White God 9/10 - This is a wonderful movie that plays as a parable about separatism and Hungarian politics during democratic rule. On the surface however lays an entertaining revenge flick against animal cruelty and a drama about the love of an animal towards it's human "the White God". The director uses a mish mash of genre's to keep the audience on it's toes, while paying homage to everything from Fuller's White Dog, to Hitchcock's Birds. The best part of the film was that they hired hundreds of shelter dogs and spent months training them, and after the film, the director and crew worked hard to get every dog adopted! These dogs are some of the best actors I have ever seen. This is a marvelous yet challenging film.
Reviews
13 Reviews
The Broken
(2008)
The Broken is a fantastic existential horror film for fans of Hitchcock, Kubrick, and Lynch not for slasher gore hounds
20 January 2008
Imagine if Kubrick, Hitchcock, and Lynch all worked together to make an existential and truly scary film mixing elements of Invasion of the Body Snatchers and sixth sense made mostly for adults, where the plot is a pure ruse or mcguffin to examine the dark side of humanity.
This film wowed me, this is not your average EXCITING FAST PACED new age horror film, this is a classic horror film that uses atmosphere and theme to frighten us not just superficially but to our own personal core. The use of haunting and beautiful imagery and sound design with a quietly creepy slow boiling pace equates to one of the most truly scary films I have seen in years. This is for fans of The Shining, Rosemary's Baby, Psycho, The seventies Invasion of The Body Snatchers, and Edgar Allen Poe. In fact, I saw the screening on Poe's Birthday, which the director announced, made our screening so special. In fact, it opens up with a brilliant quote by Edgar Allen Poe, which explains the theme and ideology behind the film completely.
The plot follows a woman who sees a mirror image of her self, driving her car, which leads to her following the woman to her apartment then a car accident. This leads her on a mentally challenging feat to retrace her memory and piece together what happened during and before the wreck. Her boyfriend no longer seems like her boyfriend, she has frightening nightmares that include some deeply disturbing and creepy imagery that chilled me to the bone. The violence is minimal; the couple of scenes that are bloody are disturbing as hell, including a great kill scene with a wink to Psycho.
So, before you go to this film realize you need to open your mind up, be ready to think, and feel in order to be terrorized by this film. This is not a simple man's horror film. You need to be patient and allow yourself to be wrapped into the films pace, I will warn you again, this is not a FAST PACED horror film, and that is what makes it so wonderful, Ellis uses his camera to paint beautiful yet quiet and haunting images to creep under your skin and fill your nightmares.
This film wowed me, this is not your average EXCITING FAST PACED new age horror film, this is a classic horror film that uses atmosphere and theme to frighten us not just superficially but to our own personal core. The use of haunting and beautiful imagery and sound design with a quietly creepy slow boiling pace equates to one of the most truly scary films I have seen in years. This is for fans of The Shining, Rosemary's Baby, Psycho, The seventies Invasion of The Body Snatchers, and Edgar Allen Poe. In fact, I saw the screening on Poe's Birthday, which the director announced, made our screening so special. In fact, it opens up with a brilliant quote by Edgar Allen Poe, which explains the theme and ideology behind the film completely.
The plot follows a woman who sees a mirror image of her self, driving her car, which leads to her following the woman to her apartment then a car accident. This leads her on a mentally challenging feat to retrace her memory and piece together what happened during and before the wreck. Her boyfriend no longer seems like her boyfriend, she has frightening nightmares that include some deeply disturbing and creepy imagery that chilled me to the bone. The violence is minimal; the couple of scenes that are bloody are disturbing as hell, including a great kill scene with a wink to Psycho.
So, before you go to this film realize you need to open your mind up, be ready to think, and feel in order to be terrorized by this film. This is not a simple man's horror film. You need to be patient and allow yourself to be wrapped into the films pace, I will warn you again, this is not a FAST PACED horror film, and that is what makes it so wonderful, Ellis uses his camera to paint beautiful yet quiet and haunting images to creep under your skin and fill your nightmares.
Ratatouille
(2007)
An Amazing film, made for film lovers, with an artistic/indie appeal
17 June 2007
I caught a sneak peak yesterday, and must say, this film is a classic. It is not as flashy as cars, or as action packed as Incredibles, but it is a masterpiece of restraint and heart, that matches the classics from the golden age of the film industry. Pixar has always been groundbreaking for smart and fun animated features, but Ratatouille might just be what puts them over the top as one of the BEST all around film-making teams in history.
Ratatouille is a treat for film lovers. It feels like a classic. The animationis absolutely beautiful, especially the scenery of Paris which evoked awes from the audience, as if we were seeing a grandiose fireworks show.
The story is oh so classy and universal, especially when you look at it as a parable to yourself and society. Sometimes the story seems familiar, yet it is packed with so much genuine heart and individuality, that it might even be too "indie" for most audiences. But those who are patient and willing to open their minds and hearts, even when it may challenge the viewers to rethink their own personal biases, will find within this entertaining, sweet, simple film a remarkable message about challenging societal norms and not letting anything stand in your way of your dreams. When you follow your dreams, you never know what an impact it will have upon you, or those you might encounter on the journey. Just see the film, and be open to its message, and I am sure if you allow it too, it will touch you as well.
P.S. : The short in front of the feature is the funniest animated short film pixar has ever done, so even if ratatouille might not be as flashy as many might want it to be, the short film will have everyone in stitches, as it did our entire theater. So just go and see it, and be prepared for a wonderful two hours.
Ratatouille is a treat for film lovers. It feels like a classic. The animationis absolutely beautiful, especially the scenery of Paris which evoked awes from the audience, as if we were seeing a grandiose fireworks show.
The story is oh so classy and universal, especially when you look at it as a parable to yourself and society. Sometimes the story seems familiar, yet it is packed with so much genuine heart and individuality, that it might even be too "indie" for most audiences. But those who are patient and willing to open their minds and hearts, even when it may challenge the viewers to rethink their own personal biases, will find within this entertaining, sweet, simple film a remarkable message about challenging societal norms and not letting anything stand in your way of your dreams. When you follow your dreams, you never know what an impact it will have upon you, or those you might encounter on the journey. Just see the film, and be open to its message, and I am sure if you allow it too, it will touch you as well.
P.S. : The short in front of the feature is the funniest animated short film pixar has ever done, so even if ratatouille might not be as flashy as many might want it to be, the short film will have everyone in stitches, as it did our entire theater. So just go and see it, and be prepared for a wonderful two hours.
Sólo Dios sabe
(2006)
Beautiful and sweet love story that sadly runs out of steam during the last 1/4
22 January 2006
3/4stars This starts as a magical and beautiful film about love and destiny and fate and religion. Is there a divine purpose to our lives? Many questions are pondered in this loving film.
It starts out as a simple road trip film where a Brazillian student on visa to SAn Diego goes to Tijuana and loses her passport. Then embarks on a wonderful journey with a new found friend to Mexico City to retrieve another one. The first hour is pure magic. An absolute joy to watch, full of mystery, romance, laughter, and humanity. Then as the film moves it's scenery to Brazil it dives into spirituality and faith and begins to slowly meander while still staying strong, until the last quarter relies on overdramatized cliché which does not ruin the film, but does however slow it down and change the overall tone of the film.
Overall, Solo Dios Sabe is beautifully shot and edited and wonderfully acted by everyone involved, sadly as the film progresses the screenplay slowly fizzles out towards the end. Still many many positives leave this as being well worth recommending as a wonderful epic love story.
3 stars out of 4 stars
It starts out as a simple road trip film where a Brazillian student on visa to SAn Diego goes to Tijuana and loses her passport. Then embarks on a wonderful journey with a new found friend to Mexico City to retrieve another one. The first hour is pure magic. An absolute joy to watch, full of mystery, romance, laughter, and humanity. Then as the film moves it's scenery to Brazil it dives into spirituality and faith and begins to slowly meander while still staying strong, until the last quarter relies on overdramatized cliché which does not ruin the film, but does however slow it down and change the overall tone of the film.
Overall, Solo Dios Sabe is beautifully shot and edited and wonderfully acted by everyone involved, sadly as the film progresses the screenplay slowly fizzles out towards the end. Still many many positives leave this as being well worth recommending as a wonderful epic love story.
3 stars out of 4 stars
The Ground Truth
(2006)
The Best Film About The Military and Iraq to DATE!!!
22 January 2006
I caught this at a screening at the Sundance Film Festival and was in Awe over the absolute power this film has. It is an examination of the psychological effects on our brave soldiers who join the military with hopes that they will protect and serve our country with honor as well as be taken care of by our government for it. The film details the psychological changes that takes place in boot camp as the soldiers are turned into "killers for their country" and put into the war and the after effects once they return home. It also portrays the effect that killing has on the human psyche. It pays homage to the Soldiers and never ever criticizes the soldiers unlike other films, instead criticizes a system that is not prepared to and does not take care of all the physical and psychological needs of the returned Vets.
This film is powerful, moving, emotional and thought provoking. It stands as a call to arms to support our troops not only by buying stickers and going to parades but by actually listening to them, and helping to support a change in the way their health and well being is taken care of after the killing ends.
The best film of the Festival so far, ****/****
This film is powerful, moving, emotional and thought provoking. It stands as a call to arms to support our troops not only by buying stickers and going to parades but by actually listening to them, and helping to support a change in the way their health and well being is taken care of after the killing ends.
The best film of the Festival so far, ****/****
Grizzly Man
(2005)
The Best film during Sundance and one of the greatest Doc's EVER!!
31 January 2005
Warner Herzog is a brilliant and masterful director. The way he put together the story of Tim Treadwell and his life with grizzly's defies the constructs of formulaic "nature" doc's. It goes deep, as we are allowed to dive into the mind and psyche's of both Treadwell and Herzog as Treadwell's fated story is revealed to us through bits of the 100 hours of footage Treadwell left behind, new interviews, insights, and a brilliant and personal narrative done by Herzog himself.
As Herzog gets to know Treadwell through his footage and loved ones left behind, he is touched, changed, and allows the audience to revel in his new found awe, frustrations, and respect for Treadwell's life.
The film documents the life of "the Girzzly Man" timothy Treadwell through his leftover footage from thirteen summers he lived with, and immersed himself into the grizzly habitat and culture. He felt he was a grizzly, and thus broke boundaries that have been respected among the Alaskan natives concerning these brown beasts. He created what he felt to be a bond, a brotherhood with these majestic animals. But was this conquest purely for scientific reasoning or was he truly terrified of the "human world." That is where Herzog directs this film.
The fascinating thing about Herzog's interviews is what he catches after his participants are done answering his questions, and we see these souls search and ponder for answers to questions they may never know the answer too.
"Grizzly Man" won the Alfred P. Sloan award at this years Sundance film festival, which goes to the film felt to tie in science and discovery into normal narrative paradigm. This film deserved it's praise and was thusly purchased for theatrical release by Lions Gate before it's release on television through Discovery films.
When you get the chance, don't just run to your local theater or television to view this masterpiece, leap and sprint. This is an important and beautiful piece, one that will touch and move all those who allow it to. This is the best of the fest in my opinion, and maybe even of the year, and it is only January.
As Herzog gets to know Treadwell through his footage and loved ones left behind, he is touched, changed, and allows the audience to revel in his new found awe, frustrations, and respect for Treadwell's life.
The film documents the life of "the Girzzly Man" timothy Treadwell through his leftover footage from thirteen summers he lived with, and immersed himself into the grizzly habitat and culture. He felt he was a grizzly, and thus broke boundaries that have been respected among the Alaskan natives concerning these brown beasts. He created what he felt to be a bond, a brotherhood with these majestic animals. But was this conquest purely for scientific reasoning or was he truly terrified of the "human world." That is where Herzog directs this film.
The fascinating thing about Herzog's interviews is what he catches after his participants are done answering his questions, and we see these souls search and ponder for answers to questions they may never know the answer too.
"Grizzly Man" won the Alfred P. Sloan award at this years Sundance film festival, which goes to the film felt to tie in science and discovery into normal narrative paradigm. This film deserved it's praise and was thusly purchased for theatrical release by Lions Gate before it's release on television through Discovery films.
When you get the chance, don't just run to your local theater or television to view this masterpiece, leap and sprint. This is an important and beautiful piece, one that will touch and move all those who allow it to. This is the best of the fest in my opinion, and maybe even of the year, and it is only January.
Junebug
(2005)
Poetic and charming little film about culture cross and family ties
27 January 2005
Some films do not need to tie in every little plot detail in order to make for a more true to life form. Not all families discuss their problems or their angst openly. Most of the time you have to decipher them through little nuanced non-verbal symbols. Junebug does it perfectly.
At the base the plot follows newlyweds on their trek to NC from Chicago as the wife, Madeline, goes to close a deal with an eccentric southern painter. While there they decide to stop in and see her husband, George's family, who comes form NC originally. He has tried to separate himself from that culture and his family altogether. He has been married for six months and his family were not invited to the wedding, and his brother holds strong feelings of jealousy against him. It seems ho-hum form the plot synopsis, but then comes Amy Adams as the brother, Johnathan's wife and very pregnant Ashley.
Amy Adams is absolutely amazing. She brings a charm and wit to this picture when it seems like it is a bit dreary. Her heartwarming turn as an optimistic and young mother to be with a heart of southern gold is achingly warm and sincere. She alone makes the film a must see as she can force the audience from laughter to tears with the flip of a dime.
The direction is poetic and the cinematography allows for an unbelievably laid back southern tone. Nothing about this film is rushed and that makes it so wonderful to behold. Seeing how a family can generally and truly love each other inside, and because of cultural and societal norms strive to find ways to show love and respect for each other is achingly sincere. Sometimes you as the audience scream for them to communicate, especially the brothers as their strife is never discussed or resolved just tolerated.
Overall this film is a great cultural study that goes beyond stereotype to show the love and respect the writer and director have for the material and the people of North Carolina. This is a truly warm and comforting piece of southern pleasure that shines in a pool of darkness that is Sundance 2005.
At the base the plot follows newlyweds on their trek to NC from Chicago as the wife, Madeline, goes to close a deal with an eccentric southern painter. While there they decide to stop in and see her husband, George's family, who comes form NC originally. He has tried to separate himself from that culture and his family altogether. He has been married for six months and his family were not invited to the wedding, and his brother holds strong feelings of jealousy against him. It seems ho-hum form the plot synopsis, but then comes Amy Adams as the brother, Johnathan's wife and very pregnant Ashley.
Amy Adams is absolutely amazing. She brings a charm and wit to this picture when it seems like it is a bit dreary. Her heartwarming turn as an optimistic and young mother to be with a heart of southern gold is achingly warm and sincere. She alone makes the film a must see as she can force the audience from laughter to tears with the flip of a dime.
The direction is poetic and the cinematography allows for an unbelievably laid back southern tone. Nothing about this film is rushed and that makes it so wonderful to behold. Seeing how a family can generally and truly love each other inside, and because of cultural and societal norms strive to find ways to show love and respect for each other is achingly sincere. Sometimes you as the audience scream for them to communicate, especially the brothers as their strife is never discussed or resolved just tolerated.
Overall this film is a great cultural study that goes beyond stereotype to show the love and respect the writer and director have for the material and the people of North Carolina. This is a truly warm and comforting piece of southern pleasure that shines in a pool of darkness that is Sundance 2005.
Cronicas
(2004)
Good intentions HORRID execution
27 January 2005
I hate it when a film has a great idea, message and actors, and ends up pure CRAP!! This is that film. The message concerning the unjust media and the power of television was a good idea, but the screenplay and directing was so poor everyone in the screening at sundance was sleeping. The plot was incredibly predictable, which is not necessarily bad all the time, but this was bad because there was nothing too keep the film going. The audience all knew what was going on and the ending was pretty predictable from the first frame.
It starts out intriguing and exciting with the lynching scene, but the rest of the film is slow slow slow. The film looks and feels so bleak and dead. It is also extremely stretched at it's time length, it could work as a short, but feature length stretches it to the limit.
I have seen over 20 films at Sundance so far, and this is my least favorite, please beware, this is a thriller-less thriller and an overwrought drama with too much pointless dialogue. The Sundance book says it it taut, and that is just WRONG. There are much better films about this concept, just pass on this bloated dead stinker
It starts out intriguing and exciting with the lynching scene, but the rest of the film is slow slow slow. The film looks and feels so bleak and dead. It is also extremely stretched at it's time length, it could work as a short, but feature length stretches it to the limit.
I have seen over 20 films at Sundance so far, and this is my least favorite, please beware, this is a thriller-less thriller and an overwrought drama with too much pointless dialogue. The Sundance book says it it taut, and that is just WRONG. There are much better films about this concept, just pass on this bloated dead stinker
New York Doll
(2005)
A Touching and Funny Doc That Goes Beyond Normal Roc Doc Tarritory
23 January 2005
Forget Dig! and the Ramones Doc from last year, this is the Rock doc that you need to see. It is an examination of the New York Doll's Bass Player Arthur "Killer" Kane, and his transformation from rock-bottom alcoholic depressive to born-again Mormon. The film then goes into standard Rock Doc territory showing the history of the band and interviews from surviving band members and historians and similar artists and prodigy's.
But it goes beyond that as it examines his new zest for life, and his longing to reconnect with the remaining members of the dolls to play and reconcile. Just like it is read by his ex-wife in a passage from his book of Mormon, if you pray and ask for something in faith the lord willing will grant it. And shocking enough he gets that miraculous chance to unite at a festival in London.
Other shocking things occur which lead to a tear-jerking and uplifting finale. Now this is a rock doc for fans and their families to watch together. It is almost completely non-offensive (The film-maker I believe is Mormon) and at the same time educational, heartfelt, and completely human.
Lead and held together by fun graphics, and fitting music as well as interviews from close Mormon friends and rock friends of Kane's you see a powerful tale of the importance of finding some kind of meaning in life, whether it be philosophical or spiritual and miracles can happen. This film could not have been any better, proof once again that fact is more astonishing and acts as a better narrative then fiction.
But it goes beyond that as it examines his new zest for life, and his longing to reconnect with the remaining members of the dolls to play and reconcile. Just like it is read by his ex-wife in a passage from his book of Mormon, if you pray and ask for something in faith the lord willing will grant it. And shocking enough he gets that miraculous chance to unite at a festival in London.
Other shocking things occur which lead to a tear-jerking and uplifting finale. Now this is a rock doc for fans and their families to watch together. It is almost completely non-offensive (The film-maker I believe is Mormon) and at the same time educational, heartfelt, and completely human.
Lead and held together by fun graphics, and fitting music as well as interviews from close Mormon friends and rock friends of Kane's you see a powerful tale of the importance of finding some kind of meaning in life, whether it be philosophical or spiritual and miracles can happen. This film could not have been any better, proof once again that fact is more astonishing and acts as a better narrative then fiction.
A Hilarious Social Satire disguised as a drug-sex romp
24 July 2004
Yes this film is rude, crude, over the top, full of choppy editing (probably to ensure an R not NC-17)and sometimes cliché', but it works. Yes there is plenty of Drug Humor and sex humor, but the funniest stuff is actually the on going humor involved with racial inequality and characters who learn how to break those typifications because of their symbolic journey to White Castle. This film pushes the line between being too crude and sometimes too smart for it's own good. The Acting is Right on from the 2 leads and there are quite a bit of funny cameos.
This film is similar to the American Pie films, but substitute the cutesy wootesy sub plots and messages with a realistic and brash message about race and class equality and beating the typifications we in life get tagged with constantly.
The film has plenty of raunchy humor which acts as a great balance to the theme. It does dabble with some stereotypes but the times the stereotpyes are broken especially from Kumar who brings a light fun and jovial spirit to the film and has some of the funniest moments.
At times the editing is so bad, especially when Kumar is peeing by the bush.
The editing ruins a perfectly cast cameo which gets wasted it just ends up making no sense because of obvious excessive cuts.
But overall I found it very very funny, and I did not leave feeling stupid like I did after the funny yet inherently stupid Dodgeball, but left thinking about these social and racial issues. Overall, I left a funny satire with some strong points and ideas that sometimes get overshot but still resonate . . . . a little anyway. Still funny as hell though even if you miss the hidden almost subliminal message within the film.
This film is similar to the American Pie films, but substitute the cutesy wootesy sub plots and messages with a realistic and brash message about race and class equality and beating the typifications we in life get tagged with constantly.
The film has plenty of raunchy humor which acts as a great balance to the theme. It does dabble with some stereotypes but the times the stereotpyes are broken especially from Kumar who brings a light fun and jovial spirit to the film and has some of the funniest moments.
At times the editing is so bad, especially when Kumar is peeing by the bush.
The editing ruins a perfectly cast cameo which gets wasted it just ends up making no sense because of obvious excessive cuts.
But overall I found it very very funny, and I did not leave feeling stupid like I did after the funny yet inherently stupid Dodgeball, but left thinking about these social and racial issues. Overall, I left a funny satire with some strong points and ideas that sometimes get overshot but still resonate . . . . a little anyway. Still funny as hell though even if you miss the hidden almost subliminal message within the film.
Hellboy
(2004)
Finally a comic film high on "Comic" aspects not soap opera dramatics
3 April 2004
Hellboy is a comic book film!! It is based on a comic book, and realizes such. This being said, unlike many other comic book films, this film lays on the cheese, but knows it is doing it. This film realizes it is a comic book, and that it's plot is very "OUT THERE." That is what makes it so much fun to watch. Unlike Daredevil and League of Extraordinary Gentleman, which were ridiculous soap operas compared to the likes of TV's, Passion, Hellboy is more one-liners and fun, and takes its self less serious. It is a comic book people, lets have fun with it!!!
That being said, there is still excellent characterization and drama as well, especially with Ron Perlman pulling out one of the best performances if not the best of his cult career. The special effects are phenomenal, especially for the 60 mill budget compared to the 100 mill of most pictures likened to it, that don't look nearly this good. The film also is high on style and wit, of course expected coming from Del Toro who improved on the Blade franchise with Blade 2 which was overly agreed as being way better than the original.
This film does have its plot holes and unexplained happenings, especially with the slime god's, but that is all excused by the wit and style of the film, which pulls the film through with flying colors. Unlike other comic book films, Hellboy does not rely on plot and story to unveil it's characters, but instead uses characterization and symbolism to lead the film, which may leave many disappointed. For me, that was a plus, I was expecting, going into this film to see a pure popcorn movie based on action and plot events, when instead, I got a popcorn film led by heart, wit, and humor. A surprisingly fun time at the movies for anyone, not just Hellboy comic book fans which i am not. Don't get me wrong there are plenty of great action scenes, and out of this world effects, but there is more to the film, which makes it so rewarding to watch.
That being said, there is still excellent characterization and drama as well, especially with Ron Perlman pulling out one of the best performances if not the best of his cult career. The special effects are phenomenal, especially for the 60 mill budget compared to the 100 mill of most pictures likened to it, that don't look nearly this good. The film also is high on style and wit, of course expected coming from Del Toro who improved on the Blade franchise with Blade 2 which was overly agreed as being way better than the original.
This film does have its plot holes and unexplained happenings, especially with the slime god's, but that is all excused by the wit and style of the film, which pulls the film through with flying colors. Unlike other comic book films, Hellboy does not rely on plot and story to unveil it's characters, but instead uses characterization and symbolism to lead the film, which may leave many disappointed. For me, that was a plus, I was expecting, going into this film to see a pure popcorn movie based on action and plot events, when instead, I got a popcorn film led by heart, wit, and humor. A surprisingly fun time at the movies for anyone, not just Hellboy comic book fans which i am not. Don't get me wrong there are plenty of great action scenes, and out of this world effects, but there is more to the film, which makes it so rewarding to watch.
Curtis
(2004)
A Beautiful And Subtle Look At A Dying Artist
20 January 2004
This simple yet beautiful look at an unknown dancer, painter, writer, and artistic genius named Curtis Wheeler is beautiful. The film follows him during the last couple years of his life as he battles Aids. It is very touching and very good. It is simple short and powerful.
I loved it!
I loved it!
Stander
(2003)
Brilliant true crime film Thomas Jane was amazing
18 January 2004
I Just got back from a screening of This film at the Sundance film festival, and there are some corrections that need to be made from some of the other comments. After the screening the director did a Q&A where when asked was all this true, she said oddly enough "the outrageous stuff was true, and we had to add normal plot fillers to help it dramatically."
Stander never planned his robberies, he was a criminal who was sick of seeing the violence against the unarmed citizens, and tired of the crookedness of police life, that he rebelled against the system, just as a political act, not a need for money.
This film has plenty of great action scenes and alot of great comedy as well as brilliant acting by the whole cast, especially Thomas Jane who shines as Stander.
Outside of the violence and fun, there is a very powerful moral story, one of right and wrong, politics and the lonely life of a criminal. One theme I love was repeated throughout, and that is that the wrong man is always punished, or killed, when we should be looking at our government officials and their corruption, we spend too much time on the little criminals.
Very fascinating, and fun to watch, as well as thought provoking, once again the Q&A would answer all of the problems other posters had with the film, because the stuff they did not like was the actual facts behind the characters lives, just AMAZING!!
Stander never planned his robberies, he was a criminal who was sick of seeing the violence against the unarmed citizens, and tired of the crookedness of police life, that he rebelled against the system, just as a political act, not a need for money.
This film has plenty of great action scenes and alot of great comedy as well as brilliant acting by the whole cast, especially Thomas Jane who shines as Stander.
Outside of the violence and fun, there is a very powerful moral story, one of right and wrong, politics and the lonely life of a criminal. One theme I love was repeated throughout, and that is that the wrong man is always punished, or killed, when we should be looking at our government officials and their corruption, we spend too much time on the little criminals.
Very fascinating, and fun to watch, as well as thought provoking, once again the Q&A would answer all of the problems other posters had with the film, because the stuff they did not like was the actual facts behind the characters lives, just AMAZING!!
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