"Twin Peaks" Part 5 (TV Episode 2017) Poster

(TV Series)

(2017)

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7/10
Twin Peaks, third season, fifth episode: Case files
kluseba13 June 2017
Warning: Spoilers
Fifth episode: Case files / The Return, Part V

Content: Cooper is dropped off at Dougie's workplace, an insurance company, still in a daze, although he reacts to a statue outside, the smell of coffee, and the words "agent" and "case files". The young boy across the road from Dougie's car goes to look at the device left by the assassins, but a group of punks break into the car which explodes. The Mitchums beat and fire casino pit boss Warrick after Cooper's winning streak. In Twin Peaks, Shelley lends her daughter Becky money, only to have her head off to take cocaine with her boyfriend. Dr Jacoby streams his conspiracy theory videos over the internet in order to sell his golden shovels, with Jerry Horne and Nadine Hurley among his viewers. Cooper's doppelganger makes his phone call in prison, which causes the security systems to go haywire. In Buckhorn, an autopsy on the male body found reveals Dougie's wedding ring in the stomach. At the Pentagon, Colonel Davis is informed that the fingerprints on the Buckhorn body belong to Garland Briggs—the sixteenth set of such prints found over 25 years.

Analysis: There are quite a few things to analyze in this episode. First of all, it becomes obvious that Dale Cooper's presence in Dougie Jones gets more and more dominant. He reacts to the word ''agent'' because he was once a special agent and seems alert when his boss gives him some ''case files'' as Dale Cooper seems to remember that he was once working on case files himself. His admiration for the statue with a gun outside Dougie Jones' workplace underlines Dale Cooper's admiration for an elegantly dressed man with a weapon like he was twenty-five years earlier. Secondly, a woman that wants Dougie Jones dead and Dale Cooper's evil doppelganger both make calls to a mysterious device in Buenos Aires. I believe the ultimate evil entity of the Black Lodge I mentioned before could be connected to this device. It's obvious that this entity must be extremely powerful when even a cold-blooded assassin like Dale Cooper's doppelganger and a woman that hired several hit men call for help at this specific place. Those who have watched "Twin Peaks: Fire Walk With Me" might remember that a certain Agent Phillip Jeffries, played by the late David Bowie, who had a cameo appearance in the F.B.I. headquarters, actually disappeared in Buenos Aires. It's possible that this agent is used as a shell by the evil entity and that it will make its appearance soon. Thirdly, we have the fact that the beheaded male body found in South Dakota has Major Garland Briggs' fingerprints on it as well as a ring that seems to belong to Dougie Jones. My explanation would be that the evil entity from the Black Lodge used parts of Major Garland Briggs' body to commit the crime in South Dakota. This crime now seems to be a ritual kill made for Dale Cooper's evil doppelganger. As mentioned before, Dale Cooper couldn't return into his normal body possessed by his evil doppelganger and came back to reality as Dougie Jones. By committing this ritualistic murder, the evil entity enabled Dale Cooper's evil doppelganger to avoid going back to the Black Lodge and forced the real Dale Cooper to wake up in a fabricated body. This seems to lead to the conclusion that Dale Cooper isn't actually working against the evil entity but for it as a hit-man. The fact that Major Garland Briggs' fingerprints were found sixteen times on different bodies in twenty-five years seems to indicate that we have to deal with a dangerous mass murderer worse than Cooper's evil doppelganger or BOB.

Description: The fifth episode is the weakest of the new seasons so far but still fairly above average and quite on the same level as the fourth episode. Despite a slower pace than the first three episodes, there are still quite a few things happening in the fourth and fifth episode. Dougie Jones' story line is still amusing but also has a very sad touch because none of his family members, friends or work colleagues seem to realize that he needs help. Slightly amusing scenes such as Doctor Jacoby's conspiracy theory videos interchange with quite serious sequences such as the brutal sequence at the casino. Overall, the fifth episode isn't as light- hearted as the third episode and quite dark at times but not as unsettling as the first three episodes. It's probably the most balanced episode of the new season so far in terms of atmosphere, content and locations but Dougie Jones' story line gets slightly repetitive and some scenes such as the ongoing investigation in Twin Peaks are a little bit too slow, even by David Lynch's standards. On a side note, the fourth episode left us with a conversation between Gordon Cole and Albert Rosenfield about a person that could talk to Dale Cooper's evil doppelganger but this story line wasn't picked up at all in the fifth episode which was slightly disappointing in my opinion. I hope this promising conversation will take place in the sixth episode.

Favorite scene: The scene at The Bang Bang Bar is truly haunting. A certain Richard Horne is smoking without permission and gets into a verbal conflict with a waiter. He then skillfully bribes security personnel and continues to provoke. He grows less and less sympathetic when he menaces a young woman who asks him to light her cigarette. This tense sequence is underlined by flashing lights, experimental jazz music played by a live band called Trouble and a vividly dancing crowd which recalls the nightmarish elements of David Lynch's "Lost Highway".
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8/10
A more straightforward episode, but not without a few mind-bending moments.
Every previous episode of this revival has followed a completely different formula and plot than the last. When starting an episode, I would have literally no idea what to expect. But even David Lynch has to settle into some form of arc eventually, and this episode is where it started to happen. No longer is the very fabric of the story on shifting grounds (at least for now). That doesn't mean that this episode didn't have its share of moments that make you forget everything you thought you knew. It does. But they are now more firmly rooted in the characters and situations that have already been established.

That being said, there were still a number of first appearances from characters new and old. The old continues to satisfy and the new continues to surprise. A number of characters who I thought would be one-off appearances resurface in this episode, which was nice. I do feel that the forgetful Cooper story-line will start to get tiring soon, but it's still amusing at the moment. The only part of this episode that I found somewhat disappointing was the lack of a resolution to the cliffhanger from part four.

All in all, this was a less eventful episode but still a satisfying one. The show seems to have settled into a main plot line (for now at least). Now it's time to just sit back and enjoy the ride... wherever it may take us.
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7/10
Misdirection
ThomasDrufke5 June 2017
I'm never going to outright lose faith in David Lynch no matter where the season goes because I ultimately think he has a vision and he deserves a full season to see it realized. With that said, I don't know how much longer I can possibly last watching a show without any real direction or context for anything. This mostly has to do with the fact that it feels nothing like the original show. I never expected to get a revival that felt just like the early 90's show, but there's barely any tie ins to the tone at all. I think part of this derives from the way Lynch decided to film the show. He apparently filmed the entire 18 episodes as one long movie, and then consequently edited it down to individual episodes, which I think is the reason that none of the scenes tend to feel connected. I can only assume he wishes for the season to feel like one movie experience, but then why not just drop it on a streaming service? I feel as though the original series had the ability to stand as a binge series and a weekly mystery. This week's episode presented plenty of new characters like those played by Amanda Seyfried, Jane Levy, Jim Belushi, Karl Makinen, and Caleb Landry Jones. All of which seem to play some sort of pivotal role this season, but surprise, no roles are overtly revealed. Bits and pieces of information here and there are given, like Dougie's wedding ring being inside the dead body at the morgue, or even Coop's/Dougie's confusion at hearing the word "agent". Again, I'm still invested, but it's no longer a delight to merely see the return of characters, I feel like I need to see some progression. Lynch can still provide some confusion and misdirection, but a direction is needed nonetheless.

7.3/10
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10/10
Go watch something else.
daniel-ljung15 June 2017
I don't get this.. If you don't like weird stuff and hard-to-grasp mysteries.. Then maybe you should watch something different. But if you like David Lynch and Twin Peaks but doesn't dig that this revival is different.. Do a re-watch of season 1 and 2 instead of complaining over that this is strange and not the same as what you're used to with Twin Peaks. I think that this is masterful! Totally mysterious and the magical feel as in the old seasons. A perfect strange, dark, funny and intriguing story with perfect sounds and cinematography! Can hardly wait to next week..
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10/10
Deep Emotions for Real Human Beigns or "Whom should I call?"
inland-6260310 June 2017
My first and only review for almost 20 years on IMDb. English is my half second language, so... (from the man who met him once in book store, in Moscow in 2009)

Interesting, but there's something missing...?!? Maybe tits, asses and stupid ness, fake ness and so on? Or last 13 episodes??

I love Lynch's art from more than 20 years and I assure you, that people (Twin Peks fans) who writes negatives reviews for such level of art as "new season", having a trolling party, or brain damage regress. This episode is very dramatic, funny, cruel, kind, truthfull, thrilling voltage, absurd and deep as milky way goes far from the donuts hole. Acting is Great. Screenplay is Great. Music is Great. Atmosphere is Great. Directing is Great. Production design/editing/photography goes the way it should be here. From all the great-great movie sadness that felt down on our Earth for the last 10-15, I truly grateful to Mr. David Lynch (and others) for such cinematic piece of (deep-minimal-epic) art present. This is Twin Peaks reality vs. ours. And I'm making my bets on Twin Peaks's. I'm agree that it is darker and more complicated than before, but as Lynch always have been and as our times are. Thank you once more and I hope that (Twin Peks or not), but it wasn't "For the Last Time". Piece. Love. Mystery. Truth.
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8/10
It's Starting to Come Together
Samuel-Shovel24 June 2017
Warning: Spoilers
There are a lot of unanswered questions that we're still waiting to figure out but a few things have become clear. Cooper is still in there. Despite all the haziness in his actions, he is irresistibly drawn to words like case files and things like guns (and of course coffee).

I was worried all these cameos would draw me out of the episodes and would be too cutesy but so far they've been good. Belushi as a casino heavy is probably the best role he's done in years.

Another good but not great episode.
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This makes "2 Broke Girls" look like High Art
michael-5472511 June 2017
Warning: Spoilers
When I came to IMDb following Episode 5, I was expecting an average score below 5 (which is too high). Instead, I see 9.8. Are you kidding me? This has got to be one of the worst things I've ever watched. This from a fan of Lynch and weird movies. How can anyone say this wasn't garbage, let alone a 10? Everything from beginning to end was ridiculously bad. If 10-15 minutes of stroke- ridden Dougie in Episode 4 wasn't enough "fun entertainment," we get another helping of it. OK, we get it Lynch. Dougie shuffles here and there, staring blankly at everyone, repeating the last word or phrase uttered by anyone who talks to him. Hilarious. (And no one thinks of taking him to the hospital?) Twenty-five minutes into the episode and nothing has happened. Just more stupidity that Lynch thinks is funny. What else do we get? An utterly unfunny, stupid scene between Truman and his wife that drags on; an even less funny and less interesting scene with Dr. Jacoby; Jim Belushi; and another exploitative scene (that Lynch seems to be obsessed with) of a good girl being attracted to a bad boy, who assaults her and threatens rape. I guess that's what Lynch thinks turns on all girls. Always keeping it classy, Lynch! The fact that there are people out there who gave this a good rating depresses me. Are there that many stupid people out there with no sense of taste?
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9/10
This episode was nuts
arbobk3 August 2021
Warning: Spoilers
When you think about all the events at play here this was a great episode the pieces are coming together Cooper is still there. Think about it he's been in the red room for 25 years while bob has been cooper. He's been brainwashed and traumatized and now cooper went into a different doppelgänger,

Cooper falls in the lap of lawyers and understands words such as agent words that are coming back to his "old life" remembering who he was working with the fbi.
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7/10
Stays in your mind, even when hard to connect to
chohnnyse9 June 2017
Warning: Spoilers
25 years later, and the new season of Twin Peaks has turned out to be more polarizing than acclaimed. But we're talking about David Lynch here, a director known for going against the grain and delivering exactly the opposite of what's expected. The original seasons were revolutionary due to their dynamic pace, that of heart-stopping soap opera laced with metaphysical occurrences and with dark, quirky characters at every turn. Any trace of wit and spark is absent this time around, and we're left with pure obscurity; a sprawling, gaping rabbit hole of a mystery with more silence than jazzy music and whimsical dialogue. Lynch filmed the whole thing as an 18-hour movie and then broke it apart into parts (not episodes). It's an unorthodox approach to a TV show in the sense that all of these parts do not have much of a narrative arc, but instead seem to be just pieces of a greater puzzle, where characters and events and information turn up without much continuity.

And yet it's almost impossible to look away or lose interest, even when it seems the joke's on us. Episode 5 and Cooper, fresh off the Black Lodge, remains a catatonic surrogate for his double Dougie, his storyline being the most hated thus far. Not without reason, since he's the hero of Twin Peaks, a lively, intelligent and noble character no one would have expected to become the butt of this season's joke. And yet here we are, Cooper wandering aimlessly through Dougie's insurance company job, with everyone treating him like some endearing nuisance when they should clearly be taking him to the hospital or at least wondering what the hell is wrong. The absurdist comedy has gone too far and none of it is particularly charming. Yet somehow, by the end of the episode Lynch has the upper hand. When Cooper has stayed hours stuck staring at a law enforcement statue, we still linger for the next episode to see how he might regain conscience (or not).

Even when the journey can be frustrating and too off-beat for it's own sake, there's the mystery that keeps the series alive and running. New clues of what might be tying what happens in Nevada, South Dakota, New York and Twin Peaks keep on popping. We also see some old characters for the first time, even if their brief appearances as on previous episodes do not reveal very much. We know what Dr. Jacoby does with those golden shovels, and it's one of the series' funniest and most unsettling sequences so far. Kudos to Russ Tamblyn's for his awesome meltdown of a performance.

For me at least drip-drip approach Lynch has taken with this season's narrative is indeed the most gripping aspect, even when it tries my patience. It's the themes that could be rendered differently. There's still get a lot of violence, and as usual it is haunting but not particularly interesting. We're introduced to Amanda Seyfried's character Becky, who happens to be the typical Lynchian drug-crazed, depraved all-American girl (Laura Palmer anyone?), one we've already seen too many times. Indeed the violence against women, they're either rape victims, hookers or Vegas bunnies, and how it's led by depraved and sociopathic men, has all gotten frankly a bit dated and predictable. At least, thanks to the credits we know about Richard Horne, so hopefully sooner than later this Leo Johnson-type character will relate to his well-to-do and dysfunctional family, and which of the Hornes is his parent (I'm betting for Audrey).

So episode 5 leaves us with more questions but also some more answers than we've encountered so far, intriguing returns from old characters, while also more of Lynch's dark underbelly clichés that I only wish will later give way to more quirk and life. Here's to hoping that all the mystery and madness doesn't detract from things like character development and meaningful dialogue (what the original had in spades). I'm still in it for the long haul.
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7/10
Episode 5
Prismark1019 June 2017
A jerk turns up for a job interview and gets told off by the interviewer for his attitude. The interviewer turns out to be Mike Nelson, who along with Bobby Briggs were both jerks themselves 25 years earlier.

That jerk turns up later on, he is going out with Shelly's daughter Becky who is as wild as her mother was when she was younger and attracted to men who get into trouble.

At the end of the episode we see another troubled and psychotic young man called Richard Horne.

These glimpses into the town of Twin Peaks makes you understand why Dr Jacoby is selling golden shovels to dig yourself out of the brown stuff.

As for good Cooper, he has taken the place of Dougie at home and at work but he is still childlike with glimpses of old Cooper only coming out when he smells coffee, sees a badge or hears words such as agent. He also gazes at statue outside his workplace.

Yet Dougie is still in trouble, he owes money and some bad people are after him as his car explodes.

Evil Cooper makes a phone call in prison and the security system goes haywire. We see him still possessed by Bob as he looks into the mirror and he in turn can have power over others by mentioning the word strawberry.

This is really shaping up to be a story about good Cooper making his way into the modern world and he surely is going to come into conflict again with his double.
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4/10
Lack of plot starts to show
dierregi3 December 2017
By now I started to be a bit worried by the lack of plot. in this episode we have an assorted bunch of disconnected scenes (a bit as usual), introducing new young villains, like the obnoxious, smoking guy at the end of the episode.

The trouble is that most of these scenes start to look like self-standing and self-referencing to Lynch obsession for the '50s, criminals, weirdos and art movies.

Quite annoying to follow Dougie/Cooper walking around in slow motion, without anybody wondering about the strangeness of his behavior. Even for a Lynchian environment this is puzzling and contrived.
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7/10
Part 5
bobcobb30110 June 2017
Warning: Spoilers
The final character in the bar at the end came off as really annoying. Not an entertaining villain, just annoying, so I hope we don't see much more of him.

The Dougie scenes were laugh out loud comedy, but it's time for Cooper to revert back to his normal self. We've gotten some comedy out of this, but it's time to move on.
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Gripping, despite its slow pace
TheDonaldofDoom22 January 2020
Warning: Spoilers
Part 5 continues the slow trickle of a pace, without giving a mere sign of the direction the story is headed. The part introducing us to Lorraine and taking the story to a strange device in Argentina is pretty indecipherable for me, but even that is fascinating just for that reason.

Cooper's doppelganger is in prison, and it's a brilliantly executed scene in which he looks in a mirror while flashing back to the time he looked in the mirror 25 years ago. BOB is still there.

The most powerful parts of the episode involve Cooper resuming Dougie's life. I think the most entertaining thing about this all is the way, despite the fact he's clearly having problems, people are either too busy or preoccupied with themselves, or seek to use him. Cooper experiencing the modern world almost for the first time again also allows us to see the workplace with fresh eyes. Cooper's experiences also lead to quirky and memorable moments, whether it's the awkward way he stands in a lift or the way the smell of coffee awakens him from his stupor. And that he almost says "damn good coffee", but not quite.

We get a check-in at the Double R Diner and while the story of a girl being lent money by her mum which she wastes with her drug-addicted boyfriend is a surprisingly typical thing to see in Twin Peaks, but there's something about the way it's executed, with the long close-up of Becky's face, that still makes it a memorable scene. Plus, Becky's going through dark, dangerous pleasures is almost like Laura Palmer repeating itself again.

We finally learn what Jacoby was saving those golden shovels for. I love this scene. It starts out as a typical satire of the libertarian conspiracy theorist nutcase radio hosts but turns into a... golden shovel advert. There's something very charming about that.
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7/10
1x05
formotog13 September 2020
Warning: Spoilers
A much less eventful episode. Cooper is slowly getting there in Dougie's place, but as I mentioned before, this can only go on for so long, and I think another episode of it would prove to be quite frustrating. This episode was almost entirely devoid of plot after the plot was just starting to get going. We got a lot of splintered plot threads which are unrelated and quite frankly unnecessary. The main plot is being advanced at not even snail pace. It feels like the slow spell that season 2 had about halfway. There were still some decent moments and a couple more returning characters, but I think this episode is the break off point. If it continues this way, it's gonna get very very frustrating

Low 7
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5/10
It starts to drag
lareval5 October 2021
Sadly, looks like we are running out of steam. This entry is painfully slow, uneventful and I want Cooper to be back and more Twin Peaks to be shown.
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6/10
Cooper lives
AvionPrince1611 March 2023
Warning: Spoilers
So we saw the two Cooper again one in his job and one another in his prison cell. We witnessed how the Cooper at his job is completely lost. And the other one will make a weird phone call. I dont really know what to say. Its pretty confusing and it will be until the truth will come. For now its pretty long wnd slow. So we need to see how Cooper is going to do and who is that guy in prison? Pretty weird. The mysteries are there but we dont really understand it. Its just a kind of TV show we need to watch without saying anything or judging. We just need to let the truth come out. I hope it will be pretty soon because its just confusing right now.
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7/10
WAKE UP!
pantoleinasdimitris18 February 2024
Part 5.

So-so, while it had its moments, it certainly was a weak episode, the cinematography was great (of course, Lynch!) But overall felt lacking, at least plot wise.

We got some returning characters, more screentime for Doctor Jacoby and Nadine! Didn't expect to see her at all, but she surely was a treat!

Dougie's job life is.. embarrassing and hilarious, well, it has started to get tiring, I sure hope we get to see some change to this soon. Anyway, all's good from that.

Mr. C got funky with the prison he is being held at, making a random phone call and messing with the system, sort of like a super power, that was really neat .

Overall, a pretty neat and a bit boring, repetitive episode, but it still was a treat.
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5/10
Interesting, but there's something missing
raiderreggid4 June 2017
I'm not sure if "enjoyable"' is the right word for this series yet, since so much is still unknown, and so many of the characters and stories are still almost completely undeveloped, but it is interesting, I guess. But what puzzles me is not what is in the series so far, but what is not: the music. Did they run out of money for a proper soundtrack with proper music? A big part of the mood and appeal of the original series was the almost perfect use of both an atmospheric, haunting score with some quirky, funky, jazz and swing music to set the various scenes. Here, we get the occasional atmospheric, moody background noise, and . . . nothing else, just silence. Painful, awkward silence in scene after scene. Even scenes meant to be darkly funny instead come off as just painful, awkward, and unfunny because they are completely silent -- no backing music at all. Nothing to set the mood. Nothing to punctuate the humor. Just awkward, boring silence in scene after scene. I don't need constant musical cues, but the absolute silence in scene after scene thus far has gone beyond interesting or unsettling to just plain empty and boring. Given the phenomenal use of music in the original series, this is a puzzling choice. Did they not have the budget this time around? Did someone forget to add the music during post-production? There's good weird, and then there's just weird. The lack of music is the latter.
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3/10
Terrible
alexx6686 June 2017
Some semblance of regular narrative made this episode an improvement over the blithering episodes 2,3 and 4. Unfortunately, the writing remains poor. Not only is the story uninteresting, the pace also remains absurdly slow. Lynch may be influenced by Gus Van Sant's later works but, like Van Sant, he is terrible at doing slow cinema. Of all the side-plots, the Dougie one remains the worst, but none of the other ones are gripping either. The inclusion of random and pointless scenes, like the argument between Truman and his wife, makes the bad story even worse. Lynch also revisits his usual obsessions: drugs, violence, the dark underbelly of suburbia etc etc. Yawn. He generally appears to have lost his edge. The scene where Evil Cooper haunts the prison he's been held, is taken out of a second-rate horror movie. The unexpected highlight was Jacoby's vlog, a disjointed but entertaining scene. But let's face it, this new Twin Peaks has none of the charm either of the old show, or of Lynch's best works.
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