"The Hunger" Triangle in Steel (TV Episode 1999) Poster

(TV Series)

(1999)

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decent episode with excellent cinematography
FieCrier4 October 2006
"The Hunger" had good hosts (Stamp and Bowie), good writers and actors, strong cinematography set design and lighting (and nudity). On the other hand, the stories could be rather predictable; whether that's a flaw of the original stories or if the problem was in their adaptation, I don't know.

York Entertainment has put many if not all of the episodes out on videotape and DVD. I don't believe there's a box set of them all, unfortunately. They put them out in collections of four to a tape/disc. This one appears in one titled "The Hunger Presents Wetwork" with the tagline "Soak It Up." Other episodes on here are The Face of Helene Bournouw, The Other Woman, and The Falling Man. The episodes aren't in their original broadcast order. It's possible the host's introductions are mismatched, but I don't know.

This episode involves a man who gets work as a catcher on a bridge. He seems to be the one white man among a crew of native Americans. His job is to catch heated rivets and pass them to the riveters. He shows off by climbing up to the job, dancing around on the girders, and sliding down when the job is done. He's attracted to a young woman married to the old foreman, but is advised to leave her alone.

There's some very nice location and aerial photography in the episode, and even though the ending lacks some impact it at least is less predictable than in many other episodes. The manner of a death in it is also neat.
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Classic Example of the Trickster
caseytduncan14 August 2011
Warning: Spoilers
This episode was really good. If you're a fan of mythology then you'll think Trickster right away. Radin (1956:xxiii) wrote that the "Trickster is at one and the same time creator and destroyer, giver and negator, he who dupes others and who is always duped himself. He wills nothing consciously. At times he is constrained to behave as he does from impulses over which he has no control. He knows neither good nor evil yet he is responsible for both. He possesses no values, moral or social, is at the mercy of his passion and appetites, yet through his actions all values come into being." That's one of the best descriptions I've seen and it applies here. The main character sticks out right away as a white man building a bridge with Mohawk people. He immediately comes off as brash by climbing up and sliding down the bridge. Also, he fancies the young wife of an elder man (Jungian archetype) to which he is warned to stay away from. He disregards this warning and talks her into sleeping with him. But this "one who dupes others" is eventually "duped himself" (ibid,1956:xxiii) when he gets struck on the head by a red hot rivet and falls lifelessly into the river below.

Many episodes in this series fall short at the very end, but this one came really close to being perfect. In some Native American interpretations the Trickster is coyote, so I would have loved to seen the main character emerge from the river as a coyote. That would have bumped my rating from a 7 to a 10 for sure.
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