This consists of interviews with the cast and crew, all of whom have something compelling to add within their area of expertise(and there is a very clear love of what they're working on), clips from the movie, behind-the-scenes footage, and incomplete effects shots.
It's 15 minutes long. This is found on the 3D Blu-Ray release(which, for those wondering, since not everyone can play that version, does come with a 2D disc) of Terminator: Genisys. It spoils a lot of the film, and so will this review, so that I can go into more detail.
They talk about how and why they made the biggest future war sequence up to this point in the entire franchise. The spider tank. 1984 Arnold, and how it was insanely difficult to do, and they had to use many different methods to get it as pitch perfect as it is. You get to see Brett Azar. How the morph effects have developed since 1991. The ideas behind the T3000, including nanotechnology, that it is in some way still John, it's not just a machine that looks like him. How the climax has 90% CG and looks photorealistic. The visual representation of the T5000.
I recommend this to any fan of the property. 8/10
It's 15 minutes long. This is found on the 3D Blu-Ray release(which, for those wondering, since not everyone can play that version, does come with a 2D disc) of Terminator: Genisys. It spoils a lot of the film, and so will this review, so that I can go into more detail.
They talk about how and why they made the biggest future war sequence up to this point in the entire franchise. The spider tank. 1984 Arnold, and how it was insanely difficult to do, and they had to use many different methods to get it as pitch perfect as it is. You get to see Brett Azar. How the morph effects have developed since 1991. The ideas behind the T3000, including nanotechnology, that it is in some way still John, it's not just a machine that looks like him. How the climax has 90% CG and looks photorealistic. The visual representation of the T5000.
I recommend this to any fan of the property. 8/10
