoggy SoCal scenery. Hard to believe that Webb thought there was enough material here to create a two-parter, let alone even one.
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