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Exclusive: Sales deal for co-pro between MovieBrats, Tangent and Walking The Dog.
Sydney-based sales agent Odin’s Eye Entertainment will launch pre-sales on 3D animated feature Hump at the forthcoming European Film Market (Efm) in Berlin (Feb 9-17).
Veteran Pixar story artist Rob Gibbs, whose credits include Up and Toy Story 2, will make his feature directorial debut on the project, which is based on a screenplay by Amin Matalqa (Captain Abu Raed) and Matt Antonelli.
The film follows a timid but kind-hearted camel that traverses the Arabian desert with an ill-tempered goat and an overconfident desert fox in order to reunite with its owner and best friend, a 10-year-old Bedouin boy.
It will be produced by Germany’s MovieBrats Pictures (Lost Place 3D) along with Belgian animation studio Walking The Dog (Richard The Stork) and Canada’s Tangent Animation (Ozzy).
The project is in pre-production and has a budget of $16m, according to the...
Sydney-based sales agent Odin’s Eye Entertainment will launch pre-sales on 3D animated feature Hump at the forthcoming European Film Market (Efm) in Berlin (Feb 9-17).
Veteran Pixar story artist Rob Gibbs, whose credits include Up and Toy Story 2, will make his feature directorial debut on the project, which is based on a screenplay by Amin Matalqa (Captain Abu Raed) and Matt Antonelli.
The film follows a timid but kind-hearted camel that traverses the Arabian desert with an ill-tempered goat and an overconfident desert fox in order to reunite with its owner and best friend, a 10-year-old Bedouin boy.
It will be produced by Germany’s MovieBrats Pictures (Lost Place 3D) along with Belgian animation studio Walking The Dog (Richard The Stork) and Canada’s Tangent Animation (Ozzy).
The project is in pre-production and has a budget of $16m, according to the...
- 1/25/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Last summer actress Stana Katic (Castle) and actor Raza Jaffrey (Code Black) had a little romance – on screen, that is. (Sorry guys, they’re both happily married – and not to each other.) The two were in Jordan filming the action/adventure romance The Rendezvous. It’s directed by the Sundance award-winning director Amin Matalq (Captain Abu Raed) and the script is based on the Sarah Isaias novel, A New Song. However, this is the official movie synopsis: A romantic adventure with an intriguing blend of modern and classic touches, The Rendezvous throws together Rachel, a Jewish-American doctor (Stana Katic) and Jake, an
Stana Katic & Raza Jaffrey Are Ready For “The Rendezvous”...
Stana Katic & Raza Jaffrey Are Ready For “The Rendezvous”...
- 5/14/2016
- by Joy D'Angelo
- TVovermind.com
As of this article's publication only five countries have announced their official Oscar entries for the 88th Academy Awards: Hungary ("Son of Saul"), Romania ("Aferim!"), Bosnia & Herzegovina ("Our Everyday Life"), Luxembourg ("Baby(A)lone"), and Kazakhstan ("Stranger"). Taking into account last year's record number of submissions, 83 in total, there are certainly a lot more coming in the next few weeks. Several national film organization have already narrowed the field down to a shortlist of films that qualify to be considered, other countries skip the shortlist and simply announce their participant title without revealing what was being considered.
Trying to predict what a particular nation will enter is a tall order because of the numerous factors that weight in, especially when dealing with countries with a large film industry. In other cases, however, there are usually just a couple standouts that meet the standards to be submitted. Whatever the case, even with the most obvious choices there could be surprises such as Indian choosing not to submitting "The Lunchbox" or Chile choosing another film over Silva's "The Maid."
While there is no sure-fie formula to predict what films will be competing for the Best Foreign Language Film Academy Award, by looking at festivals, release dates, national awards, previous submissions, and with a hefty dose of educated speculation, I've put together a list of 35 titles that, at this point, seem like excellent choices.
Update 08/28: Several countries have announced their official submissions: Croatia ("The High Sun"), Germany ("Labyrinth of Lies"), Guatemala ("Ixcanul"), Switzerland ("Iraqi Odyssey"), and Palestine ("The Wanted 18").
Argentina
"The Clan" (El Clan)
Dir. Pablo Trapero
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Argentine Release Date: August 13th, 2015
Coming off the success of this year’s nominee “Wild Tales,” which also did very well at the U.S. box-office for Sony Pictures Classics and became a spectacular hit back home, Argentina seems to have another strong contender this year with Pablo Trapero’s latest work “The Clan” (El Clan). Two of the director’s previous films have been submitted before (“Lion’s Den” and “Carrancho”), and this one about the Puccio family, which was criminal organization that kidnapped and murdered wealthy people, looks more than promising. “The Clan” is also produced by Almodovar’s El Deso, just as Damian Szifron’s “Tales” was. There are several other films that have enough merits to be considered, but might prove insufficient when faced with Trapero’s film. “Refugiado,” “El Patron,” “Two Shots” and, even “Jauaja,” starring Viggo Mortensen, qualify
Brazil
"The Second Mother"
Dir. Anna Muylaert
Isa: The Match Factory
U.S. Distribution: Oscilloscope Pictures
Brazilian Release Date: August 27, 2015
Undoubtedly the most awarded Brazilian film of the year is also their best bet at the Oscars. Anna Muylaert's “The Second Mother” premiered at Sundance where it won a Special Jury Prize for both of its leading actresses Regina Casé and Camila Márdila. It went on to screen in the Panorama section of the Berlinale and took home the C.I.C.A.E. Award and the Audience Award. The film tells the story of a live-in housekeeper and his daughter as they navigate the class divisions prevalent in Brazilian society. Another factor in its favor is the fact that the film has secured U.S. distribution thanks to Oscilloscope. “The Second Mother” opens in Brazil on August 27 and, in a strange turn of events, on August 28 in the U.S. While there are plenty of other great Brazilian works that qualify to be submitted, it’s unlikely that the selection committee will look elsewhere. Other films that could have a shot at being chosen are “August Winds,” “Casa Grande.” “Blue Blood,” and “White Out, Black In”
Bulgaria
"The Judgement"
Dir. Stephan Komandarev
Isa: Premium Film
U.S. Distribution: None Yet
Bulgarian Release Date: October 16, 2014
Following last year’s scandalous selection of “Bulgarian Rhapsody” over the more deserving “Viktoria,” the Eastern European country has a two-way race in which both candidates have almost equal chances at being chosen. Stephan Komandarev’s drama “The Judgement” is the larger production of the two and revolves around a desperate father trying to amend his relationship with his estrange son. At the same time the protagonist is also trying to make ends meet and decides to take on the dangerous job of smuggling illegal immigrant from Syria through a remote area of the Turkish-Greek-Bulgarian border. The other film is Kristina Grozeva & Petar Valchanov's “The Lesson,” about a devoted teacher who is faced with corrupt bureaucracy after her classroom is burglarized. Winning awards at the Sofia International Film Festival, San Sebastian, Thessaloniki, and screening at Tiff and Rotterdam, “The Lesson” should be the frontrunner. However, “The Judgement” might have the edge not only because it sports a larger budget and wider appeal, but because Komandarev is the filmmaker behind “The World is Big and Salvation Lurks Around the Corner,” which is the one Bulgarian film that has gotten the closest to Oscar glory when it was shortlisted by the Academy in 2010. Less likely to be selected but still viable possibilities are “Adultery,”"Buffer Zone," and "The Petrov File."
Canada
"Felix & Meira"
Dir. Maxime Giroux
Isa: Urban Distribution International
U.S. Distribution: Oscilloscope Laboratories
Canadian Release Date: January 30th, 2015
As of now Canada’s ideal representative would be the small, but touching, “Felix & Meir,” about a married woman from the Orthodox Jewish community who falls in love with a secular man, as way to know life beyond the restrictions of her faith. This tiny gem won the Best Canadian Feature award at last year’s Tiff and received four awards at the Whistler Film Festival including Best Film and Best Director. “Felix & Meira” was acquired by Oscilloscope for U.S. distribution and was released last April. To date it has grossed nearly $500,00, which, for a subtle and niche film like this, is a great feat. Giroux’ film should take this easily, unless the new film by Oscar-nominated director Philippe Falardeau decides to push for the opportunity. Falardeau newest film “Guibord Goes to War” (Guibord s’en va-t-en guerre) is a political dark comedy that premiered at Locarno and is scheduled to open in Canada on October 2- just two days after AMPAS’ deadline. If the distributor decides to have a one-week qualifying run ahead of the release, then it would become the new frontrunner to represent Canada. However, it’s still unknown if that is being considered or if the film will just wait till next year. Falardeau was nominated in the category for “Monsieur Lazhar” in 2012. “Chorus,” which premiered at Sundance, Berlin’s “Corbo,” Tiff’s “In Her Place,” and the “Les Loups” also qualify.
Chile
"The Club" (El Club)
Dir. Pablo Larraín
Isa: Funny Balloons
U.S. Distribution: Music Box Films
Chilean Release Date: May 28, 2015
With Pablo Larraín’s Silver Bear-winner film, Chile has an easy choice to make. “The Club,” which was recently picked up for U.S. distribution by Music Box Films, has received universal critical acclaimed and has cemented its director as one of the most important figures in Latin American cinema. Larraín’s latest centers on a group of priests and nuns sent to a beach town to purify their sinful pasts involving everything from pedophilia to kidnapping. The only other film that truly stands a chance is Matias Lira's “El Bosque de Karadima,” which deals with similar themes regarding secrecy and crimes against children within the Catholic Church. But even if this film has been well-received at home, “The Club” has had more much more international visibility and it has the distinction of being the newest work from the director behind “No,” Chile’s only Oscar-nominated film to date. Other notable works that will be part of the conversation include historical drama “Allende en su Laberinto” by veteran director Miguel Littin, Rodrigo Sepúlveda’s touching “Aurora," and indie flick “La Voz en Off.”
China
"Mountains May Depart" (山河故人)
Dir. Zhangke Jia
Isa: MK2
U.S. Distribution: Kino Lorber
Chinese Release Date: Unknown
Censorship has always played a role in China’s decision-making process when it comes to their Oscar submissions. Some of the best Chinese films in recent years are never considered given their controversial topics or because they were made outside of the state-run system. Under this circumstances patriotic epics or lavish period dramas are often selected even when their quality is subpar. The country’s big production this year is “The Lady of the Dynasty,” which was a box-office disappointment and garnered mostly negative reviews locally. With this in mind, the hope is that they will finally look at more compelling films with greater international exposure, such as Jia Zhangke’s “Mountains May Depart.” Premiering at Cannes to mostly positive responses, the film looks at Chinese society from three perspectives scattered over three decades. The film has passed the censors' revisions and will be allowed to screen in mainland Chine, which means it’s possible one of Zhangke’s film might finally represent his homeland. His previous effort, “A Touch of Sin,” was ignored because of its thematic elements. Jean-Jacques Annaud’s stunning “Wolf Totem” is a close second choice, but given the fact that China submitted a film by a French director last, they might want to highlight a homegrown talent this time. There is also “Red Amnesia,” a thriller about a widow that compulsively needs to take careof those around her until strange incidents shake her life. Er Cheng’s “The Wasted Times,” which appears to be a delirious visual treat, but it opens just a few days after the September 30th deadline. A qualifying run prior to that date is possible, but not likely. “Mountains May Depart” is definitely the strongest candidate.
Colombia
"Embrace of the Serpent" (El Abrazo de la Serpiente)
Dir. Ciro Guerra
Isa: Films Boutique
U.S. Distribution: Oscilloscope Laboratories
Colombian Release Date: May 25th, 2015
The Colombian film industry has had an outstanding year and that has produced an impressive lineup of films from which their strongest Oscar entry to date will emerge. Three films that screened at the Cannes Film Festival - two of which earned prizes – are at the top of the list. Winning the Art Cinema Award at the Directors’ Fortnight Ciro Guerra’s black-and-white “Embrace of the Serpent” is the one to beat among these trio of art house wonders. Guerra’s film is a period piece about the clash between the native people of the Amazon and a European explorer, which has received stellar reviews and was picked up for U.S. distribution by Oscilloscope. Two of Guerra’s previous films, “Wandering Shadows” and “The Wind Journey,” also represented Colombia at the Academy Awards. Nevertheless, the other films that screen at the Croisette, Golden Camera-winner “Land and Shade” and war drama “Alias Maria,” shouldn’t be completely counted out of the running. Films like Franco Lolli's “Gente de Bien” (Cannes 2014), Josef Wladyka's “Manos Sucias,” "Todos Se Van," and “Ruido Rosa” qualify and testify of the great moment Colombian filmmaking is experiencing, but they will have a difficult time pulling off an upset.
Croatia
"The High Sun" (Zvizdan)
Dir. Dalibor Matanic
Isa: Cercamon
U.S. Distribution: None Yet
Croatian Release Date: Septemeber 2015
It’s not often that a Croatian feature manage to grab Cannes’ attention and take home a prestigious award like the Un Certain Regard Jury Prize. “The High Sun” achieved such feat and should be almost a lock to become the country’s Oscar entry. This intense drama, that expands over three decades and explores the Balkan region’s turbulent history, also won 7 awards at the Pula Film Festival including Best Film, Director, Leading Actress, Supporting Actor, and Supporting Actress. If there’s another film with a reasonable shot, it would be Ognjen Svilicic's “These Are the Rules” about a family questioning their moral compass after a violent incident, which did well in the festival circuit winning awards in Venice, Warsaw, Stockholm, and Pula. Svilicic’s 2007 feature “Armin” represented the country at the 80th Academy Awards. “The Bridge at the End of the World,” “Ungiven,” “The Reaper,” “Number 55” are other noteworthy Croatian films released during the past year, but Matanic’s highly praised wok should have no trouble becoming the official entry.
Dominican Republic
"Sand Dollar" (Dólares de Arena)
Dir. Israel Cárdenas & Laura Amelia Guzmán
Isa: FIGa Films
U.S. Distribution: Breaking Glass Pictures
Dominican Release Date: November 13th, 2014
Thanks to a growing film industry, Dominican films have participated every year starting in 2011 after being absent from the race since 1995. Their submissions have included romantic comedies and low-budget crime dramas that weren’t successful at getting AMPAS’ attention. Fortunately, this year they might have their strongest candidate yet with “Sand Dollars.” In Israel Cárdenas & Laura Amelia Guzmán's film starring Geraldine Chaplin, a local girl becomes the object of desire for an older French woman visiting the Caribbean country, influenced by her boyfriend the Dominican beauty decides to take advantage of the foreigner’s interest. “Sand Dollars” has screened at countless festivals around the world winning a handful of awards and has secured U.S. distribution. Guillermo Zouain's road-trip comedy “Algún Lugar” has also been well-received at a couple of international festivals, but is less likely to be picked. “Pueto Pa’ Mí,” a drama about urban music, documentary “Tu y Yo," and biopic “Maria Montez,” might be out of luck. It’s unclear if Agliberto Meléndez political film “Del Color de La Noche,” has premiered yet, so that could a contender next year given that the director was behind the country’s first ever Oscar submission.
Ethiopia
"Lamb"
Dir. Yared Zeleke
Isa: Films Distribution
U.S. Distribution: None Yet
Ethiopian Release Date: Unknown
The East African nation has only sent two films for consideration. Last year it was the Angeline Jolie-supported “Difret,” which was part of the World Cinema competition at the 2014 Sundance Film Festival. This year only two films seem to qualify. “Lamb” is the first-ever Ethiopian film to screen at Cannes, which makes it the unquestionable favorite. It’s a rural story about a boy and his beloved sheep moving in with relatives as his mother goes to work in the city. Reviews were positive praising the film’s cinematography and layered storytelling. The other film that could possibly be selected is Hermon Hailay’s “Prince of Love” about a prostitute and a cab driver struggling to get by in the capital city of Addis Ababa. “Prince of Love” represented the country at Fespaco, one of Africa’s most renowned festivals, and will screen at Tiff in September. Ethiopia might choose to send “Lamb” this time around and save Hailay’s feature for next year depending on release date.
Finland
"The Fencer" (Miekkailija)
Dir. Klaus Härö
Isa: The Little Film Company
U.S. Distribution: None Yet
Finnish Release Date: March 13th, 2015
Peculiar teen drama “They Have Escaped” won four Jussi Awards from the Finnish Academy earlier this year including Best Film and Best Director; however, it will probably face an uphill battle to become Finland’s Oscar entry. Instead, Estonian-language period piece, “The Fencer,” looks like a more feasible alternative because of its classic story, elegant cinematography, and the director behind it: Klaus Härö. The film tells the story of a young Estonian fencer who leaves his homeland to become a Pe teacher and escape persecution by the Russian authorities in the 1950s. Some critics have gone as far as to call it “the best Finnish film in a decade.” Three of Härö’s previous films (“Elina: As If I Wasn’t There,””Mother of Mine, “ and Letter to Father Jacob) were selected as Oscar entries. The only obstacle in its path is the fact that this is an Estonian story with mostly Estonian dialogue. If the selection committee can overlook that, this will be their pick. Antti Jokinen's “Wildeye,” a visually arresting war drama that opens in September is another strong option, particularly because Jokinen’s previous film, “Purge,” represent the country in 2013. “Absolution,” “Head First,” ”Homecoming,” and “Tsamo” are proof a strong year in Finnish cinema but won’t make the cut.
France
"Dheepan"
Dir. Jacques Audiard
Isa: Wild Bunch
U.S. Distribution: Sundance Selects
French Release Date: August 26th, 2015
Given the amount of films produced in France each year, this is the most difficult country to narrow down. However, this year there is a heavyweight contender among the scores of worthy productions. Surprise Palme d’Or-winner “Deephan” by the Academy Award-nominated director of “A Prophet," Jacques Audiard, is a clear favorite. Audiard is a legend and it’s hard to think France won’t support the film that took home one of cinema’s most coveted prizes. Following the relevant immigrant story of a Sri Lankan warrior in France, “Dheepan” is almost a safe bet. If for some unimaginable reason Audiard’s latest is not chosen, the most likely alternative would be well-received “My Golden Days” by Arnaud Desplechin, which has been picked up for U.S. distribution by Magnolia Pictures. While there are dozens of films that could be considered, here are some other important French films that qualify based on their release dates: “Girlhood,” “Standing Tall,” “The Measure of Man,” “The New Girlfriend,” “Valley of Love,” “Eden,”"The Connection."
Germany
"Labyrinth of Lies" (Im Labyrinth des Schweigens)
Dir. Giulio Ricciarelli
Isa: Beta Cinema
U.S. Distribution: Sony Pictures Classics
German Release Date: November 6th, 2014
After an 8-film shortlist was released, - which sadly doesn’t include “Phoenix” because it opened late last September – things look pretty clear for the German selection committee. It’s really a 3-film race between “13 Minutes,” Labyrinth of Lies,” and “Victoria.” Unfortunately, and despite incredibly positive reviews, Sebastian Schipper's “Victoria” might be considered a risky choice because a big part of it is in English. That leaves Oliver Hirschbiegel’s “13 Minutes,” about a man who tried to assassinate Hitler in 1939. On the surface this looks like the prime title to send to AMPAS since Hirschbiegel’s “Downfall” earned him a nomination and he has worked in Hollywood for several years now. Yet, reception wasn’t as warm for his first German film in a decade. On the other “Labyrinth of Lies,” which deals with Post-World War II Germany and how the government tried to cover up its recent Nazi past, had better luck. Critical reception has been better for this film and it was a financial success in Germany and France, which gives the edge. Both “13 Minutes” and “Labyrinth of Lies” were acquired by Sony Pictures Classics for U.S. distribution. The complete list of shortlisted films can be found Here
Greece
"Xenia" (Ξενία)
Dir. Panos H. Koutras
Isa: Pyramide International
U.S. Distribution: Strand Releasing
Greek Release Date: October 2nd, 2014
Although it’s not an official rule, Greece almost-automatically selects the winner of the Best Film Prize at the Hellenic Film Awards as their Oscar submissions. This year’s winner was the Lgbt dramedy “Xenia,” which follows two Albanian brothers searching for their Greek father after their mother’s death. The film was nominated for 15 Hellenic Film Awards and won a total of six. “Xenia” premiered in the Un Certain Regard section at the Cannes Film Festival and will be released in the U.S. in October by Strand Releasing. I can’t see any other film being selected other than Koutras’ Almodovar-infused film, but if that were the case the other Best Film nominees – that meet AMPAS requirements- would be the ones to look to: “Electra,” “A Blast,” and “Forever.”
Guatemala
"Ixcanul"
Dir. Jayro Bustamante
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Guatemalan Release Date: August 27th, 2015
This is a no-brainer. Guatemala has only sent a film once back in 1994, but this year director Jayro Bustamante delivered the most awarded Guatemalan film in history. That should be a good enough reason to enter the race once again. “Ixcanul” won the Alfred Bauer Award at the Berlinale and has screened across the world to great success. Bustamante’s film centers on a Mayan girl who wants to escape the arrange marriage that awaits her to see what’s beyond her village. Another Guatemalan film, which also screened in Berlin, Edgar Sajcabún's “La Casa Más Grande del Mundo,” will probably not open theatrically in time and should be considered next year.
Iceland
"Rams" (Hrútar)
Dir. Grímur Hákonarson
Isa: New Europe Film Sales
U.S. Distribution: Cohen Media Group
Icelandic Release Date: May 28th, 2015
Two middle-aged brothers in an Icelandic rural town leave their differences behind and come together to save their beloved farm animals in the Un Certain Regard Award-winner “Rams.” With such recognition under its belt and having just been picked for U.S. distribution by Cohen Media Group, Grímur Hákonarson's film is certainly the handsomest choice. Still, “Rams” is not without a strong rival. Crowd-pleaser “Virgin Mountain,” about a lonely man whose life changes when he meets a new friend, had its U.S. premiere at the Tribecca Film Festival where it won three awards: Best Narrative Feature, Best Actor, and Best Screenplay. It could go either way, but the Cannes prestige and having found a U.S. distributor give “Rams” the upper hand. Iceland produced several qualifying features this year including “Brave Men’s Blood,” “East of the Mountain, “ and “The Homecoming.”
Iran
"Muhammad: The Messenger of God"
Dir. Majid Majidi
PC: Nourtaban Film Industry
U.S. Distribution: None Yet
Iranian Release Date: August 26, 2015
Iran will have to make an incredibly difficult decision that unfortunately may have political repercussions. Majid Majidi’s latest film “Muhammad: The Messenger of God” is the most expense Iranian feature ever made. The historical epic brings to life the early years of the prophet's life with impressive locations, costumes, and cinematography courtesy of Three-time Oscar-winner Vittorio Storaro. Majidi himself is no stranger to the Academy having earned Iran’s first-ever Academy Award nomination with “Children of Heaven.” Taking these facts into consideration, “Muhammad” seems to be the obvious selection, but there are many religious and political concerns that could get in its way. Islam prohibits the depiction of the prophet and other sacred figures in any artistic work. Knowing this, Majidi shot the entire film - which is the first part in what’s to become a trilogy – without ever showing the prophet’s face by shooting most scenes from his point of view or showing him with his back to the camera. This was acceptable for Iran’s censors, as the film will open this week in theaters across the Middle Eastern country. However, other Muslim countries, particularly Sunni Muslims, have been outspoken about their discontent with the film. Whether Iran will still choose to submit the film to AMPAS is a mystery, but it will certainly have more to do with outside influences rather than artistic merit. “Muhammad” will have its North American premiere at the Montreal World Film Festival.
“Nahid” by Ida Panahandeh, about a woman’s journey from divorce to remarrying, won the Avenir Prize in the Un Certain Regard section at Cannes, but - although censors have said the film will be allowed the screen in Iran - it might not open theatrically in time. It also deals with a controversial subject and that might limit it chances. A third, and much safer option, is romantic drama “What’s the Time in Your World?” starring Leila Hatami (“A Speration”) and Ali Mosaffa (“The Past”). Directed by Safi Yazdanian, the film looks beautifully done and sports two of the most talented Iranian actors working today. It could definitely be a good alternative. Other films include “Borderless,” “Track 143,” "Tales” and “Confessions of a Dangerous Mind.” Perhaps Iran will ignore the risk and submit their most lavish film to date by one of their most celebrated filmmakers who still works within the state’s parameters.
Israel
"The Kind Words" (Ha'milim ha'tovot )
Dir. Shemi Zarhin
Isa: Beta Cinema
U.S. Distribution: None Yet
Israeli Release Date: May 28, 2015
With 12 nominations to Israel’s Ophir Awards, “The Kind Words” including Best Film, Best Director, Best Screenplay, Best Actor, and Best Actress Shem Zarhin’s film is the one to beat. Since the winner of the Ophir Award for Best Film automatically becomes Israel’s Oscar submission, “The Kind Words” has a strong shot at both honors. The film follows a group of siblings as they travel abroad to uncover a secret. By default the other contenders are the rest of the films nominated for Best Film: “Wounded Land,” ”Afterthought,” “Wedding Doll,” and “Baba Joon.” Of this Elad Keidan's “Afterthought,” which premiered at Cannes to positive reviews, and Erez Tadmor's intense drama “Wounded Land” appear to be the strongest alternatives. Despite being nominated several times Israel has never won the Best Foreign Language Film Academy Award.
Italy
"My Mother" (Mia Madre)
Dir. Nanni Moretti
Isa: Films Distribution
U.S. Distribution: Alchemy
Italian Release Date: April 16th, 2015
Nanni Moretti is back with “Mia Madre,” a new family drama that screened in competition at this year’s Cannes Film Festival and won a few awards at the Italian David di Donatello Awards. Since the big winner at the national awards, “Black Souls,” was considered last year, Moretti’s film is the frontrunner. However, there is a wild card that could change things. Veteran filmmaker Marco Bellocchio will release his newest work “Blood of My Blood,” a historical drama about a 17th century woman accused of being a witch, on September 9 - just in time to qualify. It’s likely that Moretti will have enough support to pull it off, but there is still a chance that might not be set in stone. Besides these two films there is Mario Martone’s “Leopardi,” a biopic about poet Giacomo Leopardi, which won several David di Donatello Awards and was also recognized in Venice. With even less possibilities are Sundance’s “Cloro,” “Greenery Will Bloom Again,” and Albanian-language “Sworn Virgin,”
Ivory Coast
"Run"
Dir. Philippe Lacôte
PC: Banshee Films
U.S. Distribution: None Yet
Ivorian Release Date: December 17th, 2014
The first and only time a film represent Ivory Coast at the Oscars was back in 1977. That film, “Black and White in Color,” won the first and only Academy Award attributed to a Sub-Saharan African country. Nevertheless, that landmark work was directed by a Frenchmen, Jean-Jacques Annaud, and had mostly French talent in the leading roles. Now, almost 40 years later, an actual Ivorian film looks presents a fantastic opportunity for the country to return to the race. Philippe Lacote’s political drama “Run” screened in the Un Certain Regard section in Cannes 2014, Tiff, and AFI Fest, and later opened commercially in Abidjan, the Ivorian Capital, and Paris. Ivory Coast has only one eligible film to submit as their Oscar entry, and fortunately it’s a good one.
Japan
"Our Little Sister" (海街 diary)
Dir. Hirokazu Koreeda
Isa: Wild Bunch
U.S. Distribution: Sony Pictures Classics
Japanese Release Date: June 13th, 2015
Japan hasn’t had a successful entry since unexpectedly winning the award in 2009 with “Departures.” Their selections are often baffling because they tend to ignore festival winners and critically acclaimed films to pick obscure titles that rarely connect with voters. In recent years outstanding films such as “Like Father, Like Son” have been overlooked. Having said this, one can only hope that this time around they will chose more wisely. This year another film by Hirokazu Koreeda, “Our Little Sister,” debuted at Cannes and has been picked up for U.S. distribution by Sony Pictures Classic – a powerhouse distributor in the Best Foreign Language Film race. Based on a manga series, the film revolves around a group of young women who decide to adopt their stepsister after their father dies. “Our Little Sister” was also a financial success in its homeland. Even with all these positive qualities on its side, Japan might refuse to submit Koreeda’s film and look elsewhere. Other options from the festival circuit include Naomi Kawase's “An- Sweet Red Bean Paste,” which less positive reviews; “Journey to the Shore,” though it opens on October 1; “Kabukicho Love Hotel,” which screened at Tiff last year, and “Cape Nostalgia.”
Jordan
"Theeb" (ذيب)
Dir. Naji Abu Nowar
Isa: Fortissimo Films
U.S. Distribution: Film Movement
Jordanian Release Date: March 19th, 2015
In 2008 Jordan submitted their first-ever Oscar submission, and the first feature film made in the country in half a century. That film, “Captain Abu Raed,” did very well in festivals like Sundance and Dubai. Since then, Jordanian cinema has been scarce forcing the country to be absent from the race. That could change this year with “Theeb” by UK-born filmmaker Naji Abu Nowar. His period piece about a Bedouin boy during World War I has played at numerous festivals and will have a U.S. theatrical release via Film Movement.
Lithuania
"The Summer of Sangailé" (Sangaile)
Dir. Alanté Kavaïté
Isa: Films Distribution
U.S. Distribution: Strand Releasing
Lithuanian Release Date: August 21st, 2015
The Sundance Film Festival screened its first-ever Lithuanian feature this past January, “The Summer of Sangailé” by Alanté Kavaïté. This Lgbt coming-of-age story showcases captivating cinematography and nuanced performances. “Sangailé” went on to win the Directing Award in the World Cinema Competition at the Park City festival. It will also become one of the very few Lithuanian films to have been distributed in the U.S. when Strand Releasing schedules its theatrical release. Being the most awarded narrative film from the Baltic nation, it should be a shoo-in. "Sangailé" also won three Silver Crane Awards (Lithuanian Oscars): Best Film, Best Actress for Julija Steponaityte and best set design for Ramunas Rastauskas. Its only realistic adversary is the documentary “Master and Tatyana,” which won the Best Documentary, Best Director, and Best Cinematography prizes at the Silver Crane. Lithuania has shown to be fond of submitting documentaries, but one could presume that “Sangaile’s” wider international appeal will help it succeed.
Mexico
"The Thin Yellow Line" (La Delgada Línea Amarilla)
Dir. Celso R. García
Isa: Latido Films
U.S. Distribution: None Yet
Mexican Release Date: Unknown
Among the 14 films that the Mexican Academy announced as candidates to become the official Oscar submission, only a handful of them have a real chance at representing Mexico. It’s really a three-way race between “600 Miles,” “La Tirisia,” and “The Thin Yellow Line.” Each of these has distinctive assets as well as factors that could play against them. Gabriel Ripstein's “600 Miles” stars Tim Roth, which could be beneficial because Academy voters would see a familiar face on screen. At the same time Roth’s participation means that there is a considerable amount of English dialogue that could make the film feel less authentic when considered as a “foreign language film” representing a country. Then there is Jorge Pérez Solano's art house marvel, “La Tirisia,” about the role of women in a very traditional Mexican community. This is a film that truly showcases an unseen aspect of Mexican culture and has garnered international recognition, but it might be too small in scope to be selected.
Lastly, “The Yellow Thin Line,” which was awarded at the Guadalajara Film Festival but hasn’t travel much. It will screen at the Chicago International Film Festival in October. “The Thin Yellow Line” tells the story of a group of men working on a deserted road as they are forced to come to terms with their yearnings and failures. The premise seems unique; the cast includes some of Mexico’s most recognizable talents, and it’s partly produced my Guillermo del Toro. That last fact is what could set the film apart from the rest because the general public and Academy voters will be intrigued to see what was it about this story that interested Del Toro, who hasn’t been involved in a Mexican project in several years. It’s a tough race, but having someone like the “Pan’s Labyrinth’s” director supporting the film could be a deal breaker.
Peru
"The Vanished Elephant" (El Elefante Desaparecido)
Dir. Javier Fuentes-León
Isa: Mundial
U.S. Distribution: Oscilloscope Laboratories
Peruvian Release Date: October 9th, 2015
Javier Fuentes-Leon’s “The Vanished Elephant” premiered at last year’s Tiff and was also part of this year’s Los Angeles Film Festival making it the highest profile Peruvian film of the year. At home, the critical response was very positive and the quality of the film, in comparison to other Peruvian works released in the last 12 months, is undeniable. “The Vanished Elephant” tells the cryptic story of a writer whose girlfriend disappears without a trace. After receiving a series of strange photographs, he delves into deceitful conspiracy that defies the lines between reality and fiction. Fuentes-Leon debut feature “Undertow” was submitted to the Academy back in 2010. Enrica Perez’ “Climas” about three Peruvian women from different walks of life and Héctor Gálvez forensic mystery “Nn” have both screened at several international festivals, and though they are much smaller film’s than “The Vanished Elephant,”either of them could be the next best choice to become Peru’s Oscar entry. Less likely titles include “Videophilia,” “Solos,” and historical drama “Gloria del Pacífico.”
The Philippines
"Trap" (Taklub)
Dir. Brillante Mendoza
Isa: Films Distribution
U.S. Distribution: None Yet
Filipino Release Date: Unknown
Brillante Mendoza is one the Philippines most acclaimed auteurs and yet none of his films have ever been selected to represent the Southeast Asian nation at the Oscars. His latest work, “Trap,” won Special Mention from the Ecumenical Jury at Cannes and it’s the prime contender to travel to L.A. this year. “Trap” follows a group of survivors soon after Typhoon Haiyan devastated a great part of the country. The film stars Filipino actress Nora Aunor, who also the lead in Mendoza’s “Thy Womb,” which was the Filipino entry at the Golden Globes a couple years back. Given that Mendoza’s work has never been selected, there is a chance he might miss out once more. If that happens, the film that could benefit is Paul Soriano's Manny Pacquiao biopic titled “Kid Kulafo,” which would evidently ring a bell with Americans. Other films to be considered include “Justice,” also starring Aunor, “Crocodile,” or even lighthearted comedy “English Only, Please.”
Russia
"Sunstroke"
Dir. Nikita Mikhalkov
Isa: Wild Bunch
U.S. Distribution: None Yet
Russian Release Date: October 4th, 2014
Even after winning the Golden Globe and being nominated for an Academy Awards, Andrey Zvyagintsev “Leviathan” couldn’t get the Best Film award from the Russian Academy. Instead, they decided to bestow that honor on veteran filmmaker Nikita Mikhalkov's period piece "Sunstroke.” This is the type of film that Russia loves to submit: patriotic, historical, and epic. Even though last year the Russian selection committee showed they could overlook their political agenda to ensure the best film represented the country, this year they will go back to their old ways. This is not to say “Sunstroke” is a bad film, as hardly anyone outside of Russia has seen, but it does mean that other more daring offers like Yuriy Bykov's festival darling “The Fool” and Aleksey German's “Under Electric Clouds" have little hope at becoming the country’s entry and getting the exposure that comes with it. Mikhalkov won the Oscar in for “Burnt by the Sun” in 1995 and was nominated again for "12" in 2008, which means he will be hard to beat this year. "The Fool" would be a much more interesting selection but its story about a regular citizen fighting the corrupt system might prove too controversial. There is also another war epic titled "Batalion" by Dmitriy Meskhiev, which could pull off a surprise.
Serbia
"Enclave" (Enklava)
Dir. Goran Radovanovic
PC: Nana Filam
U.S. Distribution: None Yet
Serbian Eelease Date: March 19, 2015
Serbia’s 6-film shortlist includes worlds that deal with a variety of subjects, from the recurrent tales of war and its aftermath, triumphant sports stories, and even the peculiar case of a boy who grew up wild in the woods. Of all these possibilities, the film that seems to have the most gravitas is Goran Radovanovic's “Enclave,” a film about the ethnic divide in Kosovo and the atrocities that perpetuates. This is definitely not the film with the most international exposure, but the story might be enough to warrant its submission. Films that deal with similar issues like, “Circles,” have been previous selected. But the Serbian committee wants to stay away from both war and sports dramas, they might go with Vuk Rsumovic “No One’s Child” which did very well at a few festivals including Venice and Palm Springs. It could either way. Original comedy "Monument to Michael Jackson" could also be a more lighthearted choice. The shortlist is completed by "We Will Be the World Champions"," The Man Who Defended Gavrilo Princip," and "The Disobedient" (Sundance 2014).
Spain
"Ma Ma"
Dir. Julio Medem
Isa: Seville International
U.S. Distribution: None Yet
Spanish Release Date: September 11, 2015
For a long time I had hope that Spain would find a loophole and submit their most honored film at this year’s Goya Awards, “Marshland” (La Isla Minima), but that seems like a farfetched hope now. Luckily, another film that looks like a winner will be released just in time. “Ma Ma” directed by Julio Medem and starring Academy Award-winner Penelope Cruz has Oscar written all over it. Cruz plays a mother diagnosed with cancer and whose ferocious battle with the disease will reinvigorate her love for life. The actress also served as a producer in what has become one of the most anticipated films of the year. The only films that could challenge are coming-of-ager “A Cambio de Nada” and Basque-language drama “Loreak.” The former appears to be feel-good story that might seem slight in comparison to both “Ma Ma” and “Loreak,” which deals with a woman who starts receiving flowers from a mysterious sender. “Magical Girl” is a brilliantly twisty film, but being so edgy it will probably be considered to risky for the Oscar race. Penelope Cruz’ star power will decide this race.
Sweden
"A Pigeon Sat on a Branch Reflecting on Existence" (En duva satt på en gren och funderade på tillvaron)
Dir. Roy Andersson
Isa: Coproduction Office (Paris)
U.S. Distribution: Magnolia Pictures
Swedish Release Date: November 14th, 2014
The two previous chapters sin Andersson’s trilogy about being human were submitted to AMPAS, and even if they didn’t get a nomination, it’s hard to imagine them not submitting “A Pigeon.” The film has been critically acclaimed and it won the Golden Lion at last year’s Venice Film festival. Furthermore, it has already been released in the U.S. by Magnolia, the company that handled last year’s Swedish submission, “Force Majeure.” While I’d love to see Andersson be selected, there are several other films that could prevent that from happening. Kay Pollack, who earned Sweden’s most recent nomination for “As It Is in Heaven,” has a new film opening in early September titled “Heaven on Earth.” Depending on how that film is received the tables may or may not turn. The third strongest option is the romantic costume drama “Gentlemen,” which won several awards from the Swedish Academy and has already been picked up for U.S. distribution by, of course, Magnolia. Smaller, yet worthy candidates, include “My Skinny Sister” and “Flocking,” both of which premiered in Berlin.
Switzerland
"Vanity" (La Vanité)
Dir. Lionel Baier
Isa: Wide
U.S. Distribution: None Yet
Swiss Release Date: September 2, 2015
Out of the 7 films shortlisted by the Swiss, the one that immediately stands out is dark comedy “Vanity.” The film just premiered at Locarno and it stars Spanish actress, and one of Almodovar’s favorites, Carmen Maura, as well as Patrick Lapp. Although the film deals with suicide, the approach seems to be very comedic. In a list of several obscure titles, “Vanity” should come out on top. A second option could be Stina Werenfels' “Dora or the Sexual Neuroses of Our Parents,” which screened in Berlin’s Panorama section and tells the story of a mentally disabled woman discovering her sexuality. “War” by Simon Jaquemet, about a rebellious teenager, had some festival play as well but is less likely to be chosen. The other four titles in the shortlist are: “Pause,” doc “Iraqi Odyssey,” “Chubby,” and “L’oasis des mendiants.”
Taiwan
"The Assassin" (聶隱娘)
Dir. Hsiao-hsien Hou
Isa: Wild Bunch
U.S. Distribution: Well Go USA Entertainment
Taiwanese Release Date: August 28th, 2015
There is really no race here. “The Assassin” will be Taiwan’s entry almost certainly. Winner of the Best Director Award at the Cannes Film Festival and clearly one of the best reviewed films of the year, this martial arts epic, which is said to showcase marvelous imagery, should be consider a strong contender. I can’t see Taiwan not choosing the film, but there are still other films that could be considered. Of those the most viable, but very distant, second choice could be Tso-chi Chang's “Thanatos, Drunk,” which was awarded in Berlin and received six prizes at the Taipei Film Festival. The film revolves around to brothers in Taipei trying to find jobs.
Thailand
"Cemetery of Splendor" (รักที่ขอนแก่น)
Dir. Apichatpong Weerasethakul
Isa: The Match Factory
U.S. Distribution: Strand Releasing
Thai Release Date: Unknown
It was a great year for Thai art house cinema, which means the country has several prominent titles to choose from. Strangely enough, even when there are films with international recognition, Thailand often decides to submit a quirky romantic comedy or a random horror film. The reasons behind their selections are unknown. Still, assuming that they will pay attention to their most respected filmmakers, the number one choice should be "Cemetery of Splendor." However, Apichatpong Weerasethakul's films are not as well liked in his homeland are they are abroad, but it seems irrational for them not consider the film. It might be too abstract for AMPAS’ taste, but it’s still the most prestigious work. Other possibilities include “How to Win at Checkers (Every Time)," which is partially in English, “The Blue Hours” (Berlin’s Panorama), and Rotterdam’s “Vanishing Point.” Of course, there are scores of more commercial titles from which the committee might pick.
Turkey
"Mustang"
Dir. Deniz Gamze Ergüven
Isa: Kinology
U.S. Distribution: Cohen Media Group
Turkish Release Date: Unknown
Last year Nuri Bilge Ceylan’s Palme d’Or-winning film “Winter Sleep” failed to receive a nomination, perhaps due to it’s length and cerebral screenplay. This year another title out of Cannes shows more promise. “Mustang” tells the story of five sisters living in a small village and subjected to the sexist prejudices of the townspeople. With extensive festival play and in the hands of Cohen Media Group - the company behind this year’s nominee “Timbuktu" - Deniz Gamze Ergüven’s film is the ideal pick. Sundance’s “Ivy” by Tolga Karaçelik, about a group of men trapped aboard a ship could definitely be a top contender. Kutlug Ataman's “Kuzu,” winner of the C.I.C.A.E. Award in Berlin’s Panorama section would be the third most likely film to represent Turkey at the Oscars. Lastly, “The Miracle,” a romantic period piece, is a large local production that could be considered, but lacks the festival exposure of the other three.
Venezuela
"Gone With the River" (Dauna, Lo que lleva el río)
Dir. Mario Crespo
Isa: Centro Nacional Autonomo de Cinematografía
U.S. Distribution: None Yet
Venezuelan Release Date: March 20, 2015
With Alberto Arvelo’s “The Liberator,” the South American nation got as close as it’s ever been to Oscar glory this year. The biopic about Simón Bolívar starring Edgar Ramírez managed to become one of the 9 shortlisted finalists out of 83 submissions. Venezuela has several options to submit for the 88th Academy Awards, but they are much smaller in magnitude on this occasion. Appearing at the NATIVe sidebar of the Berlinale, “Dauna, lo que lleva el río” or “ Gone with the River” is the most important Venezuelan film of the year and gives voice to the country’s indigenous people by telling story that rarely gets seen on screen. On the other hand, the film “3 Beauties,” about another of Venezuelan’s most well-known obsessions, beauty pageants, has received critical praise at home but it seems to be a lighter satirical comedy. Their Oscar entry could be either one of the two, but I think they will go with the more socially relevant story. A smaller film, “Espejos,” could be part of the conversation but is possibilities are very limited.
Trying to predict what a particular nation will enter is a tall order because of the numerous factors that weight in, especially when dealing with countries with a large film industry. In other cases, however, there are usually just a couple standouts that meet the standards to be submitted. Whatever the case, even with the most obvious choices there could be surprises such as Indian choosing not to submitting "The Lunchbox" or Chile choosing another film over Silva's "The Maid."
While there is no sure-fie formula to predict what films will be competing for the Best Foreign Language Film Academy Award, by looking at festivals, release dates, national awards, previous submissions, and with a hefty dose of educated speculation, I've put together a list of 35 titles that, at this point, seem like excellent choices.
Update 08/28: Several countries have announced their official submissions: Croatia ("The High Sun"), Germany ("Labyrinth of Lies"), Guatemala ("Ixcanul"), Switzerland ("Iraqi Odyssey"), and Palestine ("The Wanted 18").
Argentina
"The Clan" (El Clan)
Dir. Pablo Trapero
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Argentine Release Date: August 13th, 2015
Coming off the success of this year’s nominee “Wild Tales,” which also did very well at the U.S. box-office for Sony Pictures Classics and became a spectacular hit back home, Argentina seems to have another strong contender this year with Pablo Trapero’s latest work “The Clan” (El Clan). Two of the director’s previous films have been submitted before (“Lion’s Den” and “Carrancho”), and this one about the Puccio family, which was criminal organization that kidnapped and murdered wealthy people, looks more than promising. “The Clan” is also produced by Almodovar’s El Deso, just as Damian Szifron’s “Tales” was. There are several other films that have enough merits to be considered, but might prove insufficient when faced with Trapero’s film. “Refugiado,” “El Patron,” “Two Shots” and, even “Jauaja,” starring Viggo Mortensen, qualify
Brazil
"The Second Mother"
Dir. Anna Muylaert
Isa: The Match Factory
U.S. Distribution: Oscilloscope Pictures
Brazilian Release Date: August 27, 2015
Undoubtedly the most awarded Brazilian film of the year is also their best bet at the Oscars. Anna Muylaert's “The Second Mother” premiered at Sundance where it won a Special Jury Prize for both of its leading actresses Regina Casé and Camila Márdila. It went on to screen in the Panorama section of the Berlinale and took home the C.I.C.A.E. Award and the Audience Award. The film tells the story of a live-in housekeeper and his daughter as they navigate the class divisions prevalent in Brazilian society. Another factor in its favor is the fact that the film has secured U.S. distribution thanks to Oscilloscope. “The Second Mother” opens in Brazil on August 27 and, in a strange turn of events, on August 28 in the U.S. While there are plenty of other great Brazilian works that qualify to be submitted, it’s unlikely that the selection committee will look elsewhere. Other films that could have a shot at being chosen are “August Winds,” “Casa Grande.” “Blue Blood,” and “White Out, Black In”
Bulgaria
"The Judgement"
Dir. Stephan Komandarev
Isa: Premium Film
U.S. Distribution: None Yet
Bulgarian Release Date: October 16, 2014
Following last year’s scandalous selection of “Bulgarian Rhapsody” over the more deserving “Viktoria,” the Eastern European country has a two-way race in which both candidates have almost equal chances at being chosen. Stephan Komandarev’s drama “The Judgement” is the larger production of the two and revolves around a desperate father trying to amend his relationship with his estrange son. At the same time the protagonist is also trying to make ends meet and decides to take on the dangerous job of smuggling illegal immigrant from Syria through a remote area of the Turkish-Greek-Bulgarian border. The other film is Kristina Grozeva & Petar Valchanov's “The Lesson,” about a devoted teacher who is faced with corrupt bureaucracy after her classroom is burglarized. Winning awards at the Sofia International Film Festival, San Sebastian, Thessaloniki, and screening at Tiff and Rotterdam, “The Lesson” should be the frontrunner. However, “The Judgement” might have the edge not only because it sports a larger budget and wider appeal, but because Komandarev is the filmmaker behind “The World is Big and Salvation Lurks Around the Corner,” which is the one Bulgarian film that has gotten the closest to Oscar glory when it was shortlisted by the Academy in 2010. Less likely to be selected but still viable possibilities are “Adultery,”"Buffer Zone," and "The Petrov File."
Canada
"Felix & Meira"
Dir. Maxime Giroux
Isa: Urban Distribution International
U.S. Distribution: Oscilloscope Laboratories
Canadian Release Date: January 30th, 2015
As of now Canada’s ideal representative would be the small, but touching, “Felix & Meir,” about a married woman from the Orthodox Jewish community who falls in love with a secular man, as way to know life beyond the restrictions of her faith. This tiny gem won the Best Canadian Feature award at last year’s Tiff and received four awards at the Whistler Film Festival including Best Film and Best Director. “Felix & Meira” was acquired by Oscilloscope for U.S. distribution and was released last April. To date it has grossed nearly $500,00, which, for a subtle and niche film like this, is a great feat. Giroux’ film should take this easily, unless the new film by Oscar-nominated director Philippe Falardeau decides to push for the opportunity. Falardeau newest film “Guibord Goes to War” (Guibord s’en va-t-en guerre) is a political dark comedy that premiered at Locarno and is scheduled to open in Canada on October 2- just two days after AMPAS’ deadline. If the distributor decides to have a one-week qualifying run ahead of the release, then it would become the new frontrunner to represent Canada. However, it’s still unknown if that is being considered or if the film will just wait till next year. Falardeau was nominated in the category for “Monsieur Lazhar” in 2012. “Chorus,” which premiered at Sundance, Berlin’s “Corbo,” Tiff’s “In Her Place,” and the “Les Loups” also qualify.
Chile
"The Club" (El Club)
Dir. Pablo Larraín
Isa: Funny Balloons
U.S. Distribution: Music Box Films
Chilean Release Date: May 28, 2015
With Pablo Larraín’s Silver Bear-winner film, Chile has an easy choice to make. “The Club,” which was recently picked up for U.S. distribution by Music Box Films, has received universal critical acclaimed and has cemented its director as one of the most important figures in Latin American cinema. Larraín’s latest centers on a group of priests and nuns sent to a beach town to purify their sinful pasts involving everything from pedophilia to kidnapping. The only other film that truly stands a chance is Matias Lira's “El Bosque de Karadima,” which deals with similar themes regarding secrecy and crimes against children within the Catholic Church. But even if this film has been well-received at home, “The Club” has had more much more international visibility and it has the distinction of being the newest work from the director behind “No,” Chile’s only Oscar-nominated film to date. Other notable works that will be part of the conversation include historical drama “Allende en su Laberinto” by veteran director Miguel Littin, Rodrigo Sepúlveda’s touching “Aurora," and indie flick “La Voz en Off.”
China
"Mountains May Depart" (山河故人)
Dir. Zhangke Jia
Isa: MK2
U.S. Distribution: Kino Lorber
Chinese Release Date: Unknown
Censorship has always played a role in China’s decision-making process when it comes to their Oscar submissions. Some of the best Chinese films in recent years are never considered given their controversial topics or because they were made outside of the state-run system. Under this circumstances patriotic epics or lavish period dramas are often selected even when their quality is subpar. The country’s big production this year is “The Lady of the Dynasty,” which was a box-office disappointment and garnered mostly negative reviews locally. With this in mind, the hope is that they will finally look at more compelling films with greater international exposure, such as Jia Zhangke’s “Mountains May Depart.” Premiering at Cannes to mostly positive responses, the film looks at Chinese society from three perspectives scattered over three decades. The film has passed the censors' revisions and will be allowed to screen in mainland Chine, which means it’s possible one of Zhangke’s film might finally represent his homeland. His previous effort, “A Touch of Sin,” was ignored because of its thematic elements. Jean-Jacques Annaud’s stunning “Wolf Totem” is a close second choice, but given the fact that China submitted a film by a French director last, they might want to highlight a homegrown talent this time. There is also “Red Amnesia,” a thriller about a widow that compulsively needs to take careof those around her until strange incidents shake her life. Er Cheng’s “The Wasted Times,” which appears to be a delirious visual treat, but it opens just a few days after the September 30th deadline. A qualifying run prior to that date is possible, but not likely. “Mountains May Depart” is definitely the strongest candidate.
Colombia
"Embrace of the Serpent" (El Abrazo de la Serpiente)
Dir. Ciro Guerra
Isa: Films Boutique
U.S. Distribution: Oscilloscope Laboratories
Colombian Release Date: May 25th, 2015
The Colombian film industry has had an outstanding year and that has produced an impressive lineup of films from which their strongest Oscar entry to date will emerge. Three films that screened at the Cannes Film Festival - two of which earned prizes – are at the top of the list. Winning the Art Cinema Award at the Directors’ Fortnight Ciro Guerra’s black-and-white “Embrace of the Serpent” is the one to beat among these trio of art house wonders. Guerra’s film is a period piece about the clash between the native people of the Amazon and a European explorer, which has received stellar reviews and was picked up for U.S. distribution by Oscilloscope. Two of Guerra’s previous films, “Wandering Shadows” and “The Wind Journey,” also represented Colombia at the Academy Awards. Nevertheless, the other films that screen at the Croisette, Golden Camera-winner “Land and Shade” and war drama “Alias Maria,” shouldn’t be completely counted out of the running. Films like Franco Lolli's “Gente de Bien” (Cannes 2014), Josef Wladyka's “Manos Sucias,” "Todos Se Van," and “Ruido Rosa” qualify and testify of the great moment Colombian filmmaking is experiencing, but they will have a difficult time pulling off an upset.
Croatia
"The High Sun" (Zvizdan)
Dir. Dalibor Matanic
Isa: Cercamon
U.S. Distribution: None Yet
Croatian Release Date: Septemeber 2015
It’s not often that a Croatian feature manage to grab Cannes’ attention and take home a prestigious award like the Un Certain Regard Jury Prize. “The High Sun” achieved such feat and should be almost a lock to become the country’s Oscar entry. This intense drama, that expands over three decades and explores the Balkan region’s turbulent history, also won 7 awards at the Pula Film Festival including Best Film, Director, Leading Actress, Supporting Actor, and Supporting Actress. If there’s another film with a reasonable shot, it would be Ognjen Svilicic's “These Are the Rules” about a family questioning their moral compass after a violent incident, which did well in the festival circuit winning awards in Venice, Warsaw, Stockholm, and Pula. Svilicic’s 2007 feature “Armin” represented the country at the 80th Academy Awards. “The Bridge at the End of the World,” “Ungiven,” “The Reaper,” “Number 55” are other noteworthy Croatian films released during the past year, but Matanic’s highly praised wok should have no trouble becoming the official entry.
Dominican Republic
"Sand Dollar" (Dólares de Arena)
Dir. Israel Cárdenas & Laura Amelia Guzmán
Isa: FIGa Films
U.S. Distribution: Breaking Glass Pictures
Dominican Release Date: November 13th, 2014
Thanks to a growing film industry, Dominican films have participated every year starting in 2011 after being absent from the race since 1995. Their submissions have included romantic comedies and low-budget crime dramas that weren’t successful at getting AMPAS’ attention. Fortunately, this year they might have their strongest candidate yet with “Sand Dollars.” In Israel Cárdenas & Laura Amelia Guzmán's film starring Geraldine Chaplin, a local girl becomes the object of desire for an older French woman visiting the Caribbean country, influenced by her boyfriend the Dominican beauty decides to take advantage of the foreigner’s interest. “Sand Dollars” has screened at countless festivals around the world winning a handful of awards and has secured U.S. distribution. Guillermo Zouain's road-trip comedy “Algún Lugar” has also been well-received at a couple of international festivals, but is less likely to be picked. “Pueto Pa’ Mí,” a drama about urban music, documentary “Tu y Yo," and biopic “Maria Montez,” might be out of luck. It’s unclear if Agliberto Meléndez political film “Del Color de La Noche,” has premiered yet, so that could a contender next year given that the director was behind the country’s first ever Oscar submission.
Ethiopia
"Lamb"
Dir. Yared Zeleke
Isa: Films Distribution
U.S. Distribution: None Yet
Ethiopian Release Date: Unknown
The East African nation has only sent two films for consideration. Last year it was the Angeline Jolie-supported “Difret,” which was part of the World Cinema competition at the 2014 Sundance Film Festival. This year only two films seem to qualify. “Lamb” is the first-ever Ethiopian film to screen at Cannes, which makes it the unquestionable favorite. It’s a rural story about a boy and his beloved sheep moving in with relatives as his mother goes to work in the city. Reviews were positive praising the film’s cinematography and layered storytelling. The other film that could possibly be selected is Hermon Hailay’s “Prince of Love” about a prostitute and a cab driver struggling to get by in the capital city of Addis Ababa. “Prince of Love” represented the country at Fespaco, one of Africa’s most renowned festivals, and will screen at Tiff in September. Ethiopia might choose to send “Lamb” this time around and save Hailay’s feature for next year depending on release date.
Finland
"The Fencer" (Miekkailija)
Dir. Klaus Härö
Isa: The Little Film Company
U.S. Distribution: None Yet
Finnish Release Date: March 13th, 2015
Peculiar teen drama “They Have Escaped” won four Jussi Awards from the Finnish Academy earlier this year including Best Film and Best Director; however, it will probably face an uphill battle to become Finland’s Oscar entry. Instead, Estonian-language period piece, “The Fencer,” looks like a more feasible alternative because of its classic story, elegant cinematography, and the director behind it: Klaus Härö. The film tells the story of a young Estonian fencer who leaves his homeland to become a Pe teacher and escape persecution by the Russian authorities in the 1950s. Some critics have gone as far as to call it “the best Finnish film in a decade.” Three of Härö’s previous films (“Elina: As If I Wasn’t There,””Mother of Mine, “ and Letter to Father Jacob) were selected as Oscar entries. The only obstacle in its path is the fact that this is an Estonian story with mostly Estonian dialogue. If the selection committee can overlook that, this will be their pick. Antti Jokinen's “Wildeye,” a visually arresting war drama that opens in September is another strong option, particularly because Jokinen’s previous film, “Purge,” represent the country in 2013. “Absolution,” “Head First,” ”Homecoming,” and “Tsamo” are proof a strong year in Finnish cinema but won’t make the cut.
France
"Dheepan"
Dir. Jacques Audiard
Isa: Wild Bunch
U.S. Distribution: Sundance Selects
French Release Date: August 26th, 2015
Given the amount of films produced in France each year, this is the most difficult country to narrow down. However, this year there is a heavyweight contender among the scores of worthy productions. Surprise Palme d’Or-winner “Deephan” by the Academy Award-nominated director of “A Prophet," Jacques Audiard, is a clear favorite. Audiard is a legend and it’s hard to think France won’t support the film that took home one of cinema’s most coveted prizes. Following the relevant immigrant story of a Sri Lankan warrior in France, “Dheepan” is almost a safe bet. If for some unimaginable reason Audiard’s latest is not chosen, the most likely alternative would be well-received “My Golden Days” by Arnaud Desplechin, which has been picked up for U.S. distribution by Magnolia Pictures. While there are dozens of films that could be considered, here are some other important French films that qualify based on their release dates: “Girlhood,” “Standing Tall,” “The Measure of Man,” “The New Girlfriend,” “Valley of Love,” “Eden,”"The Connection."
Germany
"Labyrinth of Lies" (Im Labyrinth des Schweigens)
Dir. Giulio Ricciarelli
Isa: Beta Cinema
U.S. Distribution: Sony Pictures Classics
German Release Date: November 6th, 2014
After an 8-film shortlist was released, - which sadly doesn’t include “Phoenix” because it opened late last September – things look pretty clear for the German selection committee. It’s really a 3-film race between “13 Minutes,” Labyrinth of Lies,” and “Victoria.” Unfortunately, and despite incredibly positive reviews, Sebastian Schipper's “Victoria” might be considered a risky choice because a big part of it is in English. That leaves Oliver Hirschbiegel’s “13 Minutes,” about a man who tried to assassinate Hitler in 1939. On the surface this looks like the prime title to send to AMPAS since Hirschbiegel’s “Downfall” earned him a nomination and he has worked in Hollywood for several years now. Yet, reception wasn’t as warm for his first German film in a decade. On the other “Labyrinth of Lies,” which deals with Post-World War II Germany and how the government tried to cover up its recent Nazi past, had better luck. Critical reception has been better for this film and it was a financial success in Germany and France, which gives the edge. Both “13 Minutes” and “Labyrinth of Lies” were acquired by Sony Pictures Classics for U.S. distribution. The complete list of shortlisted films can be found Here
Greece
"Xenia" (Ξενία)
Dir. Panos H. Koutras
Isa: Pyramide International
U.S. Distribution: Strand Releasing
Greek Release Date: October 2nd, 2014
Although it’s not an official rule, Greece almost-automatically selects the winner of the Best Film Prize at the Hellenic Film Awards as their Oscar submissions. This year’s winner was the Lgbt dramedy “Xenia,” which follows two Albanian brothers searching for their Greek father after their mother’s death. The film was nominated for 15 Hellenic Film Awards and won a total of six. “Xenia” premiered in the Un Certain Regard section at the Cannes Film Festival and will be released in the U.S. in October by Strand Releasing. I can’t see any other film being selected other than Koutras’ Almodovar-infused film, but if that were the case the other Best Film nominees – that meet AMPAS requirements- would be the ones to look to: “Electra,” “A Blast,” and “Forever.”
Guatemala
"Ixcanul"
Dir. Jayro Bustamante
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Guatemalan Release Date: August 27th, 2015
This is a no-brainer. Guatemala has only sent a film once back in 1994, but this year director Jayro Bustamante delivered the most awarded Guatemalan film in history. That should be a good enough reason to enter the race once again. “Ixcanul” won the Alfred Bauer Award at the Berlinale and has screened across the world to great success. Bustamante’s film centers on a Mayan girl who wants to escape the arrange marriage that awaits her to see what’s beyond her village. Another Guatemalan film, which also screened in Berlin, Edgar Sajcabún's “La Casa Más Grande del Mundo,” will probably not open theatrically in time and should be considered next year.
Iceland
"Rams" (Hrútar)
Dir. Grímur Hákonarson
Isa: New Europe Film Sales
U.S. Distribution: Cohen Media Group
Icelandic Release Date: May 28th, 2015
Two middle-aged brothers in an Icelandic rural town leave their differences behind and come together to save their beloved farm animals in the Un Certain Regard Award-winner “Rams.” With such recognition under its belt and having just been picked for U.S. distribution by Cohen Media Group, Grímur Hákonarson's film is certainly the handsomest choice. Still, “Rams” is not without a strong rival. Crowd-pleaser “Virgin Mountain,” about a lonely man whose life changes when he meets a new friend, had its U.S. premiere at the Tribecca Film Festival where it won three awards: Best Narrative Feature, Best Actor, and Best Screenplay. It could go either way, but the Cannes prestige and having found a U.S. distributor give “Rams” the upper hand. Iceland produced several qualifying features this year including “Brave Men’s Blood,” “East of the Mountain, “ and “The Homecoming.”
Iran
"Muhammad: The Messenger of God"
Dir. Majid Majidi
PC: Nourtaban Film Industry
U.S. Distribution: None Yet
Iranian Release Date: August 26, 2015
Iran will have to make an incredibly difficult decision that unfortunately may have political repercussions. Majid Majidi’s latest film “Muhammad: The Messenger of God” is the most expense Iranian feature ever made. The historical epic brings to life the early years of the prophet's life with impressive locations, costumes, and cinematography courtesy of Three-time Oscar-winner Vittorio Storaro. Majidi himself is no stranger to the Academy having earned Iran’s first-ever Academy Award nomination with “Children of Heaven.” Taking these facts into consideration, “Muhammad” seems to be the obvious selection, but there are many religious and political concerns that could get in its way. Islam prohibits the depiction of the prophet and other sacred figures in any artistic work. Knowing this, Majidi shot the entire film - which is the first part in what’s to become a trilogy – without ever showing the prophet’s face by shooting most scenes from his point of view or showing him with his back to the camera. This was acceptable for Iran’s censors, as the film will open this week in theaters across the Middle Eastern country. However, other Muslim countries, particularly Sunni Muslims, have been outspoken about their discontent with the film. Whether Iran will still choose to submit the film to AMPAS is a mystery, but it will certainly have more to do with outside influences rather than artistic merit. “Muhammad” will have its North American premiere at the Montreal World Film Festival.
“Nahid” by Ida Panahandeh, about a woman’s journey from divorce to remarrying, won the Avenir Prize in the Un Certain Regard section at Cannes, but - although censors have said the film will be allowed the screen in Iran - it might not open theatrically in time. It also deals with a controversial subject and that might limit it chances. A third, and much safer option, is romantic drama “What’s the Time in Your World?” starring Leila Hatami (“A Speration”) and Ali Mosaffa (“The Past”). Directed by Safi Yazdanian, the film looks beautifully done and sports two of the most talented Iranian actors working today. It could definitely be a good alternative. Other films include “Borderless,” “Track 143,” "Tales” and “Confessions of a Dangerous Mind.” Perhaps Iran will ignore the risk and submit their most lavish film to date by one of their most celebrated filmmakers who still works within the state’s parameters.
Israel
"The Kind Words" (Ha'milim ha'tovot )
Dir. Shemi Zarhin
Isa: Beta Cinema
U.S. Distribution: None Yet
Israeli Release Date: May 28, 2015
With 12 nominations to Israel’s Ophir Awards, “The Kind Words” including Best Film, Best Director, Best Screenplay, Best Actor, and Best Actress Shem Zarhin’s film is the one to beat. Since the winner of the Ophir Award for Best Film automatically becomes Israel’s Oscar submission, “The Kind Words” has a strong shot at both honors. The film follows a group of siblings as they travel abroad to uncover a secret. By default the other contenders are the rest of the films nominated for Best Film: “Wounded Land,” ”Afterthought,” “Wedding Doll,” and “Baba Joon.” Of this Elad Keidan's “Afterthought,” which premiered at Cannes to positive reviews, and Erez Tadmor's intense drama “Wounded Land” appear to be the strongest alternatives. Despite being nominated several times Israel has never won the Best Foreign Language Film Academy Award.
Italy
"My Mother" (Mia Madre)
Dir. Nanni Moretti
Isa: Films Distribution
U.S. Distribution: Alchemy
Italian Release Date: April 16th, 2015
Nanni Moretti is back with “Mia Madre,” a new family drama that screened in competition at this year’s Cannes Film Festival and won a few awards at the Italian David di Donatello Awards. Since the big winner at the national awards, “Black Souls,” was considered last year, Moretti’s film is the frontrunner. However, there is a wild card that could change things. Veteran filmmaker Marco Bellocchio will release his newest work “Blood of My Blood,” a historical drama about a 17th century woman accused of being a witch, on September 9 - just in time to qualify. It’s likely that Moretti will have enough support to pull it off, but there is still a chance that might not be set in stone. Besides these two films there is Mario Martone’s “Leopardi,” a biopic about poet Giacomo Leopardi, which won several David di Donatello Awards and was also recognized in Venice. With even less possibilities are Sundance’s “Cloro,” “Greenery Will Bloom Again,” and Albanian-language “Sworn Virgin,”
Ivory Coast
"Run"
Dir. Philippe Lacôte
PC: Banshee Films
U.S. Distribution: None Yet
Ivorian Release Date: December 17th, 2014
The first and only time a film represent Ivory Coast at the Oscars was back in 1977. That film, “Black and White in Color,” won the first and only Academy Award attributed to a Sub-Saharan African country. Nevertheless, that landmark work was directed by a Frenchmen, Jean-Jacques Annaud, and had mostly French talent in the leading roles. Now, almost 40 years later, an actual Ivorian film looks presents a fantastic opportunity for the country to return to the race. Philippe Lacote’s political drama “Run” screened in the Un Certain Regard section in Cannes 2014, Tiff, and AFI Fest, and later opened commercially in Abidjan, the Ivorian Capital, and Paris. Ivory Coast has only one eligible film to submit as their Oscar entry, and fortunately it’s a good one.
Japan
"Our Little Sister" (海街 diary)
Dir. Hirokazu Koreeda
Isa: Wild Bunch
U.S. Distribution: Sony Pictures Classics
Japanese Release Date: June 13th, 2015
Japan hasn’t had a successful entry since unexpectedly winning the award in 2009 with “Departures.” Their selections are often baffling because they tend to ignore festival winners and critically acclaimed films to pick obscure titles that rarely connect with voters. In recent years outstanding films such as “Like Father, Like Son” have been overlooked. Having said this, one can only hope that this time around they will chose more wisely. This year another film by Hirokazu Koreeda, “Our Little Sister,” debuted at Cannes and has been picked up for U.S. distribution by Sony Pictures Classic – a powerhouse distributor in the Best Foreign Language Film race. Based on a manga series, the film revolves around a group of young women who decide to adopt their stepsister after their father dies. “Our Little Sister” was also a financial success in its homeland. Even with all these positive qualities on its side, Japan might refuse to submit Koreeda’s film and look elsewhere. Other options from the festival circuit include Naomi Kawase's “An- Sweet Red Bean Paste,” which less positive reviews; “Journey to the Shore,” though it opens on October 1; “Kabukicho Love Hotel,” which screened at Tiff last year, and “Cape Nostalgia.”
Jordan
"Theeb" (ذيب)
Dir. Naji Abu Nowar
Isa: Fortissimo Films
U.S. Distribution: Film Movement
Jordanian Release Date: March 19th, 2015
In 2008 Jordan submitted their first-ever Oscar submission, and the first feature film made in the country in half a century. That film, “Captain Abu Raed,” did very well in festivals like Sundance and Dubai. Since then, Jordanian cinema has been scarce forcing the country to be absent from the race. That could change this year with “Theeb” by UK-born filmmaker Naji Abu Nowar. His period piece about a Bedouin boy during World War I has played at numerous festivals and will have a U.S. theatrical release via Film Movement.
Lithuania
"The Summer of Sangailé" (Sangaile)
Dir. Alanté Kavaïté
Isa: Films Distribution
U.S. Distribution: Strand Releasing
Lithuanian Release Date: August 21st, 2015
The Sundance Film Festival screened its first-ever Lithuanian feature this past January, “The Summer of Sangailé” by Alanté Kavaïté. This Lgbt coming-of-age story showcases captivating cinematography and nuanced performances. “Sangailé” went on to win the Directing Award in the World Cinema Competition at the Park City festival. It will also become one of the very few Lithuanian films to have been distributed in the U.S. when Strand Releasing schedules its theatrical release. Being the most awarded narrative film from the Baltic nation, it should be a shoo-in. "Sangailé" also won three Silver Crane Awards (Lithuanian Oscars): Best Film, Best Actress for Julija Steponaityte and best set design for Ramunas Rastauskas. Its only realistic adversary is the documentary “Master and Tatyana,” which won the Best Documentary, Best Director, and Best Cinematography prizes at the Silver Crane. Lithuania has shown to be fond of submitting documentaries, but one could presume that “Sangaile’s” wider international appeal will help it succeed.
Mexico
"The Thin Yellow Line" (La Delgada Línea Amarilla)
Dir. Celso R. García
Isa: Latido Films
U.S. Distribution: None Yet
Mexican Release Date: Unknown
Among the 14 films that the Mexican Academy announced as candidates to become the official Oscar submission, only a handful of them have a real chance at representing Mexico. It’s really a three-way race between “600 Miles,” “La Tirisia,” and “The Thin Yellow Line.” Each of these has distinctive assets as well as factors that could play against them. Gabriel Ripstein's “600 Miles” stars Tim Roth, which could be beneficial because Academy voters would see a familiar face on screen. At the same time Roth’s participation means that there is a considerable amount of English dialogue that could make the film feel less authentic when considered as a “foreign language film” representing a country. Then there is Jorge Pérez Solano's art house marvel, “La Tirisia,” about the role of women in a very traditional Mexican community. This is a film that truly showcases an unseen aspect of Mexican culture and has garnered international recognition, but it might be too small in scope to be selected.
Lastly, “The Yellow Thin Line,” which was awarded at the Guadalajara Film Festival but hasn’t travel much. It will screen at the Chicago International Film Festival in October. “The Thin Yellow Line” tells the story of a group of men working on a deserted road as they are forced to come to terms with their yearnings and failures. The premise seems unique; the cast includes some of Mexico’s most recognizable talents, and it’s partly produced my Guillermo del Toro. That last fact is what could set the film apart from the rest because the general public and Academy voters will be intrigued to see what was it about this story that interested Del Toro, who hasn’t been involved in a Mexican project in several years. It’s a tough race, but having someone like the “Pan’s Labyrinth’s” director supporting the film could be a deal breaker.
Peru
"The Vanished Elephant" (El Elefante Desaparecido)
Dir. Javier Fuentes-León
Isa: Mundial
U.S. Distribution: Oscilloscope Laboratories
Peruvian Release Date: October 9th, 2015
Javier Fuentes-Leon’s “The Vanished Elephant” premiered at last year’s Tiff and was also part of this year’s Los Angeles Film Festival making it the highest profile Peruvian film of the year. At home, the critical response was very positive and the quality of the film, in comparison to other Peruvian works released in the last 12 months, is undeniable. “The Vanished Elephant” tells the cryptic story of a writer whose girlfriend disappears without a trace. After receiving a series of strange photographs, he delves into deceitful conspiracy that defies the lines between reality and fiction. Fuentes-Leon debut feature “Undertow” was submitted to the Academy back in 2010. Enrica Perez’ “Climas” about three Peruvian women from different walks of life and Héctor Gálvez forensic mystery “Nn” have both screened at several international festivals, and though they are much smaller film’s than “The Vanished Elephant,”either of them could be the next best choice to become Peru’s Oscar entry. Less likely titles include “Videophilia,” “Solos,” and historical drama “Gloria del Pacífico.”
The Philippines
"Trap" (Taklub)
Dir. Brillante Mendoza
Isa: Films Distribution
U.S. Distribution: None Yet
Filipino Release Date: Unknown
Brillante Mendoza is one the Philippines most acclaimed auteurs and yet none of his films have ever been selected to represent the Southeast Asian nation at the Oscars. His latest work, “Trap,” won Special Mention from the Ecumenical Jury at Cannes and it’s the prime contender to travel to L.A. this year. “Trap” follows a group of survivors soon after Typhoon Haiyan devastated a great part of the country. The film stars Filipino actress Nora Aunor, who also the lead in Mendoza’s “Thy Womb,” which was the Filipino entry at the Golden Globes a couple years back. Given that Mendoza’s work has never been selected, there is a chance he might miss out once more. If that happens, the film that could benefit is Paul Soriano's Manny Pacquiao biopic titled “Kid Kulafo,” which would evidently ring a bell with Americans. Other films to be considered include “Justice,” also starring Aunor, “Crocodile,” or even lighthearted comedy “English Only, Please.”
Russia
"Sunstroke"
Dir. Nikita Mikhalkov
Isa: Wild Bunch
U.S. Distribution: None Yet
Russian Release Date: October 4th, 2014
Even after winning the Golden Globe and being nominated for an Academy Awards, Andrey Zvyagintsev “Leviathan” couldn’t get the Best Film award from the Russian Academy. Instead, they decided to bestow that honor on veteran filmmaker Nikita Mikhalkov's period piece "Sunstroke.” This is the type of film that Russia loves to submit: patriotic, historical, and epic. Even though last year the Russian selection committee showed they could overlook their political agenda to ensure the best film represented the country, this year they will go back to their old ways. This is not to say “Sunstroke” is a bad film, as hardly anyone outside of Russia has seen, but it does mean that other more daring offers like Yuriy Bykov's festival darling “The Fool” and Aleksey German's “Under Electric Clouds" have little hope at becoming the country’s entry and getting the exposure that comes with it. Mikhalkov won the Oscar in for “Burnt by the Sun” in 1995 and was nominated again for "12" in 2008, which means he will be hard to beat this year. "The Fool" would be a much more interesting selection but its story about a regular citizen fighting the corrupt system might prove too controversial. There is also another war epic titled "Batalion" by Dmitriy Meskhiev, which could pull off a surprise.
Serbia
"Enclave" (Enklava)
Dir. Goran Radovanovic
PC: Nana Filam
U.S. Distribution: None Yet
Serbian Eelease Date: March 19, 2015
Serbia’s 6-film shortlist includes worlds that deal with a variety of subjects, from the recurrent tales of war and its aftermath, triumphant sports stories, and even the peculiar case of a boy who grew up wild in the woods. Of all these possibilities, the film that seems to have the most gravitas is Goran Radovanovic's “Enclave,” a film about the ethnic divide in Kosovo and the atrocities that perpetuates. This is definitely not the film with the most international exposure, but the story might be enough to warrant its submission. Films that deal with similar issues like, “Circles,” have been previous selected. But the Serbian committee wants to stay away from both war and sports dramas, they might go with Vuk Rsumovic “No One’s Child” which did very well at a few festivals including Venice and Palm Springs. It could either way. Original comedy "Monument to Michael Jackson" could also be a more lighthearted choice. The shortlist is completed by "We Will Be the World Champions"," The Man Who Defended Gavrilo Princip," and "The Disobedient" (Sundance 2014).
Spain
"Ma Ma"
Dir. Julio Medem
Isa: Seville International
U.S. Distribution: None Yet
Spanish Release Date: September 11, 2015
For a long time I had hope that Spain would find a loophole and submit their most honored film at this year’s Goya Awards, “Marshland” (La Isla Minima), but that seems like a farfetched hope now. Luckily, another film that looks like a winner will be released just in time. “Ma Ma” directed by Julio Medem and starring Academy Award-winner Penelope Cruz has Oscar written all over it. Cruz plays a mother diagnosed with cancer and whose ferocious battle with the disease will reinvigorate her love for life. The actress also served as a producer in what has become one of the most anticipated films of the year. The only films that could challenge are coming-of-ager “A Cambio de Nada” and Basque-language drama “Loreak.” The former appears to be feel-good story that might seem slight in comparison to both “Ma Ma” and “Loreak,” which deals with a woman who starts receiving flowers from a mysterious sender. “Magical Girl” is a brilliantly twisty film, but being so edgy it will probably be considered to risky for the Oscar race. Penelope Cruz’ star power will decide this race.
Sweden
"A Pigeon Sat on a Branch Reflecting on Existence" (En duva satt på en gren och funderade på tillvaron)
Dir. Roy Andersson
Isa: Coproduction Office (Paris)
U.S. Distribution: Magnolia Pictures
Swedish Release Date: November 14th, 2014
The two previous chapters sin Andersson’s trilogy about being human were submitted to AMPAS, and even if they didn’t get a nomination, it’s hard to imagine them not submitting “A Pigeon.” The film has been critically acclaimed and it won the Golden Lion at last year’s Venice Film festival. Furthermore, it has already been released in the U.S. by Magnolia, the company that handled last year’s Swedish submission, “Force Majeure.” While I’d love to see Andersson be selected, there are several other films that could prevent that from happening. Kay Pollack, who earned Sweden’s most recent nomination for “As It Is in Heaven,” has a new film opening in early September titled “Heaven on Earth.” Depending on how that film is received the tables may or may not turn. The third strongest option is the romantic costume drama “Gentlemen,” which won several awards from the Swedish Academy and has already been picked up for U.S. distribution by, of course, Magnolia. Smaller, yet worthy candidates, include “My Skinny Sister” and “Flocking,” both of which premiered in Berlin.
Switzerland
"Vanity" (La Vanité)
Dir. Lionel Baier
Isa: Wide
U.S. Distribution: None Yet
Swiss Release Date: September 2, 2015
Out of the 7 films shortlisted by the Swiss, the one that immediately stands out is dark comedy “Vanity.” The film just premiered at Locarno and it stars Spanish actress, and one of Almodovar’s favorites, Carmen Maura, as well as Patrick Lapp. Although the film deals with suicide, the approach seems to be very comedic. In a list of several obscure titles, “Vanity” should come out on top. A second option could be Stina Werenfels' “Dora or the Sexual Neuroses of Our Parents,” which screened in Berlin’s Panorama section and tells the story of a mentally disabled woman discovering her sexuality. “War” by Simon Jaquemet, about a rebellious teenager, had some festival play as well but is less likely to be chosen. The other four titles in the shortlist are: “Pause,” doc “Iraqi Odyssey,” “Chubby,” and “L’oasis des mendiants.”
Taiwan
"The Assassin" (聶隱娘)
Dir. Hsiao-hsien Hou
Isa: Wild Bunch
U.S. Distribution: Well Go USA Entertainment
Taiwanese Release Date: August 28th, 2015
There is really no race here. “The Assassin” will be Taiwan’s entry almost certainly. Winner of the Best Director Award at the Cannes Film Festival and clearly one of the best reviewed films of the year, this martial arts epic, which is said to showcase marvelous imagery, should be consider a strong contender. I can’t see Taiwan not choosing the film, but there are still other films that could be considered. Of those the most viable, but very distant, second choice could be Tso-chi Chang's “Thanatos, Drunk,” which was awarded in Berlin and received six prizes at the Taipei Film Festival. The film revolves around to brothers in Taipei trying to find jobs.
Thailand
"Cemetery of Splendor" (รักที่ขอนแก่น)
Dir. Apichatpong Weerasethakul
Isa: The Match Factory
U.S. Distribution: Strand Releasing
Thai Release Date: Unknown
It was a great year for Thai art house cinema, which means the country has several prominent titles to choose from. Strangely enough, even when there are films with international recognition, Thailand often decides to submit a quirky romantic comedy or a random horror film. The reasons behind their selections are unknown. Still, assuming that they will pay attention to their most respected filmmakers, the number one choice should be "Cemetery of Splendor." However, Apichatpong Weerasethakul's films are not as well liked in his homeland are they are abroad, but it seems irrational for them not consider the film. It might be too abstract for AMPAS’ taste, but it’s still the most prestigious work. Other possibilities include “How to Win at Checkers (Every Time)," which is partially in English, “The Blue Hours” (Berlin’s Panorama), and Rotterdam’s “Vanishing Point.” Of course, there are scores of more commercial titles from which the committee might pick.
Turkey
"Mustang"
Dir. Deniz Gamze Ergüven
Isa: Kinology
U.S. Distribution: Cohen Media Group
Turkish Release Date: Unknown
Last year Nuri Bilge Ceylan’s Palme d’Or-winning film “Winter Sleep” failed to receive a nomination, perhaps due to it’s length and cerebral screenplay. This year another title out of Cannes shows more promise. “Mustang” tells the story of five sisters living in a small village and subjected to the sexist prejudices of the townspeople. With extensive festival play and in the hands of Cohen Media Group - the company behind this year’s nominee “Timbuktu" - Deniz Gamze Ergüven’s film is the ideal pick. Sundance’s “Ivy” by Tolga Karaçelik, about a group of men trapped aboard a ship could definitely be a top contender. Kutlug Ataman's “Kuzu,” winner of the C.I.C.A.E. Award in Berlin’s Panorama section would be the third most likely film to represent Turkey at the Oscars. Lastly, “The Miracle,” a romantic period piece, is a large local production that could be considered, but lacks the festival exposure of the other three.
Venezuela
"Gone With the River" (Dauna, Lo que lleva el río)
Dir. Mario Crespo
Isa: Centro Nacional Autonomo de Cinematografía
U.S. Distribution: None Yet
Venezuelan Release Date: March 20, 2015
With Alberto Arvelo’s “The Liberator,” the South American nation got as close as it’s ever been to Oscar glory this year. The biopic about Simón Bolívar starring Edgar Ramírez managed to become one of the 9 shortlisted finalists out of 83 submissions. Venezuela has several options to submit for the 88th Academy Awards, but they are much smaller in magnitude on this occasion. Appearing at the NATIVe sidebar of the Berlinale, “Dauna, lo que lleva el río” or “ Gone with the River” is the most important Venezuelan film of the year and gives voice to the country’s indigenous people by telling story that rarely gets seen on screen. On the other hand, the film “3 Beauties,” about another of Venezuelan’s most well-known obsessions, beauty pageants, has received critical praise at home but it seems to be a lighter satirical comedy. Their Oscar entry could be either one of the two, but I think they will go with the more socially relevant story. A smaller film, “Espejos,” could be part of the conversation but is possibilities are very limited.
- 8/26/2015
- by Carlos Aguilar
- Sydney's Buzz
Ken Kokin has produced and directed second unit on several award-winning films that include the ‘The Usual Suspects’, ‘Captain Abu Raed’,’The Way of the Gun’ and ‘Mortdecai’. Read about his most recent film and directorial debut 'Blood Moon' here.
by Ken Kokin: It was 2008 when I discovered a little known film festival called HollyShorts because of my own short film 'For Tomorrow, The Toms Shoes Story', about one of the first deliveries of the Toms One For One campaign to some of the poorest regions of Argentina, and because another film that I produced called 'The Way of the Gun' was set to screen there.
Once a tiny spark in the shadow of tinsel town, HollyShorts now attracts A-listers like Jessica Biel, Demi Moore, Kirsten Dunst, Matthew Modine and Josh Brolin. Festival honorees include the legendary filmmaker David Lynch and Oscar winner Paul Haggis.
HollyShorts is an incubator for filmmakers. Dave Green’s short 'Meltdown', a comedy about food puppets in a refrigerator was featured at HollyShorts, and he believes that it paved the way for him to direct the massive studio film 'Earth to Echo'.
HollyShorts founders Theo Dumont and Daniel Sol are two of the most passionate cinephiles that I have ever met. Ironically, for creating a short festival, they are both over 6 feet tall. Their drive to support filmmakers is extraordinary, as they have created a showcase for the true artist who recognizes that short films typically don’t attract money or distribution. Yet, it is because of festivals like HollyShorts and mobile consumption of video content that the paradigm is changing.
In 2005, many of us in the film community saw the writing on the wall — short films would explode with the creation of YouTube. We were right, and Youtube was just the beginning... Enter in the short attention span theater of the newest Internet generation. Thanks to the 7 to 15 second time limits of SnapChat, Instagram, Vine, and others, the hunger for short video content and the advancement of the art form is skyrocketing worldwide.
With over 300 million active users on Instagram alone, advertisers are starting to actualize the importance of these content channels in the digital marketplace. HollyShorts and similar festivals have more relevance than ever. The international film sales & distribution industry is paying attention and is on the prowl for content like never before, so don’t be surprised to run into talent scouts while socializing at any of the festival’s epic parties.
The HollyShorts Film Festival takes place at the Tcl Chinese Theatre in the heart of Hollywood from August 13th to August 22nd, and marks the festival’s 11th year anniversary with a grand prize of $15,000 for this overall winner, courtesy of HollyShorts sponsor, Zype.
Shorts can range from the cutest animations, to the most serious subjects like illness, war and homelessness. The program includes Short Animation, Short Live Action, Short Documentary, Music Video, Webisode, Commercials, Trailers, 3D Shorts, Youth Film and Digital Microbudget.
Learn more by visiting the HollyShorts website.
by Ken Kokin: It was 2008 when I discovered a little known film festival called HollyShorts because of my own short film 'For Tomorrow, The Toms Shoes Story', about one of the first deliveries of the Toms One For One campaign to some of the poorest regions of Argentina, and because another film that I produced called 'The Way of the Gun' was set to screen there.
Once a tiny spark in the shadow of tinsel town, HollyShorts now attracts A-listers like Jessica Biel, Demi Moore, Kirsten Dunst, Matthew Modine and Josh Brolin. Festival honorees include the legendary filmmaker David Lynch and Oscar winner Paul Haggis.
HollyShorts is an incubator for filmmakers. Dave Green’s short 'Meltdown', a comedy about food puppets in a refrigerator was featured at HollyShorts, and he believes that it paved the way for him to direct the massive studio film 'Earth to Echo'.
HollyShorts founders Theo Dumont and Daniel Sol are two of the most passionate cinephiles that I have ever met. Ironically, for creating a short festival, they are both over 6 feet tall. Their drive to support filmmakers is extraordinary, as they have created a showcase for the true artist who recognizes that short films typically don’t attract money or distribution. Yet, it is because of festivals like HollyShorts and mobile consumption of video content that the paradigm is changing.
In 2005, many of us in the film community saw the writing on the wall — short films would explode with the creation of YouTube. We were right, and Youtube was just the beginning... Enter in the short attention span theater of the newest Internet generation. Thanks to the 7 to 15 second time limits of SnapChat, Instagram, Vine, and others, the hunger for short video content and the advancement of the art form is skyrocketing worldwide.
With over 300 million active users on Instagram alone, advertisers are starting to actualize the importance of these content channels in the digital marketplace. HollyShorts and similar festivals have more relevance than ever. The international film sales & distribution industry is paying attention and is on the prowl for content like never before, so don’t be surprised to run into talent scouts while socializing at any of the festival’s epic parties.
The HollyShorts Film Festival takes place at the Tcl Chinese Theatre in the heart of Hollywood from August 13th to August 22nd, and marks the festival’s 11th year anniversary with a grand prize of $15,000 for this overall winner, courtesy of HollyShorts sponsor, Zype.
Shorts can range from the cutest animations, to the most serious subjects like illness, war and homelessness. The program includes Short Animation, Short Live Action, Short Documentary, Music Video, Webisode, Commercials, Trailers, 3D Shorts, Youth Film and Digital Microbudget.
Learn more by visiting the HollyShorts website.
- 6/4/2015
- by Erin Grover
- Sydney's Buzz
Kenneth Kokin’s brilliant directorial debut ‘Blood Moon’ is an engaging and gripping tragedy that’s worthy of being seen. Written by Oscar Nominated Nicholas Kazan, ‘Blood Moon’ stars his daughter, Maya Kazan (‘The Knick’), Frank Medrano (‘The Shawshank Redemption’) and James Callis (‘Battle Star Galactica’, ‘Bridget Jones’s Diary’).
Kokin also produced and directed second unit on several award-winning films that include the ‘The Usual Suspects’, ‘Captain Abu Raed’,’The Way of the Gun’ and ‘Mortdecai’.
Haunting, yet stylistically beautiful, the story follows a young woman who is raped and how she executes retribution on her attacker. It explores the transition from of a perky, pretty teen-ager to someone who is forever warped from abuse and degradation. ‘
‘Blood Moon’ is a culturally relevant story and a reminder that the issue of rape is too often ignored, especially in a country where abortion sharply divides its people and where women have to pay for their own rape kits to gather legal evidence – the equivalent of having to pay the police to dust for prints in a robbery.
Kokin first learned of ‘Blood Moon’ in Larry Moss’s Master acting class. It was written and produced in the 1980’s as an off-Broadway play and starred a teenage Dana DeLaney.
Kokin reflects on the story and working with Kazan:
Moss’s comments on the piece were so provocative, that I was compelled to run out and read it the next day. Even now, the ending continues to haunt me. I knew if I could get this play made into a film, it would be impactful for viewers…
It was an honor to work with Kazan, because I have so much respect for him as a filmmaker. His support was a blessing, and his material gave me tremendous confidence, because I knew it could hold itself up.
I felt like we were on the same creative plane. We went through the screenplay word-by-word, and always agreed on the nuances that we found interesting and humorous.
Writer of ‘Blood Moon’ Nicholas Kazan shares the history of ‘Blood Moon’ and its adaptation to film:
I couldn’t make a living writing for the theatre, so I moved from San Francisco to Los Angeles. I started to write for film, and eventually was fortunate enough to get some films made. Over the past 15 years, I’ve mostly been writing my own scripts and selling them when I can. That’s how I enjoy my life.
The play on which this film is based was done in New York in 1983. First I wrote plays in Berkeley, for the Magic Theater; subsequently most of my plays have been done in New York and Los Angeles. This play has been produced in New York, Washington DC, California, and many other places. It will have have a run again in New York in the spring.
One of the difficult things about a play is that you can’t edit it. In film, you can edit it and pick the best given take of any moment. You put all the best takes together and, you hope, end up with something fairly reasonable.
Why did you write ‘Blood Moon’?
I was told this story in college about a girl who was raped, which is essentially the first act of the play. I didn’t even know if it was a true story, but it stuck in my imagination. And then the second act of the play, the woman’s revenge, was my dramatic conceit.
How has the audience responded over the years?
Some people receive it as a piece of theater - especially when it’s well done – and the response has been very good. Occasionally, there have been a few people who are horrified by the second act. In the theatre, what the protagonist Mayna does is justified. It has its roots in Greek myth. There’s an ‘eye for an eye’ quality to it.
Was it challenging to change ‘Blood Moon’ into a screenplay?
There are some things that work better in theater than they do on film. In the film, we had to intercut between the two acts, which you obviously don’t do on stage.
There’s a tradition of tragedy on stage, where you watch in horror as you realize what’s going to happen. That’s the definition of tragedy – you’re horrified, and then you watch it happen. That’s the first act of the play, then in the second act, you don’t know what’s going to happen, but you know she’s going to do something. You don’t know what it is until the very end.
In the film, we had to intercut between the two acts because the first act, the tragedy gradually unfolding, just didn’t work as well on film. In the theatre, you’re having a communal experience where you’re witnessing this awful thing. On film, you’re not a witness. By intercutting, we brought an element of tension to the whole that made it work.
What has been the overall response to ‘Blood Moon’?
Sometimes there were nights when people didn’t understand what was happening until the play clearly revealed it. There were other nights when people got a sense of it earlier. You would know it because someone in the audience would go ‘oh my God!’ with a gasp. It was really similar to the way that laughter is contagious in an audience. One person would gasp, and then you’d feel other people wondering what they were gasping about. And then they’d go ‘Oh My God’ and get what was happening on stage. The play worked either way: it’s a communal experience, so it didn’t really matter when the audience “saw” what was really going on.
Kokin also produced and directed second unit on several award-winning films that include the ‘The Usual Suspects’, ‘Captain Abu Raed’,’The Way of the Gun’ and ‘Mortdecai’.
Haunting, yet stylistically beautiful, the story follows a young woman who is raped and how she executes retribution on her attacker. It explores the transition from of a perky, pretty teen-ager to someone who is forever warped from abuse and degradation. ‘
‘Blood Moon’ is a culturally relevant story and a reminder that the issue of rape is too often ignored, especially in a country where abortion sharply divides its people and where women have to pay for their own rape kits to gather legal evidence – the equivalent of having to pay the police to dust for prints in a robbery.
Kokin first learned of ‘Blood Moon’ in Larry Moss’s Master acting class. It was written and produced in the 1980’s as an off-Broadway play and starred a teenage Dana DeLaney.
Kokin reflects on the story and working with Kazan:
Moss’s comments on the piece were so provocative, that I was compelled to run out and read it the next day. Even now, the ending continues to haunt me. I knew if I could get this play made into a film, it would be impactful for viewers…
It was an honor to work with Kazan, because I have so much respect for him as a filmmaker. His support was a blessing, and his material gave me tremendous confidence, because I knew it could hold itself up.
I felt like we were on the same creative plane. We went through the screenplay word-by-word, and always agreed on the nuances that we found interesting and humorous.
Writer of ‘Blood Moon’ Nicholas Kazan shares the history of ‘Blood Moon’ and its adaptation to film:
I couldn’t make a living writing for the theatre, so I moved from San Francisco to Los Angeles. I started to write for film, and eventually was fortunate enough to get some films made. Over the past 15 years, I’ve mostly been writing my own scripts and selling them when I can. That’s how I enjoy my life.
The play on which this film is based was done in New York in 1983. First I wrote plays in Berkeley, for the Magic Theater; subsequently most of my plays have been done in New York and Los Angeles. This play has been produced in New York, Washington DC, California, and many other places. It will have have a run again in New York in the spring.
One of the difficult things about a play is that you can’t edit it. In film, you can edit it and pick the best given take of any moment. You put all the best takes together and, you hope, end up with something fairly reasonable.
Why did you write ‘Blood Moon’?
I was told this story in college about a girl who was raped, which is essentially the first act of the play. I didn’t even know if it was a true story, but it stuck in my imagination. And then the second act of the play, the woman’s revenge, was my dramatic conceit.
How has the audience responded over the years?
Some people receive it as a piece of theater - especially when it’s well done – and the response has been very good. Occasionally, there have been a few people who are horrified by the second act. In the theatre, what the protagonist Mayna does is justified. It has its roots in Greek myth. There’s an ‘eye for an eye’ quality to it.
Was it challenging to change ‘Blood Moon’ into a screenplay?
There are some things that work better in theater than they do on film. In the film, we had to intercut between the two acts, which you obviously don’t do on stage.
There’s a tradition of tragedy on stage, where you watch in horror as you realize what’s going to happen. That’s the definition of tragedy – you’re horrified, and then you watch it happen. That’s the first act of the play, then in the second act, you don’t know what’s going to happen, but you know she’s going to do something. You don’t know what it is until the very end.
In the film, we had to intercut between the two acts because the first act, the tragedy gradually unfolding, just didn’t work as well on film. In the theatre, you’re having a communal experience where you’re witnessing this awful thing. On film, you’re not a witness. By intercutting, we brought an element of tension to the whole that made it work.
What has been the overall response to ‘Blood Moon’?
Sometimes there were nights when people didn’t understand what was happening until the play clearly revealed it. There were other nights when people got a sense of it earlier. You would know it because someone in the audience would go ‘oh my God!’ with a gasp. It was really similar to the way that laughter is contagious in an audience. One person would gasp, and then you’d feel other people wondering what they were gasping about. And then they’d go ‘Oh My God’ and get what was happening on stage. The play worked either way: it’s a communal experience, so it didn’t really matter when the audience “saw” what was really going on.
- 2/18/2015
- by Erin Grover
- Sydney's Buzz
Columbia Records has announced a soundtrack release for the comedy drama A Little Help. The album includes two score tracks by composer Austin Wintory (Captain Abu Raed, Grace), as well as the original song I’m Lucky co-written by Wintory and Céleigh Chapman. Also featured on the soundtrack are Jakob Dylan with three original songs, Rob Benedict’s band Louden Swain, Dion, Zach Page and Céleigh Chapman. The album will be released digitally on July 19, 2011. A Little Help is directed by Michael J. Weithorn (The King of Queens) and centers on a recently widowed single mom who reconnects with an old flame – her sister’s husband. The film stars Jenna Fischer, Chris O’Donnell and Rob Benedict. The movie will be released in theaters on July 22. For more information about the film and soundtrack, visit the official movie webpage.
Here’s the album tracklisting:
1. Down In A Hole (You’ve...
Here’s the album tracklisting:
1. Down In A Hole (You’ve...
- 6/29/2011
- by filmmusicreporter
- Film Music Reporter
![Shirley MacLaine, Gary Sinise, Joey Lauren Adams, Kathy Bates, and Alex D. Linz in Bruno (2000)](https://m.media-amazon.com/images/M/MV5BMzQ0NzExOGMtMWY5Yy00YmRhLTg2MjQtYzMxNzk1YWNmZjljXkEyXkFqcGdeQXVyMTY5Nzc4MDY@._V1_QL75_UY207_CR8,0,140,207_.jpg)
![Shirley MacLaine, Gary Sinise, Joey Lauren Adams, Kathy Bates, and Alex D. Linz in Bruno (2000)](https://m.media-amazon.com/images/M/MV5BMzQ0NzExOGMtMWY5Yy00YmRhLTg2MjQtYzMxNzk1YWNmZjljXkEyXkFqcGdeQXVyMTY5Nzc4MDY@._V1_QL75_UY207_CR8,0,140,207_.jpg)
Iran recently hosted the first Kish Island Film Festival to promote Cinema from Asia and North Africa. I was surprised to come across some great film makers from Armenia, Georgia, Tajikistan and Kazakhstan. I was on the feature film Jury with famous Iranian director Masoud Kimiyai who is a novelist and has 32 films to his credit. Others on the Jury were Elchin Musaoglu of Azarbaijan, Asif Noorani, a journalist for the newspaper Dawn in Pakistan and editor of the Eastern Film magazine. The woman director from Tajikistan, Gulandom Muhabatova could not come at the last minute.
The festival screened documentaries and short films too. Each award comprised cash prize of 3000 Us dollars. There were seminars by famous producers from UK, France and Australia.
Besides a hectic schedule of watching films, we really enjoyed the hospitality of the festival team. There were some minor problems regarding the tickets but the beautiful...
The festival screened documentaries and short films too. Each award comprised cash prize of 3000 Us dollars. There were seminars by famous producers from UK, France and Australia.
Besides a hectic schedule of watching films, we really enjoyed the hospitality of the festival team. There were some minor problems regarding the tickets but the beautiful...
- 5/9/2011
- by Bijaya Jena
- DearCinema.com
In our latest world cinema column, Nick continues his whistle stop tour of countries and their most notable films, this week taking in the Middle East…
Greetings, everyone! So, this week I'm returning to my Around the World in 80 films. I've visited Europe and Africa so far, so still have some way to go.
Choosing a film for each country is a difficult task, and one which is open for criticism. Do you go broad and choose a film which you believe represents the country as a whole? Or do you narrow the focus and choose a film which only represents a tiny minority? Both are open to accusations of subjectivity as opposed to objectivity, but, unfortunately, film criticism is probably the least objective medium in the world, especially when it's on the web.
All I can do is pick films which I think will a) interest people, and b...
Greetings, everyone! So, this week I'm returning to my Around the World in 80 films. I've visited Europe and Africa so far, so still have some way to go.
Choosing a film for each country is a difficult task, and one which is open for criticism. Do you go broad and choose a film which you believe represents the country as a whole? Or do you narrow the focus and choose a film which only represents a tiny minority? Both are open to accusations of subjectivity as opposed to objectivity, but, unfortunately, film criticism is probably the least objective medium in the world, especially when it's on the web.
All I can do is pick films which I think will a) interest people, and b...
- 11/3/2010
- Den of Geek
Brand new distributor Gigapix has picked up Darren Lynn Bousman's horror film Mother's Day!
From the Press Release:
Gigapix Studios, Inc. announced today that they have started a U.S. theatrical distribution company, Gigapix Releasing, which has acquired the rights to several films for theatrical release. Gigapix Releasing has access to a print and advertising fund through New Legacy Media. New Legacy Media is a conglomerate that has provided prints and advertising investments to over one hundred films via investments in Star Partners, The New Millennium Fund and P & A Partners I, II and III.
In forming Gigapix Releasing, Gigapix Studios, Inc. has teamed up with outside partners and investors (i.e., Geno Taylor, formerly CEO of Polychrome Pictures, and David Williams, head of New Legacy as the print and advertising provider). In addition to the New Legacy print and advertising fund, Gigapix Releasing and New Legacy are working...
From the Press Release:
Gigapix Studios, Inc. announced today that they have started a U.S. theatrical distribution company, Gigapix Releasing, which has acquired the rights to several films for theatrical release. Gigapix Releasing has access to a print and advertising fund through New Legacy Media. New Legacy Media is a conglomerate that has provided prints and advertising investments to over one hundred films via investments in Star Partners, The New Millennium Fund and P & A Partners I, II and III.
In forming Gigapix Releasing, Gigapix Studios, Inc. has teamed up with outside partners and investors (i.e., Geno Taylor, formerly CEO of Polychrome Pictures, and David Williams, head of New Legacy as the print and advertising provider). In addition to the New Legacy print and advertising fund, Gigapix Releasing and New Legacy are working...
- 9/30/2010
- by brians
- GeekTyrant
There's a new horror distributor getting ready to sharpen its fangs and take a bite out of the industry, and we'd like to take a moment to introduce you to the company handling Darren Bousman's Mother's Day and more!
From the Press Release
Gigapix Studios, Inc. announced today that they have started a U.S. theatrical distribution company, Gigapix Releasing, which has acquired the rights to several films for theatrical release. Gigapix Releasing has access to a print and advertising fund through New Legacy Media. New Legacy Media is a conglomerate that has provided prints and advertising investments to over one hundred films via investments in Star Partners, The New Millennium Fund and P & A Partners I, II and III.
In forming Gigapix Releasing, Gigapix Studios, Inc. has teamed up with outside partners and investors (i.e., Geno Taylor, formerly CEO of Polychrome Pictures, and David Williams, head of...
From the Press Release
Gigapix Studios, Inc. announced today that they have started a U.S. theatrical distribution company, Gigapix Releasing, which has acquired the rights to several films for theatrical release. Gigapix Releasing has access to a print and advertising fund through New Legacy Media. New Legacy Media is a conglomerate that has provided prints and advertising investments to over one hundred films via investments in Star Partners, The New Millennium Fund and P & A Partners I, II and III.
In forming Gigapix Releasing, Gigapix Studios, Inc. has teamed up with outside partners and investors (i.e., Geno Taylor, formerly CEO of Polychrome Pictures, and David Williams, head of...
- 9/30/2010
- by Uncle Creepy
- DreadCentral.com
I have to say that I’m always interested in and surprised by what entertains filmmakers and Moore’s list does not disappoint. There are, as should be expected, quite a few films on this list that I have not seen but of those I have seen I agree with his #’s 6, 7, 17, & 20 picks. Here ripped from an e-mail that was posted on another website are Michael Moore’s list of the 20 “best pictures” he saw in the year 2009:
1. “Troubled Water” (see above)
2. “Everlasting Moments” – A wife in the early 20th century wins a camera and it changes her life (from Sweden).
3. “Captain Abu Raed” – This first feature from Jordan tells the story of an airport janitor who the neighborhood kids believe is a pilot.
4. “Che” – A brilliant, unexpected mega-film about Che Guevara by Steven Soderbergh.
5. “Dead Snow” – The scariest film I’ve seen in a while about zombie Nazis...
1. “Troubled Water” (see above)
2. “Everlasting Moments” – A wife in the early 20th century wins a camera and it changes her life (from Sweden).
3. “Captain Abu Raed” – This first feature from Jordan tells the story of an airport janitor who the neighborhood kids believe is a pilot.
4. “Che” – A brilliant, unexpected mega-film about Che Guevara by Steven Soderbergh.
5. “Dead Snow” – The scariest film I’ve seen in a while about zombie Nazis...
- 3/16/2010
- by creth
- Atomic Popcorn
![Captain Abu Raed (2007)](https://m.media-amazon.com/images/M/MV5BMjA2ODQwMzkxNV5BMl5BanBnXkFtZTcwNzU3MjY2Mg@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
![Captain Abu Raed (2007)](https://m.media-amazon.com/images/M/MV5BMjA2ODQwMzkxNV5BMl5BanBnXkFtZTcwNzU3MjY2Mg@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
The Jordanian film Captain Abu Raed was well-received when it toured the festival circuit in 2008, winning the World Cinema Audience Award at Sundance that year among its several honors, but it never obtained wider distribution in theaters. Now that it's available on DVD, maybe it will finally get a broader audience it requires -- after all, you can't make a message film about helping others and changing young lives without wanting the world to see it.
- 3/12/2010
- Movieline
DVD Links: DVD News | Release Dates | New Dvds | Reviews | RSS Feed
The September Issue I don't read Vogue and know very little about the fashion world, but I still find it incredibly interesting and while The September Issue doesn't necessarily explore the fashion world to any great extent or even go all that deep into the yearly bible of the industry, it is still wildly fascinating and this DVD is filled with bonuses for those that want more than the 88 minutes R.J. Cutler's doc offers.
In fact it comes with an audio commentary with Cutler and a featurette of behind-the-scenes photos. But the big draw will be the group of deleted scenes on the first disc followed by over an hour of additional footage on the second disc. As the sticker says on the box art to the left, this thing has over 90 minutes of additional footage. Personally it...
The September Issue I don't read Vogue and know very little about the fashion world, but I still find it incredibly interesting and while The September Issue doesn't necessarily explore the fashion world to any great extent or even go all that deep into the yearly bible of the industry, it is still wildly fascinating and this DVD is filled with bonuses for those that want more than the 88 minutes R.J. Cutler's doc offers.
In fact it comes with an audio commentary with Cutler and a featurette of behind-the-scenes photos. But the big draw will be the group of deleted scenes on the first disc followed by over an hour of additional footage on the second disc. As the sticker says on the box art to the left, this thing has over 90 minutes of additional footage. Personally it...
- 2/23/2010
- by Brad Brevet
- Rope of Silicon
Vancouver-based NeoClassics Films is launching a new division, NeoClassics Home Entertainment, which will distribute in the U.S. home entertainment market.
Nhe's first release will be Christophe Van Rompaey's "Moscow, Belgium," slated for Jan. 26.
Other upcoming releases include "Captain Abu Raed," "The Black Balloon" and "Surviving Crooked Lake."
Nhe is being managed by Rene Leda and Anatol Chavez.
Irwin Olian, CEO of NeoClassics, said the new home entertainment division "will now provide us with the opportunity to maximize penetration of our pictures in the home video marketplace, as well as offering to producers, sales agents and other distributors the opportunity to maximize home video revenues on their product with the lowest possible fees, costs and overheads, while maintaining transparency and accountability throughout the distribution process."...
Nhe's first release will be Christophe Van Rompaey's "Moscow, Belgium," slated for Jan. 26.
Other upcoming releases include "Captain Abu Raed," "The Black Balloon" and "Surviving Crooked Lake."
Nhe is being managed by Rene Leda and Anatol Chavez.
Irwin Olian, CEO of NeoClassics, said the new home entertainment division "will now provide us with the opportunity to maximize penetration of our pictures in the home video marketplace, as well as offering to producers, sales agents and other distributors the opportunity to maximize home video revenues on their product with the lowest possible fees, costs and overheads, while maintaining transparency and accountability throughout the distribution process."...
- 11/4/2009
- The Hollywood Reporter - Movie News
Buysoundtrax Records has officially announced the limited CD release of newcomer Austin Wintory’s acclaimed score for Captain Abu Raed, Amin Matalqa’s multiple award-winning drama. “The director was looking for a Western sound, instead of the typical Middle Eastern orchestral color an audience would be used to hearing in a film set in this part of the world. The film would need a universally romantic score that would affect an audience ...
- 8/28/2009
- by moviescore
- MovieScore Magazine
Movies from Jordan rarely make their way to the Us, so let's be thankful for "Captain Abu Raed," written and directed by Amin Matalqa, who was born in Jordan and grew up in the Us.
Nadim Sawalha provides a sweet and moving performance as the titular character, a janitor at the Amman airport who finds an airline captain's hat in the trash.
Wearing the hat home, Abu Raed is mistaken for a real pilot by children in his poor neighbor.
At first he protests, but finally gives in and...
Nadim Sawalha provides a sweet and moving performance as the titular character, a janitor at the Amman airport who finds an airline captain's hat in the trash.
Wearing the hat home, Abu Raed is mistaken for a real pilot by children in his poor neighbor.
At first he protests, but finally gives in and...
- 8/14/2009
- by By V.A. MUSETTO
- NYPost.com
Our friends over at USC got in touch to let us know that they've added quite a few more guests to this event, so we're re-posting this with updated details.
Those eager to catch Fangoria Blood Drive alum Paul Solet's Grace have a chance to do so for Free, provided they live close enough to see it at USC.
On June 12th (Tomorrow!), the USC School of Cinematic Arts' Alumni Screening Series will present Grace at 7pm, University Park Campus, Eileen Norris Cinema Theatre/Frank Sinatra Hall.
In an unforgettable emotional and psychological journey into terror, a young woman is forced to make the ultimate motherly sacrifice.
The School of Cinematic Arts and Anchor Bay Entertainment invite you and a guest to a special preview screening of Grace, followed by a Q&A with writer/director Paul Solet and composer Austin Wintory.
Free admission. Open to all.
About Grace
Love.
Those eager to catch Fangoria Blood Drive alum Paul Solet's Grace have a chance to do so for Free, provided they live close enough to see it at USC.
On June 12th (Tomorrow!), the USC School of Cinematic Arts' Alumni Screening Series will present Grace at 7pm, University Park Campus, Eileen Norris Cinema Theatre/Frank Sinatra Hall.
In an unforgettable emotional and psychological journey into terror, a young woman is forced to make the ultimate motherly sacrifice.
The School of Cinematic Arts and Anchor Bay Entertainment invite you and a guest to a special preview screening of Grace, followed by a Q&A with writer/director Paul Solet and composer Austin Wintory.
Free admission. Open to all.
About Grace
Love.
- 6/11/2009
- by no-reply@fangoria.com (James Zahn)
- Fangoria
Those eager to catch Fangoria Blood Drive alum Paul Solet's Grace have a chance to do so for Free, provided they live close enough to see it at USC.
On June 12th, the USC School of Cinematic Arts' Alumni Screening Series will present Grace at 7pm, University Park Campus, Eileen Norris Cinema Theatre.
In an unforgettable emotional and psychological journey into terror, a young woman is forced to make the ultimate motherly sacrifice.
The School of Cinematic Arts and Anchor Bay Entertainment invite you and a guest to a special preview screening of Grace, followed by a Q&A with writer/director Paul Solet and composer Austin Wintory.
Free admission. Open to all.
About Grace
Love. Undying.
Madeline and Michael Matheson have been trying to have a baby for years. After multiple miscarriages, they finally are seven and a half months pregnant. Disheartened with traditional obstetric medicine, Madeline brings Michael to Naturebirth,...
On June 12th, the USC School of Cinematic Arts' Alumni Screening Series will present Grace at 7pm, University Park Campus, Eileen Norris Cinema Theatre.
In an unforgettable emotional and psychological journey into terror, a young woman is forced to make the ultimate motherly sacrifice.
The School of Cinematic Arts and Anchor Bay Entertainment invite you and a guest to a special preview screening of Grace, followed by a Q&A with writer/director Paul Solet and composer Austin Wintory.
Free admission. Open to all.
About Grace
Love. Undying.
Madeline and Michael Matheson have been trying to have a baby for years. After multiple miscarriages, they finally are seven and a half months pregnant. Disheartened with traditional obstetric medicine, Madeline brings Michael to Naturebirth,...
- 6/1/2009
- by no-reply@fangoria.com (James Zahn)
- Fangoria
Generally, horror film scores don’t really do much to distinguish themselves within the genre. That’s why composer Austin Wintory knew when he started working on the score for Paul Solet’s Grace that he needed to do something different.
Wintory’s distinctive film scoring approach is one part of the Grace puzzle and his work joins the highly collaborative effort from everyone involved on the film. It’s that collective passion that undoubtedly was responsible for getting Grace accepted into the 2009 Sundance Film Festival.
“I generally think of horror movie scores as ‘vacuum cleaner’ scores,” said Wintory. “Lately, the trend has been where they just sound grungy or noisy and I wanted Grace to sound distinctive and refreshing.”
Wintory fell in love with movie soundtracks around the age of 10 when he started taking piano lessons. Rather than getting stuck with the average “by the books” piano teacher, he...
Wintory’s distinctive film scoring approach is one part of the Grace puzzle and his work joins the highly collaborative effort from everyone involved on the film. It’s that collective passion that undoubtedly was responsible for getting Grace accepted into the 2009 Sundance Film Festival.
“I generally think of horror movie scores as ‘vacuum cleaner’ scores,” said Wintory. “Lately, the trend has been where they just sound grungy or noisy and I wanted Grace to sound distinctive and refreshing.”
Wintory fell in love with movie soundtracks around the age of 10 when he started taking piano lessons. Rather than getting stuck with the average “by the books” piano teacher, he...
- 1/26/2009
- by thehorrorchick
- DreadCentral.com
The 20th Annual Palm Springs International Film Festival was a huge success! The Opening Night Gala was well-attended, and there were many A-list celebrities including Clint Eastwood, Anne Hathaway, etc.
But it's all about the quality of films! And last night, the festival honored films around the world.
The Festival, held from January 6-19, 2009, screened 208 films from 73 countries, including 50 of the 67 foreign entries for this year.s Academy Awards®. Palm Springs. increasingly popular Festival continues to expand its diverse programming of quality independent and foreign films, setting the stage for the year.s film festival circuit.
Awards
This year.s Festival attendees selected Departures (Japan) directed by Yojiro Takita, as the Mercedes-Benz Audience Award for Best Narrative Feature. A failed cellist connects with his inner undertaker, his rural hometown, and his newly deceased father in this tonally eccentric, lushly scored, moving drama. The film is on the Academy Awards® shortlist...
But it's all about the quality of films! And last night, the festival honored films around the world.
The Festival, held from January 6-19, 2009, screened 208 films from 73 countries, including 50 of the 67 foreign entries for this year.s Academy Awards®. Palm Springs. increasingly popular Festival continues to expand its diverse programming of quality independent and foreign films, setting the stage for the year.s film festival circuit.
Awards
This year.s Festival attendees selected Departures (Japan) directed by Yojiro Takita, as the Mercedes-Benz Audience Award for Best Narrative Feature. A failed cellist connects with his inner undertaker, his rural hometown, and his newly deceased father in this tonally eccentric, lushly scored, moving drama. The film is on the Academy Awards® shortlist...
- 1/19/2009
- by Manny
- Manny the Movie Guy
James from Out 1 here. With the 9-film shortlist for Best Foreign Language Film announced, let us all open our ears to the Annual Critics Who Cry “Snub!” While you can typically count me in that group, there are only a couple films that people are really upset about being snubbed (Gomorrah, Captain Abu Raed...but really, did you really expect Jordan to get a nomination the first year it submits?) unlike last years full-blown snub debacle (4 Months, Edge of Heaven, I Just Didn’t Do It, The Orphanage, Persepolis, Silent Light, Taxidermia, Xxy...none of which even made the shortlist!) in favor of the weakest set of foreign film nominees in a decade.
Maybe the new rules are doing some good. The inclusion of Turkish director Nuri Bilge Ceylan’s latest feature Three Monkeys (Üç Maymun) proves, if nothing else, that the committee is getting a little more daring in their choices and,...
Maybe the new rules are doing some good. The inclusion of Turkish director Nuri Bilge Ceylan’s latest feature Three Monkeys (Üç Maymun) proves, if nothing else, that the committee is getting a little more daring in their choices and,...
- 1/15/2009
- by James Hansen
- FilmExperience
Ok, I think this is the last narrowing-down-the-list that will occur before the actual Oscar nominations are announced a week from Thursday. The Academy of Motion Picture Arts and Sciences has whittled the candidates in the Best Foreign-Language category to these nine semi-finalists. It is from these that the five nominees will be chosen:
Revanche, Austria; The Necessities of Life, Canada; The Class, France; The Baader Meinhof Complex, Germany; Waltz with Bashir, Israel; Departures, Japan; Tear This Heart Out, Mexico; Everlasting Moments, Sweden; Three Monkeys, Turkey.
If the Turkish film is nominated, it will be a first for that country, which has submitted a film every year since 1992 but has never made the Big 5. The other countries have all been nominated before, though Mexico and Israel have never won.
These nine shortlist contenders were culled from 67 entries. After embarrassing situations in previous years where the Academy's stodgy old foreign-language nominating...
Revanche, Austria; The Necessities of Life, Canada; The Class, France; The Baader Meinhof Complex, Germany; Waltz with Bashir, Israel; Departures, Japan; Tear This Heart Out, Mexico; Everlasting Moments, Sweden; Three Monkeys, Turkey.
If the Turkish film is nominated, it will be a first for that country, which has submitted a film every year since 1992 but has never made the Big 5. The other countries have all been nominated before, though Mexico and Israel have never won.
These nine shortlist contenders were culled from 67 entries. After embarrassing situations in previous years where the Academy's stodgy old foreign-language nominating...
- 1/14/2009
- by Eric D. Snider
- Cinematical
The nominees for the 40th Naacp Image Awards have been announced. During a press conference at The Beverly Hilton Hotel on Wednesday, January 7, it was uncovered that "The Secret Life of Bees" and "Cadillac Records" have led the fields with multiple counts. Southern-set drama "Secret Life" collected 8 nods, while musical drama "Cadillac" received 7 gongs.
Both "Secret Life" and "Cadillac" will have to compete against each other for many categories including, Outstanding Motion Picture and Outstanding Writing. In the run for Outstanding Motion Picture, the two were joined by Spike Lee's "Miracle at St. Anna", Gabriele Muccino's "Seven Pounds" and Tyler Perry's "The Family That Preys". Meanwhile, for the writing category, they are up against "Rachel Getting Married", "A Raisin In The Sun" and "Noah's Arc: Jumping the Broom".
Beside the two categories, "Secret Life" and "Cadillac" have also brought their stars nominations. Dakota Fanning and Queen Latifah got Outstanding Actress nod,...
Both "Secret Life" and "Cadillac" will have to compete against each other for many categories including, Outstanding Motion Picture and Outstanding Writing. In the run for Outstanding Motion Picture, the two were joined by Spike Lee's "Miracle at St. Anna", Gabriele Muccino's "Seven Pounds" and Tyler Perry's "The Family That Preys". Meanwhile, for the writing category, they are up against "Rachel Getting Married", "A Raisin In The Sun" and "Noah's Arc: Jumping the Broom".
Beside the two categories, "Secret Life" and "Cadillac" have also brought their stars nominations. Dakota Fanning and Queen Latifah got Outstanding Actress nod,...
- 1/8/2009
- by AceShowbiz.com
- Aceshowbiz
The Naacp has announced it's 40th Annual Image Awards nominations. In the film category, Cadillac Records, The Secret Life of Bees, Miracle at St. Anna, Seven Pounds and Tyler Perry's The Family That Preys" have been nominated.
The TV network with the most nominations? ABC with 24 total!
The awards night will be televised on Fox, Feb. 12 from the Shrine Auditorium.
Click Read More to see the complete list of nominees:
Television Categories
Comedy Series
"30 Rock" (NBC)
"Everybody Hates Chris" (CW)
"The Game" (CW)
"Tyler Perry.s House of Payne" (TBS)
"Ugly Betty" (ABC)
Actor in a Comedy Series
Donald Faison - "Scrubs" (NBC)
Lavan Davis - "Tyler Perry.s House of Payne" (TBS)
Paul James - "Greek" (ABC Family)
Terry Crews - "Everybody Hates Chris" (CW)
Tyler James Williams - "Everybody Hates Chris" (CW)
Actress in a Comedy Series
America Ferrera -...
The TV network with the most nominations? ABC with 24 total!
The awards night will be televised on Fox, Feb. 12 from the Shrine Auditorium.
Click Read More to see the complete list of nominees:
Television Categories
Comedy Series
"30 Rock" (NBC)
"Everybody Hates Chris" (CW)
"The Game" (CW)
"Tyler Perry.s House of Payne" (TBS)
"Ugly Betty" (ABC)
Actor in a Comedy Series
Donald Faison - "Scrubs" (NBC)
Lavan Davis - "Tyler Perry.s House of Payne" (TBS)
Paul James - "Greek" (ABC Family)
Terry Crews - "Everybody Hates Chris" (CW)
Tyler James Williams - "Everybody Hates Chris" (CW)
Actress in a Comedy Series
America Ferrera -...
- 1/7/2009
- by Manny
- Manny the Movie Guy
![Sankofa (1993)](https://m.media-amazon.com/images/M/MV5BM2E0MGI2NWEtMWM5MC00MGYzLWFhMTUtZmZmOTMxOTc1OWEzXkEyXkFqcGdeQXVyNzMzMjU5NDY@._V1_QL75_UY207_CR11,0,140,207_.jpg)
![Sankofa (1993)](https://m.media-amazon.com/images/M/MV5BM2E0MGI2NWEtMWM5MC00MGYzLWFhMTUtZmZmOTMxOTc1OWEzXkEyXkFqcGdeQXVyNzMzMjU5NDY@._V1_QL75_UY207_CR11,0,140,207_.jpg)
Complete Dubai fest coverage
Dubai -- Independent international filmmaker? Want to break into the U.S. market? Start small, find your "tribe" and learn to think outside the Hollywood box. Oh, and don't even think about a theatrical deal. Think digital instead.
This was the advice from veteran indie filmmakers and distributors gathered from around the world Monday at the Dubai International Film Festival.
Hal Sadoff, chief of the indie division at Hollywood's Icm talent agency, said that flexibility is key. When he produced "Hotel Rwanda," he had an Italian priest squeezed into the script about genocide in Africa just so that the U.K.-South Africa co-production could tap Italian money.
"We're focused on films of $8 million and above that are mixing art and commerce," Sadoff said. "When you're going that route you have to consider the finances up front."
For those unwilling to compromise, focusing your passions on...
Dubai -- Independent international filmmaker? Want to break into the U.S. market? Start small, find your "tribe" and learn to think outside the Hollywood box. Oh, and don't even think about a theatrical deal. Think digital instead.
This was the advice from veteran indie filmmakers and distributors gathered from around the world Monday at the Dubai International Film Festival.
Hal Sadoff, chief of the indie division at Hollywood's Icm talent agency, said that flexibility is key. When he produced "Hotel Rwanda," he had an Italian priest squeezed into the script about genocide in Africa just so that the U.K.-South Africa co-production could tap Italian money.
"We're focused on films of $8 million and above that are mixing art and commerce," Sadoff said. "When you're going that route you have to consider the finances up front."
For those unwilling to compromise, focusing your passions on...
- 12/15/2008
- by By Jonathan Landreth
- The Hollywood Reporter - Movie News
GigaPix Studios has secured financing for five kid-friendly movies. The budgets will range from the $6 million to $10 million mark. Media 8 will be handling foreign distribution and sales. The first film will be the fantasy adventure "Blackbeard" directed by Kern Konwiser . Filming is said to start some time in April next year. GigaPix boss David Pritchard also produced "Captain Abu Raed," the Oscar contender from Jordan in the foreign-language category. He additionally served as an executive producer for "King of the Hill," "Family Guy" and "The Simpsons."...
- 11/25/2008
- Upcoming-Movies.com
- Newbie distribution company NeoClassics Films are latching onto a film that ever since its preem at Sundance has played extremely well on the film festival circuit – and additionally, and this comes as a surprise -- has been selected as it’s country’s (Jordan) first ever (!) bid for the Best Foreign film category. I'm aware that some places on this earth are movie-producing nations, but I'm sure that Jordan has had at least one example of a film worthy of international audiences before 2008? THR reports that the indie distributor picked up the North American, U.K., Australian and South African rights to Captain Abu Raed by writer-director Amin Matalqa. Winner of the Dramatic World Cinema Audience Award in Park City, this centers on an airport janitor (Nadim Sawalha) mistaken for a pilot by children in his poor Jordanian neighborhood. His fictional tales of adventures around the world inspire them.
- 11/6/2008
- IONCINEMA.com
![Captain Abu Raed (2007)](https://m.media-amazon.com/images/M/MV5BMjA2ODQwMzkxNV5BMl5BanBnXkFtZTcwNzU3MjY2Mg@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
![Captain Abu Raed (2007)](https://m.media-amazon.com/images/M/MV5BMjA2ODQwMzkxNV5BMl5BanBnXkFtZTcwNzU3MjY2Mg@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
Santa Monica -- NeoClassics Films has nabbed North American, U.K., Australian and South African rights to "Captain Abu Raed," Jordan's first-ever entry in the best foreign-language film Oscar race.
Writer-director Amin Matalqa won this year's Dramatic World Cinema Audience Award at Sundance and several other fest honors, making it a prime catch on Fortissimo Films' awards-bait Afm slate. The Canada-based NeoClassics will distribute the film through its U.S. theatrical distribution arm early next year and rep sales for its other territories.
The film centers on an airport janitor (Nadim Sawalha) mistaken for a pilot by children in his poor Jordanian neighborhood. His fictional tales of adventures around the world inspire them.
Writer-director Amin Matalqa won this year's Dramatic World Cinema Audience Award at Sundance and several other fest honors, making it a prime catch on Fortissimo Films' awards-bait Afm slate. The Canada-based NeoClassics will distribute the film through its U.S. theatrical distribution arm early next year and rep sales for its other territories.
The film centers on an airport janitor (Nadim Sawalha) mistaken for a pilot by children in his poor Jordanian neighborhood. His fictional tales of adventures around the world inspire them.
- 11/5/2008
- by By Gregg Goldstein
- The Hollywood Reporter - Movie News
![Waltz with Bashir (2008)](https://m.media-amazon.com/images/M/MV5BNjM2OTI3NzQyNl5BMl5BanBnXkFtZTcwNjkzNzQ5MQ@@._V1_QL75_UY207_CR0,0,140,207_.jpg)
![Waltz with Bashir (2008)](https://m.media-amazon.com/images/M/MV5BNjM2OTI3NzQyNl5BMl5BanBnXkFtZTcwNjkzNzQ5MQ@@._V1_QL75_UY207_CR0,0,140,207_.jpg)
A record 67 countries have submitted films for consideration for best foreign-language film for the 81st Academy Awards, Academy president Sid Ganis said Friday. Nominations will be announced on Thursday, Jan. 22, and the awards will be presented on Sunday, Feb. 22.
The complete list of foreign-language submissions follows. For more details on some of the films, visit THR.com/foreignoscars.
Afghanistan, "Opium War," Siddiq Barmak
Albania, "The Sorrow of Mrs. Schneider," Piro Milkani and Eno Milkani
Algeria, "Masquerades," Lyes Salem
Argentina, "Lion's Den," Pablo Trapero
Austria, "Revanche," Gotz Spielmann
Azerbaijan, "Fortress," Shamil Nacafzada
Bangladesh, "Aha!," Enamul Karim Nirjhar
Belgium, "Eldorado," Bouli Lanners
Bosnia and Herzegovina, "Snow," Aida Begic
Brazil, "Last Stop 174," Bruno Barreto
Bulgaria, "Zift," Javor Gardev
Canada, "The Necessities of Life," Benoit Pilon
Chile, "Tony Manero," Pablo Larrain
China, "Dream Weavers," Jun Gu
Colombia, "Dog Eat Dog," Carlos Moreno
Croatia, "No One's Son," Arsen Anton Ostojic
Czech Republic, "The Karamazovs," Petr Zelenka
Denmark,...
The complete list of foreign-language submissions follows. For more details on some of the films, visit THR.com/foreignoscars.
Afghanistan, "Opium War," Siddiq Barmak
Albania, "The Sorrow of Mrs. Schneider," Piro Milkani and Eno Milkani
Algeria, "Masquerades," Lyes Salem
Argentina, "Lion's Den," Pablo Trapero
Austria, "Revanche," Gotz Spielmann
Azerbaijan, "Fortress," Shamil Nacafzada
Bangladesh, "Aha!," Enamul Karim Nirjhar
Belgium, "Eldorado," Bouli Lanners
Bosnia and Herzegovina, "Snow," Aida Begic
Brazil, "Last Stop 174," Bruno Barreto
Bulgaria, "Zift," Javor Gardev
Canada, "The Necessities of Life," Benoit Pilon
Chile, "Tony Manero," Pablo Larrain
China, "Dream Weavers," Jun Gu
Colombia, "Dog Eat Dog," Carlos Moreno
Croatia, "No One's Son," Arsen Anton Ostojic
Czech Republic, "The Karamazovs," Petr Zelenka
Denmark,...
- 10/17/2008
- The Hollywood Reporter - Movie News
Pencils down, foreigners! Wednesday was the deadline to submit a film to the Academy of Motion Picture Arts and Sciences for consideration in the Best Foreign-Language Film award at the Oscars, and 51 countries came up with something. Nations with particularly active film industries, such as Spain, France, and Italy, submit something pretty much every year; at the other end of the spectrum, there's the Middle Eastern nation of Jordan, which submitted a film (Captain Abu Raed) this year for the very first time.
If you're not familiar with the system, it works like this. (You can read the whole set of rules at the Academy's site.) Every country is allowed to submit only one film, and the Academy basically leaves it up to the individual nations to determine how that entry is chosen. The film need not have played in the U.S. yet (they usually have not, in fact...
If you're not familiar with the system, it works like this. (You can read the whole set of rules at the Academy's site.) Every country is allowed to submit only one film, and the Academy basically leaves it up to the individual nations to determine how that entry is chosen. The film need not have played in the U.S. yet (they usually have not, in fact...
- 10/2/2008
- by Eric D. Snider
- Cinematical
- So far, about one third (35 countries to be exact) of the 96 invited to submit their entry for the Academy Awards' Best Foreign Language Picture category have done so. While tomorrow's list will beef up the finally tally, there are three pictures that first caught everyone's attention at Cannes this year that are destined to make it to the final five. After last year's fiasco (the exclusion of Persepolis and 4 Months, 3 Weeks, and 2 Days), I'm hoping that this year's measures (a new voting system broken into phases) will make sure that voting members don't mess up once again and If I'd had to handicap the race this early on, I'd say The Class, Gomorra and Waltz with Bashir -- all films that are currently being showcased at the 46th Nyff, will each be considered as top tier noms. I'd also love to see Nuri Bilge Ceylan's Three Monkeys in
- 9/30/2008
- IONCINEMA.com
- France has just announced their selection for the Oscar's Best Foreign picture category and there's no doubt that the Palme d'or winner will make it from the round of 96 down to the final five list of nominees. Variety reports that Thierry Fremaux, Alain Terzian, Jeanne Moreau, and filmmakers Jean-Jacques Annaud, Costa-Gavras and Regis Wargnier selected Laurent Cantet's schoolyard/classroom drama to rep La France. Sony Pictures Classics showcases The Class as the opening film of the upcoming New York Film Festival and in select markets starting December 12th. Here are some of the films that have been selected by their respective countries so far...submissions occur Oct. 1st, the nominations will be announced Jan. 22nd. Austria: Gotz Spielmann's Revanche Belgium: Bouli Lanners's Eldorado Brazil: Bruno Barreto's Last Stop 174 Canada: Benoit Pilon’s Necessities Of Life (Ce Qu’il Faut Pour Vivre)Denmark: Niels Arden Oplev's
- 9/19/2008
- IONCINEMA.com
![Uli Edel](https://m.media-amazon.com/images/M/MV5BMTU4NTYxMjU4NF5BMl5BanBnXkFtZTgwNTM3NjY5OTE@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Uli Edel](https://m.media-amazon.com/images/M/MV5BMTU4NTYxMjU4NF5BMl5BanBnXkFtZTgwNTM3NjY5OTE@._V1_QL75_UX140_CR0,0,140,207_.jpg)
Cologne, Germany -- Uli Edel's controversial terrorist drama "Der Baader Meinhof Komplex" joined a growing crowd of foreign-language Oscar hopefuls Tuesday, carrying the banner for Germany amid a rash of new entries.
Austria, last year's winner for "The Counterfeiters," added another German-language entry to the mix Tuesday, submitting "Revanche," Gotz Spielmann's unconventional story of guilt and revenge.
Shot in a stark, realistic style with a cast of unknowns, "Revanche" has been a festival hit, winning several international prizes, including top honors from both the Label of European Cinemas and the International Confederation of Art Cinemas in Berlin this year.
Other titles joining the race were Jan Troell's "Everlasting Moments," which will represent Sweden, and Bruno Barreto's "Last Stop 174" from Brazil.
Both titles played in Toronto, where Barreto's chronicle of a real-life bus hijacking in Rio de Janeiro had its world premiere and "Moments" was picked up by Rainbow Media's IFC.
Austria, last year's winner for "The Counterfeiters," added another German-language entry to the mix Tuesday, submitting "Revanche," Gotz Spielmann's unconventional story of guilt and revenge.
Shot in a stark, realistic style with a cast of unknowns, "Revanche" has been a festival hit, winning several international prizes, including top honors from both the Label of European Cinemas and the International Confederation of Art Cinemas in Berlin this year.
Other titles joining the race were Jan Troell's "Everlasting Moments," which will represent Sweden, and Bruno Barreto's "Last Stop 174" from Brazil.
Both titles played in Toronto, where Barreto's chronicle of a real-life bus hijacking in Rio de Janeiro had its world premiere and "Moments" was picked up by Rainbow Media's IFC.
- 9/16/2008
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
![Captain Abu Raed (2007)](https://m.media-amazon.com/images/M/MV5BMjA2ODQwMzkxNV5BMl5BanBnXkFtZTcwNzU3MjY2Mg@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
![Captain Abu Raed (2007)](https://m.media-amazon.com/images/M/MV5BMjA2ODQwMzkxNV5BMl5BanBnXkFtZTcwNzU3MjY2Mg@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
For the first time, Jordan is joining the Oscar race by naming a foreign-language feature film submission, "Captain Abu Raed." Amin Matalqa's drama won the World Cinema Audience Award at this year's Sundance Film Festival.
- 9/11/2008
- The Hollywood Reporter - Movie News
![Amin Matalqa](https://m.media-amazon.com/images/M/MV5BOGIyYjRiYTEtZjhiMi00NjhmLWI3YmMtODMzYzBhZGM1YTVhXkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Amin Matalqa](https://m.media-amazon.com/images/M/MV5BOGIyYjRiYTEtZjhiMi00NjhmLWI3YmMtODMzYzBhZGM1YTVhXkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_QL75_UX140_CR0,0,140,140_.jpg)
Jordan is to enter the Oscar race for the first time in Academy Awards history.
The Middle Eastern kingdom's film experts have selected director Amin Matalqa's Captain Abu Raed for Best Foreign Film consideration.
The family film follows the fortunes of an airport janitor who is mistaken for a pilot.
The movie won an Audience award at January's Sundance Festival.
The Middle Eastern kingdom's film experts have selected director Amin Matalqa's Captain Abu Raed for Best Foreign Film consideration.
The family film follows the fortunes of an airport janitor who is mistaken for a pilot.
The movie won an Audience award at January's Sundance Festival.
- 9/5/2008
- WENN
Today's update is a small one as I added the Foreign Language Films as a category to "The Contenders". It is still early and submissions aren't due until October 1, but I have started a list of the films already submitted for consideration for 2009 Best Foreign Language Film. The list below is just the start as each country names their 2009 Oscar submissions. I will update the list as films are named and you can keep tabs on it right here. To be considered for the 2009 Academy Awards, a movie must be released in the submitting country between Oct. 1, 2007, and Sept. 30, 2008, and be publicly screened in a commercial theater for at least seven days. The film must also be predominantly in a language other than English. The Acad considers one pic per country. Crossing (South Korea; dir. Kim Tae-gyun) To verdener (Worlds Apart) (Denmark; dir. Niels Arden Oplev) Dunya & Desie (Netherlands; dir.
- 9/5/2008
- by Brad Brevet
- Rope of Silicon
London -- The Middle East might be cash rich, but filmmakers looking to tap the well face huge obstacles including regional violence, censorship and practical concerns like insurance, a panel of experts said Monday.
Speaking at an industry event at the British Academy of Film and Television Arts here Monday, filmmakers bemoaned the lack of freedom of speech in territories across the region such as Lebanon, Egypt, Dubai and Iraq.
But producer-director Philippe Aractingi, whose Lebanese film "Under the Bombs" screened as part of the BAFTA four-day event, told an intimate gathering that that censorship was only one problem.
"It's not that difficult to shoot in Lebanon," Aractingi said. "But insurance companies are worried when it comes to shooting there. Our (Lebanese) way of seeing risk is totally different to the Western minds in terms of production."
Filmmaker Amin Matalqa, who shot his movie "Captain Abu Raed" in Jordan and went on to win prizes at the Dubai International Film Festival, also bemoaned the lack of support from Arab audiences at the boxoffice.
"Arab audiences don't want films from local filmmakers, they just want Hollywood blockbusters," Matalqa said. "Arab audiences don't deserve them if that's their attitude."
He cited his own experience, which saw his film secure prizes in Dubai yet failed to ignite the local boxoffice.
But despite the doom and gloom, reps from Dubai and the Royal Film Commission of Jordan still urged filmmakers to check it out.
Rfc Jordan production guru George David said that censorship laws are easing and, as long as filmmakers can prove material is necessary for the filming, "it can shoot in Jordan."
Dubai International Film Festival managing director Shivani Pandya said that her organization has "made a concerted effort to steer away from political content" when looking at attracting filmmakers to the state.
"We have tried to stay away from the political (world) and stay neutral," she said. "We have turned down a few scripts (as a result)."...
Speaking at an industry event at the British Academy of Film and Television Arts here Monday, filmmakers bemoaned the lack of freedom of speech in territories across the region such as Lebanon, Egypt, Dubai and Iraq.
But producer-director Philippe Aractingi, whose Lebanese film "Under the Bombs" screened as part of the BAFTA four-day event, told an intimate gathering that that censorship was only one problem.
"It's not that difficult to shoot in Lebanon," Aractingi said. "But insurance companies are worried when it comes to shooting there. Our (Lebanese) way of seeing risk is totally different to the Western minds in terms of production."
Filmmaker Amin Matalqa, who shot his movie "Captain Abu Raed" in Jordan and went on to win prizes at the Dubai International Film Festival, also bemoaned the lack of support from Arab audiences at the boxoffice.
"Arab audiences don't want films from local filmmakers, they just want Hollywood blockbusters," Matalqa said. "Arab audiences don't deserve them if that's their attitude."
He cited his own experience, which saw his film secure prizes in Dubai yet failed to ignite the local boxoffice.
But despite the doom and gloom, reps from Dubai and the Royal Film Commission of Jordan still urged filmmakers to check it out.
Rfc Jordan production guru George David said that censorship laws are easing and, as long as filmmakers can prove material is necessary for the filming, "it can shoot in Jordan."
Dubai International Film Festival managing director Shivani Pandya said that her organization has "made a concerted effort to steer away from political content" when looking at attracting filmmakers to the state.
"We have tried to stay away from the political (world) and stay neutral," she said. "We have turned down a few scripts (as a result)."...
- 7/14/2008
- by By Stuart Kemp
- The Hollywood Reporter - Movie News
![Captain Abu Raed (2007)](https://m.media-amazon.com/images/M/MV5BMjA2ODQwMzkxNV5BMl5BanBnXkFtZTcwNzU3MjY2Mg@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
![Captain Abu Raed (2007)](https://m.media-amazon.com/images/M/MV5BMjA2ODQwMzkxNV5BMl5BanBnXkFtZTcwNzU3MjY2Mg@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
Sundance Film Festival
PARK CITY -- Middle Eastern cinema has been thriving recently, with strong entries from Israel, Lebanon, and Iran. Now one of the first films from Jordan to enter the international arena has its premiere at Sundance. Captain Abu Raed belies the inexperience of its makers, for it's a substantial, deeply moving film that has the potential to captivate audiences everywhere. If it finds a savvy distributor willing to handle it with the loving care it deserves, it could click on the arthouse circuit.
Writer-director Amin Matalqa was born in Jordan but grew up in the U.S. and studied film at the American Film Institute in Los Angeles. He was determined to make his feature directorial debut on a story filmed in Jordan. His protagonist, Abu Raed (Nadim Sawalha), is a widower and a janitor in the Amman airport. He has never left Jordan but dreams of traveling the world. When some of the young boys in the shabby apartment complex where he lives notice him wearing a pilot's hat, they assume he is a pilot and beg him to recount his adventures. Reluctant at first, Abu Raed eventually decides to humor the boys and indulge some of his own daydreams by spinning tales of fictitious travels. But an older neighborhood boy, Murad (Hussein Al-Sous), is suspicious of Abu Raed and eventually finds out the truth and exposes him. There is a heartbreaking moment when Murad takes the other boys to the airport, where they see Abu Raed cleaning the floor; the look of disillusionment on their faces is beautifully caught. Yet that is just the beginning of the story, for the antagonists Murad and Abu Raed eventually form an alliance that changes both of their lives.
Matalqa incorporates a wealth of revealing character details. At the beginning Abu Raed lives a narrow, sheltered life. When he hears a violent domestic dispute in a nearby apartment, he merely closes the window. The dispute is taking place in Murad's apartment. He lives with an abusive father, and this toxic environment has fostered Murad's cynicism.
Both Murad and Abu Read are gradually and believably transformed by their encounter. Abu Raed fnds the courage to take a stand, while Murad learns to trust and respect the older man. A subplot concerns a female pilot, Nour (Rana Sultan), who befriends Abu Raed. She has to contend with her parents' determination to marry her off to men who bore her. All of the characters are observed with affection and precision. Even Murad's abusive father is presented in three dimensions; we see that his own failures at work lead him to lash out at the people closest to him.
Performances are superb. Sawalha captures the dignity of Abu Raed without turning him into a plaster saint. In fact, it's clear that in trying to improve the lives of the local kids, he sometimes blunders and makes things worse. But Sawalha illuminates his humility and understated nobility. Al-Sous has a wonderfully expressive face, and Sultan radiates intelligence and quiet strength.
Working with cinematographer Reinhart Peschke, Matalqa makes excellent use of the Jordanian locations. One false note is struck by the music composed by Austin Wintory. It sounds too Western and sometimes falls into sentimentality. The film is too potent to need such underlining. Matalqa has crafted a stirring tribute to the invisible people in our world who may end up changing our lives more profoundly than high-profile leaders. Nothing is more difficult than making an honest film about a good man, but Captain Abu Raed accomplishes the feat.
CAPTAIN ABU RAED
Paper & Pen Films
Gigapix Studios
Credits: Writer-Director: Amin Matalqa
Producers: Kenneth Kokin, Nadine Toukan, Laith Al-Majali, Amin Matalqa
Executive producers: David Pritchard, Aida Jabaji Matalqa, Isam Salfiti
Director of photography: Reinhart Peschke
Production designer: Gerald Sullivan
Music: Austin Wintory
Co-producers: Chris Blauvelt, Chris Corabi
Costume designer: Jamila Alaeddin
Editor: Laith Al-Majali.
Cast:
Abu Raed: Nadim Sawalha
Nour: Rana Sultan
Murad: Hussein Al-Sous
Tareq: Udey Al-Qiddissi
Abu Murad: Ghandi Saber
Um Murad: Dina Ra'ad-Yaghnam
Hilal: Mohammad Quteishat
Sameh: Nadim Mushahwar
Ziad: Faisal Majali
Running time -- 105 minutes
No MPAA rating...
PARK CITY -- Middle Eastern cinema has been thriving recently, with strong entries from Israel, Lebanon, and Iran. Now one of the first films from Jordan to enter the international arena has its premiere at Sundance. Captain Abu Raed belies the inexperience of its makers, for it's a substantial, deeply moving film that has the potential to captivate audiences everywhere. If it finds a savvy distributor willing to handle it with the loving care it deserves, it could click on the arthouse circuit.
Writer-director Amin Matalqa was born in Jordan but grew up in the U.S. and studied film at the American Film Institute in Los Angeles. He was determined to make his feature directorial debut on a story filmed in Jordan. His protagonist, Abu Raed (Nadim Sawalha), is a widower and a janitor in the Amman airport. He has never left Jordan but dreams of traveling the world. When some of the young boys in the shabby apartment complex where he lives notice him wearing a pilot's hat, they assume he is a pilot and beg him to recount his adventures. Reluctant at first, Abu Raed eventually decides to humor the boys and indulge some of his own daydreams by spinning tales of fictitious travels. But an older neighborhood boy, Murad (Hussein Al-Sous), is suspicious of Abu Raed and eventually finds out the truth and exposes him. There is a heartbreaking moment when Murad takes the other boys to the airport, where they see Abu Raed cleaning the floor; the look of disillusionment on their faces is beautifully caught. Yet that is just the beginning of the story, for the antagonists Murad and Abu Raed eventually form an alliance that changes both of their lives.
Matalqa incorporates a wealth of revealing character details. At the beginning Abu Raed lives a narrow, sheltered life. When he hears a violent domestic dispute in a nearby apartment, he merely closes the window. The dispute is taking place in Murad's apartment. He lives with an abusive father, and this toxic environment has fostered Murad's cynicism.
Both Murad and Abu Read are gradually and believably transformed by their encounter. Abu Raed fnds the courage to take a stand, while Murad learns to trust and respect the older man. A subplot concerns a female pilot, Nour (Rana Sultan), who befriends Abu Raed. She has to contend with her parents' determination to marry her off to men who bore her. All of the characters are observed with affection and precision. Even Murad's abusive father is presented in three dimensions; we see that his own failures at work lead him to lash out at the people closest to him.
Performances are superb. Sawalha captures the dignity of Abu Raed without turning him into a plaster saint. In fact, it's clear that in trying to improve the lives of the local kids, he sometimes blunders and makes things worse. But Sawalha illuminates his humility and understated nobility. Al-Sous has a wonderfully expressive face, and Sultan radiates intelligence and quiet strength.
Working with cinematographer Reinhart Peschke, Matalqa makes excellent use of the Jordanian locations. One false note is struck by the music composed by Austin Wintory. It sounds too Western and sometimes falls into sentimentality. The film is too potent to need such underlining. Matalqa has crafted a stirring tribute to the invisible people in our world who may end up changing our lives more profoundly than high-profile leaders. Nothing is more difficult than making an honest film about a good man, but Captain Abu Raed accomplishes the feat.
CAPTAIN ABU RAED
Paper & Pen Films
Gigapix Studios
Credits: Writer-Director: Amin Matalqa
Producers: Kenneth Kokin, Nadine Toukan, Laith Al-Majali, Amin Matalqa
Executive producers: David Pritchard, Aida Jabaji Matalqa, Isam Salfiti
Director of photography: Reinhart Peschke
Production designer: Gerald Sullivan
Music: Austin Wintory
Co-producers: Chris Blauvelt, Chris Corabi
Costume designer: Jamila Alaeddin
Editor: Laith Al-Majali.
Cast:
Abu Raed: Nadim Sawalha
Nour: Rana Sultan
Murad: Hussein Al-Sous
Tareq: Udey Al-Qiddissi
Abu Murad: Ghandi Saber
Um Murad: Dina Ra'ad-Yaghnam
Hilal: Mohammad Quteishat
Sameh: Nadim Mushahwar
Ziad: Faisal Majali
Running time -- 105 minutes
No MPAA rating...
- 1/22/2008
- The Hollywood Reporter - Movie News
- There were 983 submissions from 15 countries in this category and apart from a couple of names, I know not one of the final selections below. World Cinema Dramatic Competition"Absurdistan" (Germany), directed by Veit Helmer, written by Helmer, Zaza Buadze, Gordan Mihic and Ahmet Golbol, about a sex strike by village women that threatens a young couple's first night together."Blue Eyelids" (Mexico), directed by Ernesto Contreras, about the ramifications of a single woman's winning of a beach trip for two."Captain Abu Raed" (Jordan), directed and written by Amin Matalqa, concerning an aging airport janitor who relates tall tales to local kids who think he's a pilot."The Drummer" (Hong Kong), directed and written by Kenneth Bi, the story of a young man who matures from reckless gangster to serious grownup due to the influence of Zen drumming."Elite Squad" (Brazil), directed by Jose Padilha ("Bus 174") and written by Braulio Mantovani and Padilha,
- 11/28/2007
- IONCINEMA.com
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