"Justified" Fixer (TV Episode 2010) Poster

(TV Series)

(2010)

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7/10
Elmore Leonard on the small screen
Mr-Fusion22 November 2016
'Fixer' is pulled directly from one of the original novels; I can't remember which one (Riding the Rap, maybe?) but it's almost verbatim, right down to the "A lot can go wrong in a draw" speech.

Another episode that plays like a straight procedural, but notable for colorful characters - all of whom are maneuvering around each other - while the pesky lawman hovers over everything until they slip up. There's rarely a team situation on this show; it's just Givens nosing around while another shootout looms just around the corner. It's partly what differentiates "Justified" from other cop shows, and that's completely evident here. The gunfights are well stages, and it's a solid episode all around.

7/10
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8/10
Justified--Fixer
Scarecrow-881 June 2013
Warning: Spoilers
"I love how these guys are so calm while you're coughing up blood."

"Fixer" is one of those episodes that doesn't necessarily tie in to the series as a whole. What I mean is, this episode could be seen on its own, without the demands of being fully versed into the ongoing stories and characters that did and would populate Justified over its tenure. This episode focuses on a regular, dependable snitch named Pinter (David Eigenberg), who makes his living as a bookie professionally (working primarily from a Lexington "bar/restaurant"). As a constant source of information for the Federal US Marshalls office, Pinter is to be awarded by them, stashing away a "rescue fund" so that he can get out of Lexington, Kentucky, with plans to retire to Tahiti or someplace that doesn't have "toothless, backwoods hillbillies". Basically, Pinter HATES it in Kentucky. Raylen knows this all too well, having left and returned (just for a little while he says), with few (if any) reasons to stay besides a local honey named Ava (Joelle Carter). It is funny—isn't it?—looking back at the early part of the series when it was Ava and Raylen hooked up, instead of Ava and Boyd. Anyway, how Raylen becomes involved is intuition and "that feeling" that something's not right when a slimy, insidious, pot-growing, irresponsible client of Pinter's, Travis Travers (Greg Cromer)—who owes him $15 grand for a basketball game he tried to gain through three separate identities—seems to be involved in a scheme with Pinter's "legs breaking" money-collector, Curtis Mims (Page Kennedy). A funny line from Raylen is apt—it seems all the characters in this plot are from other places instead of Lexington. Like Curtis from Detroit and Pinter from New York; it seems Lexington is where you go to get away from the past…and hope to get out of once the prospects of a better future become available. What happens is that Travis (his first/last name similarities are the product of much humor) talks Curtis into helping him find Pinter's rescue fund, with help from Samantha (Erin Cardillo)…Samantha is a love interest of Pinter's and could be of use in perhaps persuading him to give up the rescue stash's location. A development is that Pinter shared with Samantha that he had a rescue stash. Samantha is in a sexual relationship with Travis, and it all kind of arises from that point forward. So Raylen must avoid a gunfight with Curtis, and try to survive a shootout with Travis. I love Raylen's dynamic with his boss, Art. Art just wants Raylen to be open with him about what he is investigating, but Raylen doesn't like revealing anything unless he's sure his hunches, assumptions, and theories are correct. It is just fun to watch them dance with each other while in the marshal's office headquarters, Raylen holding onto a lot of what he investigates, sometimes leaving Art intrigued, frustrated, and suspicious. In this episode, since the office considers him a "rookie" (even though he's been a cop for a while) still, Raylen is handed Pinter, becoming involved when the informant just abandons routine, not at his spot at the restaurant. Again, Raylen follows his nose, and the fact that he meets Travis at Pinter's house (and is lied to about Pinter's whereabouts), with, supposedly, no sign of the informant (Travis says he's on vacation, and has been for a week, although Raylen had just met him like the previous day), he knows something's amiss. Pinter's abduction and potential torture are a product of Travis' own plans to get the money all for himself. He's a rat, and Raylen's damn good at smelling a rat. Cool as always, there's a sweet scene where Raylen schools Curtis on handling a gun during a draw.
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6/10
Worst episode in the series
gplusr3 June 2015
Warning: Spoilers
Just like The Shield had "Co-Pilot" and Breaking Bad had "Fly", Justified's "Fixer" might be one of the main reasons why the show never got more popular.

I really don't know what was going on in this episode, if it was the acting, the directing or the story itself, but it lacked everything the show have built for 6 years.

The dialog was horrible, the characters were lost on every scene (Page Kennedy's "He Knows" line have to be the worst thing I've every seen on television, the guy playing Travis Travers tried hard to act but he was just horrible (him and the waitress acted like they were doing a low-budget B-movie).

The only cool scene in this episode was Raylan getting shot in the chest and down on the ground shooting Travis through the door (that was the closest he got to dying if it weren't for the vest, just as close as Bloody Harlan or the final shootout with Boon).

I gave it a six, because even the worst episode of Justified is better than a lot of things on television (when it was bad, at least it was funny).
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9/10
Keeps getting stronger
jcwilson2-116 January 2023
I'm a long time coming to this series, having missed it on first run. I've read quite a bit of Elmore Leonard, though, and the writers of this series seem to be doing a good job so far of maintaining the quality and spirit of the source material. This episode develops secondary characters and deepens Raylan's backstory. There are twists and turns, the requisite gunplay, and a fair amount of the sardonic humour I've come to expect. Raylan's boss grows on me more every episode - I hope that doesn't foreshadow his demise! I'll probably continue The Binge.

If I had a bone to pick, I would wish it weren't all filmed on a soundstage, or in and around L. A. I enjoyed the exteriors of the pilot, and wish the show had a more visceral connection with Kentucky.
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1/10
BIG Quality Drop-Off
balladhunter10 March 2011
Wow, this episode is MISERABLE compared to the previous 2. MISERABLE. If the pilot was a 9 and the second one was an 8, this was a 2 ... maybe even a 1. The writing is weak, and there are 2 performances that I would call "porn quality." Just MISERABLE. I literally felt like I was watching some 70s cop show. The direction was slow, the edits were lazy, and the three guest stars were all totally lacking in acting chops. Writing-wise, there were a handful of strong lines in the first 5 minutes, but there was no shimmer coming off the page thereafter. I do hope this writer and director are not -- either of them -- entrusted with another episode of what looked like a promising series.
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Too much dialogue in this episode
interestingstuff10 April 2022
The entire episode consists of characters having super lengthy pointless and boring dialogue one after another.

On one scene two characters chitchat for 10 minutes, on the next scene another two characters chitchat for 10 minutes, on the next scene another long dialogue between two characters. This is how the entire episode literally goes.
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