When one is staring at the screen shooting spit-balls in the form of reading synopses on Amazon Prime, gauging movie poster designs(the sad criteria nowadays), one doesn't expect a 6.2 rating to be this good. It's early-on, with my vote being just the 68th vote for this film, but my guess is that this little documentary is headed for much greener pastures. My Score 77/100.
This is as good as "Made You Look", and "Exit Through the Gift Shop", which makes it one of the better Art documentaries of the last 20yrs.
Director Allison Otto grabbed-me with the creative opening credit design. I immediately knew whomever made it wasn't a sell-out, but someone who cared about the production. It seemed to tell me something about the director before the film even started.
Now, personally, I like it when feature films don't feel like they have to spell-out every little detail for the viewer. A perfect example is Polanski's "Frantic". It allows the audience to fill in the blanks of the story on their own. It doesn't spoon-feed them like infantile minds. Some people spend more time trying to discredit films than to enjoy everything that is great about them.
Similarly, documentaries that allow the audience to do the same, fill in at least some of the blanks themselves, that exhibit a recognizable degree of impartiality, that don't really take a side in a fight, that keep you searching for answers after their conclusion.. ..that's what keeps me coming back, or in this case, digging for more.
At the core of "The Thief Collector" is the stolen masterpiece, but at the heart of the story lies the mysterious couple who stole it.
One good or bad decision can spin someone's life in another direction(I picture Michael Caine drawing dots in "Mr. Destiny"). I rather enjoyed the story coming full-circle to where it started(the museum), as well as how it only added even more mystery and intrigue to an already amazing story.
I wish the film dug just a little deeper with the people who knew the couple, but the reality is, or at least it seems, that most of them didn't really know the couple at all. It was obvious to this viewer that the theft affected the thieves' lives far more than anyone else's. They sat there, hidden in plain sight, living abstract lives, much like the painting itself. Their guilt may lie in their beguiling obsession for the painting itself, as well as on the faces of everyone who knew them, but really didn't.
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