“Oppenheimer” lenser Hoyte van Hoytema took top honors from the American Society of Cinematographers on Sunday. He edged out all four of his Oscar rivals for Best Cinematography: Edward Lachman (“El Conde”), Matthew Libatique (“Maestro”), Rodrigo Prieto (“Killers of the Flower Moon”) and Robbie Ryan (“Poor Things”).
Over its 38-year history, the ASC has predicted 152 of the 190 Oscar nominees, including four in 2019, 2020 and 2021 and all five this year and in both 2018 and 2017. Last year, it previewed three of the Best Cinematography contenders — Roger Deakins (“Empire of Light”), Darius Khondji (“Bardo”) and Mandy Walker (“Elvis”). While Walker won over the ASC, she lost the Oscar to “All Quiet on the Western Front” lenser James Friend.
Indeed, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 17 times:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall,...
Over its 38-year history, the ASC has predicted 152 of the 190 Oscar nominees, including four in 2019, 2020 and 2021 and all five this year and in both 2018 and 2017. Last year, it previewed three of the Best Cinematography contenders — Roger Deakins (“Empire of Light”), Darius Khondji (“Bardo”) and Mandy Walker (“Elvis”). While Walker won over the ASC, she lost the Oscar to “All Quiet on the Western Front” lenser James Friend.
Indeed, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 17 times:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall,...
- 3/4/2024
- by Paul Sheehan
- Gold Derby
The American Society of Cinematographers nominees announced on January 11 include only four of our five leading Oscar contenders for Best Cinematography: frontrunner Hoyte van Hoytema for “Oppenheimer”plus Matthew Libatique (“Maestro”), Rodrigo Prieto (“Killers of the Flower Moon”) and Robbie Ryan (“Poor Things”). Our other predicted nominee, Łukasz Zal (“The Zone of Interest”), got bumped by Edward Lachman (“El Conde”).
Over its 37-year history, the ASC has predicted 147 of the 185 Oscar nominees, including four in 2019, 2020 and 2021 and all five in both 2018 and 2017. Last year, it previewed three of the Best Cinematography contenders — Roger Deakins (“Empire of Light”), Darius Khondji (“Bardo”) and Mandy Walker (“Elvis”). While Walker won over the ASC, she lost the Oscar to “All Quiet on the Western Front” lenser James Friend.
Indeed, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 17 times:
Dean Semler, “Dances with Wolves” (1991)
John Toll,...
Over its 37-year history, the ASC has predicted 147 of the 185 Oscar nominees, including four in 2019, 2020 and 2021 and all five in both 2018 and 2017. Last year, it previewed three of the Best Cinematography contenders — Roger Deakins (“Empire of Light”), Darius Khondji (“Bardo”) and Mandy Walker (“Elvis”). While Walker won over the ASC, she lost the Oscar to “All Quiet on the Western Front” lenser James Friend.
Indeed, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 17 times:
Dean Semler, “Dances with Wolves” (1991)
John Toll,...
- 1/11/2024
- by Paul Sheehan
- Gold Derby
Like so many before and after him, Frank Laloggia had a hard time when he first started out in the film business. Yet after booking several roles as an actor, the Rochester native seemed to finally catch his big break. He had been given the chance to write and direct a feature film. Unfortunately, Laloggia’s disillusionment with the industry set in while working on 1981’s Fear No Evil. Severe studio interference was the main cause of his disappointment, and as a result, Laloggia took an extended break from filmmaking. However, the time off between his debut and Lady in White proved to be beneficial; Laloggia returned from his long leave with what many regard as the best film of his career.
With a story partly based on a well-known urban legend from the director’s neck of the woods, it was understandable when people assumed Laloggia’s sophomore film...
With a story partly based on a well-known urban legend from the director’s neck of the woods, it was understandable when people assumed Laloggia’s sophomore film...
- 10/25/2023
- by Paul Lê
- bloody-disgusting.com
More than 30 years after she made her most famous dash across America in Thelma & Louise, two-time Oscar winner Geena Davis has lined up another wild road trip movie with Cowgirl’s Last Ride.
The comedy adventure was originally announced back in 2019, but has now taken shape, with Scoot McNairy (Argo, 12 Years a Slave), Julia Sweeney (Saturday Night Live, Pulp Fiction) and Jill Scott (The No. 1 Ladies’ Detective Agency, Get On Up) joining the cast and HanWay Films launching sales at the upcoming American Film Market.
Described as a “comedic odyssey set against the vast landscapes of rural Texas,” the story follows retired Texas cowgirl Fay (Davis), who escapes her Dallas nursing home and journey’s back towards her native East Texas, first in a in a stolen pickup truck then on a horse, on a ride of rediscovery to reconnect with her former self, all while in...
The comedy adventure was originally announced back in 2019, but has now taken shape, with Scoot McNairy (Argo, 12 Years a Slave), Julia Sweeney (Saturday Night Live, Pulp Fiction) and Jill Scott (The No. 1 Ladies’ Detective Agency, Get On Up) joining the cast and HanWay Films launching sales at the upcoming American Film Market.
Described as a “comedic odyssey set against the vast landscapes of rural Texas,” the story follows retired Texas cowgirl Fay (Davis), who escapes her Dallas nursing home and journey’s back towards her native East Texas, first in a in a stolen pickup truck then on a horse, on a ride of rediscovery to reconnect with her former self, all while in...
- 10/23/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
The title is set to be introduced to buyers at the American Film Market (AFM).
UK sales outfit HanWay Films has boarded Leena Yadav’s comedy adventure Cowgirl’s Last Ride, starring Geena Davis, and is bringing the title to the American Film Market.
Davis, best known for roles in Thelma & Louse and A League Of Their Own, stars alongside Scoot McNairy, Julia Sweeney and Jill Scott.
Cast was attached prior to the SAG-AFTRA strike commencing.
The story follows an unorthodox retired Texas cowgirl, played by Davis, who battles against the negligent staff of her Dallas nursing home before escaping...
UK sales outfit HanWay Films has boarded Leena Yadav’s comedy adventure Cowgirl’s Last Ride, starring Geena Davis, and is bringing the title to the American Film Market.
Davis, best known for roles in Thelma & Louse and A League Of Their Own, stars alongside Scoot McNairy, Julia Sweeney and Jill Scott.
Cast was attached prior to the SAG-AFTRA strike commencing.
The story follows an unorthodox retired Texas cowgirl, played by Davis, who battles against the negligent staff of her Dallas nursing home before escaping...
- 10/23/2023
- by Mona Tabbara
- ScreenDaily
At five of the last 10 Oscars, Best Cinematography has gone hand-in-hand with Best Director: Emmanuel Lubezki and Alfonso Cuaron for “Gravity” (2014); Lubezki and Alejandro G. Inarritu for both “Birdman” (2015) and “The Revenant” (2016); Linus Sandgren and Damien Chazelle for “La La Land” (2017); and Cuaron doing double duty on “Roma” (2019). Will that trend hold true this year? (Scroll down for the most up-to-date 2024 Oscar predictions for Best Cinematography.)
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception” and “Gravity” first prevailed at the American Society of Cinematographers Awards,...
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception” and “Gravity” first prevailed at the American Society of Cinematographers Awards,...
- 9/12/2023
- by Paul Sheehan and Jacob Sarkisian
- Gold Derby
Thirteen years after Academy Award®-winner James Cameron introduced viewers to a world unlike any they had ever seen with his breathtaking film Avatar, Disney+ Hotstar is now streaming the eagerly awaited sequel Avatar: The Way of Water. This groundbreaking cinematic odyssey unveils a new underwater adventure that promises to mesmerise viewers again.
Returning to reprise their iconic roles, Sam Worthington and Zoe Saldaña portray Jake Sully and Neytiri, devoted parents doing everything possible to protect their family. Joining them are Academy Award® winner Kate Winslet and other esteemed actors Sigourney Weaver, Cliff Curtis and Stephen Lang.
Many were surprised to learn about Stephen Lang’s return to the sequel after the death of his character Colonel Miles Quaritch, in Avatar, who played the human antagonist. However, this time with the Resources Development Administration (Rda) returning to the moon with reinforcement, Lang returns as a recombinant, or recom, of his character.
Returning to reprise their iconic roles, Sam Worthington and Zoe Saldaña portray Jake Sully and Neytiri, devoted parents doing everything possible to protect their family. Joining them are Academy Award® winner Kate Winslet and other esteemed actors Sigourney Weaver, Cliff Curtis and Stephen Lang.
Many were surprised to learn about Stephen Lang’s return to the sequel after the death of his character Colonel Miles Quaritch, in Avatar, who played the human antagonist. However, this time with the Resources Development Administration (Rda) returning to the moon with reinforcement, Lang returns as a recombinant, or recom, of his character.
- 6/19/2023
- by Editorial Desk
- GlamSham
“Elvis” lenser Mandy Walker became the first woman to take top honors from the American Society of Cinematographers on Sunday. She edged out two of her Oscar rivals for Best Cinematography — Roger Deakins (“Empire of Light”) who reaped his 17th bid, and Darius Khondji (“Bardo”) — plus last year’s winner with both the guild and the Oscars Greig Fraser (“The Batman”) and Claudio Miranda (“Top Gun: Maverick”). The other Oscar nominees are James Friend (“All Quiet on the Western Front”) and Florian Hoffmeister (“Tar”).
Over its 37-year history, the ASC has predicted 147 of the 185 Oscar nominees, including four in 2019, 2020 and 2021 and all five in both 2018 and 2017. However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 17 times:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall, “American Beauty” (2000)
Conrad L. Hall,...
Over its 37-year history, the ASC has predicted 147 of the 185 Oscar nominees, including four in 2019, 2020 and 2021 and all five in both 2018 and 2017. However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 17 times:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall, “American Beauty” (2000)
Conrad L. Hall,...
- 3/6/2023
- by Paul Sheehan
- Gold Derby
The herculean effort to make James Cameron’s groundbreaking Avatar: The Way of Water and deliver the movie to theaters around the world for its Dec. 16 day-and-date release was the subject of a day-long series of panels and presentations, Tuesday at the Hpa (Hollywood Professional Association) Tech Retreat.
A sold-out crowd of 750 Hollywood tech leaders, developers and suppliers got a look at the unprecedented initiative to deliver the movie to theaters undertaken by Disney, 20th Century Studios, Cameron and producer Jon Landau’s Lightstorm Entertainment, and their suppliers.
With digital cinema, theaters vary greatly in their screening capabilities, and Cameron and Landau were bullish about delivering the best possible experience to each individual theater. In the case of Avatar: The Way of Water, this involved the creation of a whopping 1,065 unique delivery versions of the movie. This unheard-of number of deliverables included combinations of 2D, 3D, Hdr, 4K, varying light levels,...
A sold-out crowd of 750 Hollywood tech leaders, developers and suppliers got a look at the unprecedented initiative to deliver the movie to theaters undertaken by Disney, 20th Century Studios, Cameron and producer Jon Landau’s Lightstorm Entertainment, and their suppliers.
With digital cinema, theaters vary greatly in their screening capabilities, and Cameron and Landau were bullish about delivering the best possible experience to each individual theater. In the case of Avatar: The Way of Water, this involved the creation of a whopping 1,065 unique delivery versions of the movie. This unheard-of number of deliverables included combinations of 2D, 3D, Hdr, 4K, varying light levels,...
- 2/22/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The production of "Titanic" has gotten plenty of attention for its record-setting 200 million budget, but as the film's scheduled July 1997 release date approached, the public's attention was equally as locked onto the schedule delays as much as the ballooning costs. After principal photography expanded to an unprecedented 160 days, representing over a month of additional shooting, filming finally wrapped on March 23, 1997 and post-production could enter full swing.
By April, The New York Times was reporting a strong likelihood of postponement based on Cameron's comments that even August 1 would be "grueling but do-able." In May, it became official. The release date moved from July 2 to December 19, bringing an end to his streak of summer box office dominance, with "Terminator 2" and "True Lies," and converting Cameron to prefer December releases, as adopted on the "Avatar" franchise.
Among the causes of delays was a contagious flu that spread throughout the cast and crew,...
By April, The New York Times was reporting a strong likelihood of postponement based on Cameron's comments that even August 1 would be "grueling but do-able." In May, it became official. The release date moved from July 2 to December 19, bringing an end to his streak of summer box office dominance, with "Terminator 2" and "True Lies," and converting Cameron to prefer December releases, as adopted on the "Avatar" franchise.
Among the causes of delays was a contagious flu that spread throughout the cast and crew,...
- 2/10/2023
- by Walter Roberts
- Slash Film
In the event you need a good cry, director James Cameron invites you to relive the heartbreaking spectacle of "Titanic" on the big screen. Celebrating its 25th anniversary this year, the Academy Award-winning disaster drama has become so synonymous with the greatest movies ever made, and for good reason. It was a towering achievement, not unlike the Titanic itself. When you think of what Cameron was able to accomplish, it's an even more rewarding watch. There's plenty to praise, such as James Horner's emotional score, but the film's heartbreaking legacy can largely be attributed to Kate Winslet and Leonardo DiCaprio.
"Titanic" was just as much a love story as it was a historical disaster epic, and the plight of its two young leads turned the film into a global phenomenon. It didn't matter how many times folks parodied the "I'm Flying" or "draw me like one of your French...
"Titanic" was just as much a love story as it was a historical disaster epic, and the plight of its two young leads turned the film into a global phenomenon. It didn't matter how many times folks parodied the "I'm Flying" or "draw me like one of your French...
- 2/10/2023
- by Matthew Bilodeau
- Slash Film
(To celebrate "Titanic" and its impending 25th-anniversary re-release, we've put together a week of explorations, inquires, and deep dives into James Cameron's box office-smashing disaster epic.)
Those who were around for the 1997 release of James Cameron's film "Titanic" will likely recall that the knives were out. Stories of the film's production troubles were widely reported, the budget ballooned to unimaginable proportions (the final price tag was in the 200 million range), and many were skeptical about the film's ability to make money. "Titanic" was initially meant to be a summer release, but its opening was pushed back to December 19, 1997, right in the middle of awards season. Perhaps to Cameron's relief, the film opened at #1 at the box office.
It stayed at #1 at the box office until the release of "Lost in Space" ... the following April. "Titanic" was watched multiple times by a great many people, and became a legitimate phenomenon,...
Those who were around for the 1997 release of James Cameron's film "Titanic" will likely recall that the knives were out. Stories of the film's production troubles were widely reported, the budget ballooned to unimaginable proportions (the final price tag was in the 200 million range), and many were skeptical about the film's ability to make money. "Titanic" was initially meant to be a summer release, but its opening was pushed back to December 19, 1997, right in the middle of awards season. Perhaps to Cameron's relief, the film opened at #1 at the box office.
It stayed at #1 at the box office until the release of "Lost in Space" ... the following April. "Titanic" was watched multiple times by a great many people, and became a legitimate phenomenon,...
- 2/8/2023
- by Witney Seibold
- Slash Film
At six of the last 10 Oscars, Best Cinematography has gone hand-in-hand with Best Director: Claudio Miranda and Ang Lee for “Life of Pi” (2013); Emmanuel Lubezki and Alfonso Cuaron for “Gravity” (2014); Lubezki and Alejandro G. Inarritu for both “Birdman” (2015) and “The Revenant” (2016); Linus Sandgren and Damien Chazelle for “La La Land” (2017); and Cuaron doing double duty on “Roma” (2019). Will that trend hold true this year? (Scroll down for the most up-to-date 2023 Oscars Best Cinematography predictions.)
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception” and “Gravity...
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception” and “Gravity...
- 2/6/2023
- by Paul Sheehan
- Gold Derby
We will update all our Oscar predictions throughout the season, so keep checking IndieWire for the latest news from the 2023 Oscar race. The nomination round of voting will take place from January 12 to January 17, 2023, with the official Oscar nominations announced on January 24, 2023. The final voting is between March 2 and 7, 2023. Finally, the 95th Oscars telecast will be broadcast on Sunday, March 12 and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt.
See our initial thoughts for what to expect at the 95th Academy Awards here.
Roger Deakins (“Empire of Light”), James Friend (“All Quiet on the Western Front”), Florian Hoffmeister (“TÁR”), Darius Khondji, and Mandy Walker (“Elvis”) were nominated for the Best Cinematography Oscar on Tuesday. In a field where three first-time nominees kept several of the category’s perennials out of the running, it looks like a race between Walker (who could finally make history by...
See our initial thoughts for what to expect at the 95th Academy Awards here.
Roger Deakins (“Empire of Light”), James Friend (“All Quiet on the Western Front”), Florian Hoffmeister (“TÁR”), Darius Khondji, and Mandy Walker (“Elvis”) were nominated for the Best Cinematography Oscar on Tuesday. In a field where three first-time nominees kept several of the category’s perennials out of the running, it looks like a race between Walker (who could finally make history by...
- 1/24/2023
- by Bill Desowitz
- Indiewire
The 28th Critics’ Choice Awards took place in Los Angeles on Sunday night. Chelsea Handler hosted the ceremony, which honored the year’s best films and television. Everything Everywhere All At Once was the most nominated film at 14, and Abbott Elementary led television nominations with six total.
After the Golden Globes last week, the show offered another clue to how the upcoming Academy Awards will shape up.
Everything Everywhere All At Once won Best Picture, Best Supporting Actor (Ke Huy Quan), Best Director (Daniel Kwan and Daniel Scheinert), Best Original Screenplay and Best Editing.
Better Call Saul won most of the television awards, including Best Drama Series, Best Actor in a Drama Series (Bob Odenkirk) and Best Supporting Actor in a Drama Series (Giancarlo Esposito).
>Watch Janelle Monae’s uBIO – Her Story In Her Words!
Kate Hudson presented Janelle Monáe with the SeeHer award, noting their advocacy for the Lgbtqia+ community.
After the Golden Globes last week, the show offered another clue to how the upcoming Academy Awards will shape up.
Everything Everywhere All At Once won Best Picture, Best Supporting Actor (Ke Huy Quan), Best Director (Daniel Kwan and Daniel Scheinert), Best Original Screenplay and Best Editing.
Better Call Saul won most of the television awards, including Best Drama Series, Best Actor in a Drama Series (Bob Odenkirk) and Best Supporting Actor in a Drama Series (Giancarlo Esposito).
>Watch Janelle Monae’s uBIO – Her Story In Her Words!
Kate Hudson presented Janelle Monáe with the SeeHer award, noting their advocacy for the Lgbtqia+ community.
- 1/16/2023
- by Alex Nguyen
- Uinterview
The 28th Critics Choice Awards took place at the Fairmont Century Plaza Hotel in Los Angeles on Sunday night (15 January).
The star-studded event was hosted by Chelsea Handler, taking over from actor Taye Diggs who had hosted the past four years of the awards ceremony.
The night’s special awards were presented to Janelle Monáe, who received the #SeeHer award, while Jeff Bridges was honoured with the Lifetime Achievement Award.
Some of the night’s biggest winners were Angela Bassett, Brendan Fraser, and Cate Blanchett, who won Best Supporting Actress, Best Actor, and Best Actress awards respectively.
See the full list of the 2023 Critics Choice Awards below.
Best Picture
Everything Everywhere All at Once Winner
Avatar: The Way of Water
Babylon
The Banshees of Inisherin
Elvis
The Fabelmans
Glass Onion: A Knives Out Mystery
Rrr
Tár
Top Gun: Maverick
Women Talking
Best Actor
Brendan Fraser – The Whale Winner
Austin Butler...
The star-studded event was hosted by Chelsea Handler, taking over from actor Taye Diggs who had hosted the past four years of the awards ceremony.
The night’s special awards were presented to Janelle Monáe, who received the #SeeHer award, while Jeff Bridges was honoured with the Lifetime Achievement Award.
Some of the night’s biggest winners were Angela Bassett, Brendan Fraser, and Cate Blanchett, who won Best Supporting Actress, Best Actor, and Best Actress awards respectively.
See the full list of the 2023 Critics Choice Awards below.
Best Picture
Everything Everywhere All at Once Winner
Avatar: The Way of Water
Babylon
The Banshees of Inisherin
Elvis
The Fabelmans
Glass Onion: A Knives Out Mystery
Rrr
Tár
Top Gun: Maverick
Women Talking
Best Actor
Brendan Fraser – The Whale Winner
Austin Butler...
- 1/16/2023
- by Peony Hirwani
- The Independent - Film
Harry Shum Jr. and Michelle Yeoh in A24’s ‘Everything Everywhere All At Once’ (Photo credit: Allyson Riggs)
Members of the Critics Choice Association honored the best in films and television of 2022 at the 28th Annual Critics Choice Awards, hosted by Chelsea Handler. Everything Everywhere All At Once went into the night with the most film nominations (14) and Abbott Elementary topped the television nominees with six. And as it turns out, those leaders earned top honors.
Everything Everywhere All at Once picked up five awards including Best Picture, Best Director (Daniel Kwan & Daniel Scheinert), Best Supporting Actor (Ke Huy Quan), Best Original Screenplay (Kwan & Scheinert), and Best Editing (Paul Rogers). Abbott Elementary was named Best Comedy Series, and Sheryl Lee Ralph earned the Best Supporting Actress in a Comedy Series award.
The final season of Better Call Saul went out with a bang, collecting Best Drama, Best Actor in a...
Members of the Critics Choice Association honored the best in films and television of 2022 at the 28th Annual Critics Choice Awards, hosted by Chelsea Handler. Everything Everywhere All At Once went into the night with the most film nominations (14) and Abbott Elementary topped the television nominees with six. And as it turns out, those leaders earned top honors.
Everything Everywhere All at Once picked up five awards including Best Picture, Best Director (Daniel Kwan & Daniel Scheinert), Best Supporting Actor (Ke Huy Quan), Best Original Screenplay (Kwan & Scheinert), and Best Editing (Paul Rogers). Abbott Elementary was named Best Comedy Series, and Sheryl Lee Ralph earned the Best Supporting Actress in a Comedy Series award.
The final season of Better Call Saul went out with a bang, collecting Best Drama, Best Actor in a...
- 1/16/2023
- by Rebecca Murray
- Showbiz Junkies
The 28th annual Critics Choice Awards were handed out Sunday night.
Everything Everywhere All at Once was named best picture; best director and best original screenplay for Daniel Kwan and Daniel Scheinert; best editing for Paul Rogers; and best supporting actor for Ke Huy Quan. Heading into the ceremony, the film led with 14 noms.
On the TV side, nominee-leading Abbott Elementary (with six noms) was named best comedy series. Better Call Saul won best drama series, while The Dropout was named best limited series.
Janelle Monáe was honored with the SeeHer Award, presented by Kate Hudson, while Jeff Bridges received the Critics Choice Lifetime Achievement Award from John Goodman at this year’s show, which took place at the Fairmont Century Plaza in Los Angeles.
Chelsea Handler hosted the ceremony, which aired on The CW. (Read highlights from the show here and see the night’s best-dressed stars here.)
A full list of winners follows.
Everything Everywhere All at Once was named best picture; best director and best original screenplay for Daniel Kwan and Daniel Scheinert; best editing for Paul Rogers; and best supporting actor for Ke Huy Quan. Heading into the ceremony, the film led with 14 noms.
On the TV side, nominee-leading Abbott Elementary (with six noms) was named best comedy series. Better Call Saul won best drama series, while The Dropout was named best limited series.
Janelle Monáe was honored with the SeeHer Award, presented by Kate Hudson, while Jeff Bridges received the Critics Choice Lifetime Achievement Award from John Goodman at this year’s show, which took place at the Fairmont Century Plaza in Los Angeles.
Chelsea Handler hosted the ceremony, which aired on The CW. (Read highlights from the show here and see the night’s best-dressed stars here.)
A full list of winners follows.
- 1/16/2023
- by Kimberly Nordyke
- The Hollywood Reporter - Movie News
The biggest night of the year for critics ended with “Everything Everywhere All At Once.” The beloved multiverse movie that almost defies genre classification won five awards, including Best Picture, Best Director for Daniel Kwan and Daniel Scheinert, Best Original Screenplay for the Daniels, Best Editing, and Best Supporting Actor for Ke Huy Quan.
That “Everything Everywhere” would dominate the show was far from a surprise: the movie led all features with 14 nominations, including four acting citations for Quan, Michelle Yeoh (who lost Best Actress to Cate Blanchett for “Tar”), and Stephanie Hsu and Jamie Lee Curtis (who both lost in the Best Supporting Actress to Angela Bassett for “Black Panther: Wakanda Forever”). The other acting winner was Brendan Fraser for “The Whale,” a victory that could springboard him to an eventual Oscar win.
In fact, historically, the Critics Choice Awards and Oscars match winners’ results roughly 70 percent of the time.
That “Everything Everywhere” would dominate the show was far from a surprise: the movie led all features with 14 nominations, including four acting citations for Quan, Michelle Yeoh (who lost Best Actress to Cate Blanchett for “Tar”), and Stephanie Hsu and Jamie Lee Curtis (who both lost in the Best Supporting Actress to Angela Bassett for “Black Panther: Wakanda Forever”). The other acting winner was Brendan Fraser for “The Whale,” a victory that could springboard him to an eventual Oscar win.
In fact, historically, the Critics Choice Awards and Oscars match winners’ results roughly 70 percent of the time.
- 1/16/2023
- by Christopher Rosen
- Gold Derby
The 2023 Critics Choice Awards are here.
Hosted by Chelsea Handler, the star-studded event will take place at the Fairmont Century Plaza.
“We are thrilled to have Chelsea Handler joining us at the 28th annual Critics Choice Awards,” Critics Choice Association CEO Joey Berlin said in October, via Us Weekly. “We all know and love her work as a stand-up comedian, a best-selling author, a podcast host, and actress – and now as host of the Critics Choice Awards! I know this will be the best year yet and can’t wait for everyone to see what we have in store.”
Read More: Colin Farrell And Brendan Gleeson Will Miss Critics Choice Awards After Testing Positive For Covid
The show honours both film and television alike, with nominations for “Avatar: The Way of Water”, “Babylon”, “The Banshees of Inisherin”, “Elvis”, and “Everything Everywhere All at Once”, as well as nominations for series...
Hosted by Chelsea Handler, the star-studded event will take place at the Fairmont Century Plaza.
“We are thrilled to have Chelsea Handler joining us at the 28th annual Critics Choice Awards,” Critics Choice Association CEO Joey Berlin said in October, via Us Weekly. “We all know and love her work as a stand-up comedian, a best-selling author, a podcast host, and actress – and now as host of the Critics Choice Awards! I know this will be the best year yet and can’t wait for everyone to see what we have in store.”
Read More: Colin Farrell And Brendan Gleeson Will Miss Critics Choice Awards After Testing Positive For Covid
The show honours both film and television alike, with nominations for “Avatar: The Way of Water”, “Babylon”, “The Banshees of Inisherin”, “Elvis”, and “Everything Everywhere All at Once”, as well as nominations for series...
- 1/16/2023
- by Anita Tai
- ET Canada
With 11 nominees for Best Picture, 10 for Best Director, and nine titles battling it out for Best Drama series, competition will be fierce at tonight’s Critics Choice Awards. Several ties in the voting process led the 600-member Critics Choice Association to nominate more films than a category typically allows, which simply means that even more of the year’s biggest films and shows have a shot at the prizes.
“Everything Everywhere All at Once” leads all films with 14 nominations, while Steven Spielberg’s “The Fabelmans” is close behind with 11 nominations. “Babylon” and “The Banshees of Inisherin” each picked up nine nods, while “TÁR” and “Elvis” each scored seven.
On the television side, “Abbott Elementary” and “Better Call Saul” led the pack with six and five nominations, respectively.
The 2023 Critics Choice Awards will be broadcast live on the CW starting at 7 p.m. Et. Keep reading for the complete list of nominees,...
“Everything Everywhere All at Once” leads all films with 14 nominations, while Steven Spielberg’s “The Fabelmans” is close behind with 11 nominations. “Babylon” and “The Banshees of Inisherin” each picked up nine nods, while “TÁR” and “Elvis” each scored seven.
On the television side, “Abbott Elementary” and “Better Call Saul” led the pack with six and five nominations, respectively.
The 2023 Critics Choice Awards will be broadcast live on the CW starting at 7 p.m. Et. Keep reading for the complete list of nominees,...
- 1/16/2023
- by Christian Zilko
- Indiewire
Read Screen’s January 13 digital edition which focuses on awards contenders in documentary and craft categories.
This issue features interviews with the directors of Fire Of Love and All That Breathes, as well as cinematographers Russell Carpenter and Janusz Kaminski, Top Gun: Maverick editor Eddie Hamilton and Babylon production designer Florencia Martin and costume designer Mary Zophres.
Click here to read the digital edition
Read Screen’s other digital editions here...
This issue features interviews with the directors of Fire Of Love and All That Breathes, as well as cinematographers Russell Carpenter and Janusz Kaminski, Top Gun: Maverick editor Eddie Hamilton and Babylon production designer Florencia Martin and costume designer Mary Zophres.
Click here to read the digital edition
Read Screen’s other digital editions here...
- 1/13/2023
- by Screen staff
- ScreenDaily
How many of you heard about the “J Cam”? Well, it appears that this was a prototype of the Sony Venice, which was invented for Avatar 2, according to James Cameron’s demands. An excellent cinema camera needs to be born from a real necessity of acclaimed directors.
James Cameron Says It’s Only The Beginning of 3D Cinematography A talk about Avatar 2
Last week, there was a line around the Grauman’s Chinese Theatre in Hollywood for a special screening of Avatar: The Way of Water in 3D IMAX. The screening, presented by SonyCine in partnership with Shot Deck, gathered together a theater full of filmmakers and featured Avatar’s producer Jon Landau, Oscar award-winning cinematographer Russell Carpenter ASC, chief lighting technician Len Levine and 3D Systems Engineer Patrick Campbell in a conversation moderated by Oscar-nominated cinematographer Lawrence Sher ASC. Unfortunately, there’s no recording of that conversation.
James Cameron Says It’s Only The Beginning of 3D Cinematography A talk about Avatar 2
Last week, there was a line around the Grauman’s Chinese Theatre in Hollywood for a special screening of Avatar: The Way of Water in 3D IMAX. The screening, presented by SonyCine in partnership with Shot Deck, gathered together a theater full of filmmakers and featured Avatar’s producer Jon Landau, Oscar award-winning cinematographer Russell Carpenter ASC, chief lighting technician Len Levine and 3D Systems Engineer Patrick Campbell in a conversation moderated by Oscar-nominated cinematographer Lawrence Sher ASC. Unfortunately, there’s no recording of that conversation.
- 1/11/2023
- by Yossy Mendelovich
- YMCinema
The American Society of Cinematographers nominees announced on January 9 include only one of our five leading Oscar contenders for Best Cinematography: frontrunner Claudio Miranda for “Top Gun: Maverick.” The other four contenders are ASC stalwart Roger Deakins (“Empire of Light”) who reaped his 17th bid; last year’s winner with both the guild and the Oscars Greig Fraser (“The Batman”); Darius Khondji (“Bardo”) and Mandy Walker (“Elvis”).
This quartet figures in our top 10 but we are predicting that joining Miranda in the Oscar line-up will be Russell Carpenter (“Avatar: The Way of Water”); James Friend (“All Quiet on the Western Front”); Janusz Kaminski (“The Fabelmens”); and Linus Sandgren (“Babylon”).
Over its 36-year history, the ASC has predicted 144 of the 180 Oscar nominees, including four in 2019, 2020 and 2021 and all five in both 2018 and 2017.
However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 17 times:
Dean Semler,...
This quartet figures in our top 10 but we are predicting that joining Miranda in the Oscar line-up will be Russell Carpenter (“Avatar: The Way of Water”); James Friend (“All Quiet on the Western Front”); Janusz Kaminski (“The Fabelmens”); and Linus Sandgren (“Babylon”).
Over its 36-year history, the ASC has predicted 144 of the 180 Oscar nominees, including four in 2019, 2020 and 2021 and all five in both 2018 and 2017.
However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 17 times:
Dean Semler,...
- 1/9/2023
- by Paul Sheehan
- Gold Derby
Roger Deakins (“Empire of Light”), Greig Fraser (“The Batman”), Darius Khondji, Claudio Miranda (“Top Gun: Maverick”), and Mandy Walker (“Elvis”) were nominated Monday for the 37th annual ASC Awards (to be held March 5 at the Beverly Hilton and live streamed).
For the legendary Deakins, who finds himself in the underdog position for exquisitely lensing Sam Mendes’ underappreciated ode to cinema, this marks his ASC-leading 17th nomination. The two-time Oscar winner (“1917” and “Blade Runner 2049”) has won five times, tied with Emmanuel “Chivo” Lubezki, the three-time Oscar winner, who didn’t make the cut for “Amsterdam,” which never got any critical traction. Fraser, last year’s Oscar and ASC winner for “Dune,” has two wins and three noms. For Matt Reeves’ “The Batman,” he provided a gritty noir look. Miranda, an Oscar winner for “Life of Pi,” has three nominations, and is considered the frontrunner for taking us into...
For the legendary Deakins, who finds himself in the underdog position for exquisitely lensing Sam Mendes’ underappreciated ode to cinema, this marks his ASC-leading 17th nomination. The two-time Oscar winner (“1917” and “Blade Runner 2049”) has won five times, tied with Emmanuel “Chivo” Lubezki, the three-time Oscar winner, who didn’t make the cut for “Amsterdam,” which never got any critical traction. Fraser, last year’s Oscar and ASC winner for “Dune,” has two wins and three noms. For Matt Reeves’ “The Batman,” he provided a gritty noir look. Miranda, an Oscar winner for “Life of Pi,” has three nominations, and is considered the frontrunner for taking us into...
- 1/9/2023
- by Bill Desowitz
- Indiewire
The Art Directors Guild, American Society of Cinematographers and Motion Picture Sound Editors are three artisan organizations announcing their nominations this week. Their nominations will set the tone for the Oscar race for production design, cinematography and partly for the best sound race, now in its third year as a combined category for sound mixing and effects editing.
We’re expecting plenty of mentions for “Everything Everywhere All at Once” and “Top Gun: Maverick,” with possible surprises for “Elvis” and “All Quiet on the Western Front” which are both picking up momentum.
All three guilds will announce their nominees on Monday, Jan. 9.
See the 2022-2023 Awards Season calendar for all key dates and timelines.
Art Directors Guild
Period
“All Quiet on the Western Front” (Netflix) “Babylon” (Paramount Pictures) “The Banshees of Inisherin” (Searchlight Pictures) “Elvis” (Warner Bros.) “White Noise” (Netflix)
Alternate: “The Fabelmans” (Universal Pictures)
Fantasy
“Avatar: The Way of Water...
We’re expecting plenty of mentions for “Everything Everywhere All at Once” and “Top Gun: Maverick,” with possible surprises for “Elvis” and “All Quiet on the Western Front” which are both picking up momentum.
All three guilds will announce their nominees on Monday, Jan. 9.
See the 2022-2023 Awards Season calendar for all key dates and timelines.
Art Directors Guild
Period
“All Quiet on the Western Front” (Netflix) “Babylon” (Paramount Pictures) “The Banshees of Inisherin” (Searchlight Pictures) “Elvis” (Warner Bros.) “White Noise” (Netflix)
Alternate: “The Fabelmans” (Universal Pictures)
Fantasy
“Avatar: The Way of Water...
- 1/8/2023
- by Clayton Davis
- Variety Film + TV
The last time cinematographer Russell Carpenter partnered with director James Cameron, they both brought home Oscars for their work on “Titanic.” That was a famously arduous production, but on their latest collaboration, “Avatar: The Way of Water,” Carpenter quickly realized he would face another set of challenges: not only would he once again be shooting on and in the water, but he would have to learn a whole new language related to virtual lighting.
“That was totally new for me,” Carpenter told IndieWire. Before long, however, he realized that his basic job wasn’t that different from a conventional live-action film. “It’s the same as always in that you’re sculpting light. It’s a very different way of working, but the task is still the same.”
In addition to “Titanic,” Carpenter had shot “True Lies” for Cameron, but did not photograph the original “Avatar.” (Mauro Fiore won an...
“That was totally new for me,” Carpenter told IndieWire. Before long, however, he realized that his basic job wasn’t that different from a conventional live-action film. “It’s the same as always in that you’re sculpting light. It’s a very different way of working, but the task is still the same.”
In addition to “Titanic,” Carpenter had shot “True Lies” for Cameron, but did not photograph the original “Avatar.” (Mauro Fiore won an...
- 1/3/2023
- by Jim Hemphill
- Indiewire
Click here to read the full article.
Gather together a group of award-winning cinematographers, as THR did on Nov. 6 when it assembled a virtual roundtable that represents some of the year’s most visually striking films, and you might expect a lot of shop talk about lenses and camera rigs, or about the relative merits of live-action filmmaking versus the newest virtual production techniques. But while there was some of that, these lensers were most excited about discussing the emotion their work evokes. “I do the job because I get emotionally involved in telling a story and helping a director tell a story about a real world, a real situation that has something to say,” explained Roger Deakins, the director of photography on Sam Mendes’ semi-autobiographical memory piece Empire of Light. Other DPs this year were involved in similarly personal stories that reflected their directors’ experiences: Janusz Kaminski shot Steven Spielberg’s The Fabelmans,...
Gather together a group of award-winning cinematographers, as THR did on Nov. 6 when it assembled a virtual roundtable that represents some of the year’s most visually striking films, and you might expect a lot of shop talk about lenses and camera rigs, or about the relative merits of live-action filmmaking versus the newest virtual production techniques. But while there was some of that, these lensers were most excited about discussing the emotion their work evokes. “I do the job because I get emotionally involved in telling a story and helping a director tell a story about a real world, a real situation that has something to say,” explained Roger Deakins, the director of photography on Sam Mendes’ semi-autobiographical memory piece Empire of Light. Other DPs this year were involved in similarly personal stories that reflected their directors’ experiences: Janusz Kaminski shot Steven Spielberg’s The Fabelmans,...
- 12/28/2022
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The combined predictions of Gold Derby users point to a close Oscars battle for Best Cinematography: “The Fabelmans” vs. “Top Gun: Maverick” at the top of the odds with “Avatar: The Way of Water” and “Babylon” close behind. Every one of their associated cinematographers is a past Oscar winner, so if we’re right we’re going to see someone repeat when the awards are handed out. But who will it be?
SEEClaudio Miranda (‘Top Gun: Maverick’ cinematographer) on the breathtaking in-camera flight sequences: ‘I didn’t want to be on a volume or on a blue screen’ [Exclusive Video Interview]
The Expert journalists we’ve surveyed from major media outlets give the slight edge to “Maverick” Dp Claudio Miranda, who previously won Best Cinematography 10 years ago for “Life of Pi.” Eight of them are betting on the sky-high sequel to win compared to six who say “Fabelmans,” three who pick “Avatar,” and one who says “Babylon.
SEEClaudio Miranda (‘Top Gun: Maverick’ cinematographer) on the breathtaking in-camera flight sequences: ‘I didn’t want to be on a volume or on a blue screen’ [Exclusive Video Interview]
The Expert journalists we’ve surveyed from major media outlets give the slight edge to “Maverick” Dp Claudio Miranda, who previously won Best Cinematography 10 years ago for “Life of Pi.” Eight of them are betting on the sky-high sequel to win compared to six who say “Fabelmans,” three who pick “Avatar,” and one who says “Babylon.
- 12/28/2022
- by Daniel Montgomery
- Gold Derby
This interview with “Avatar: The Way of Water” cinematographer Russell Carpenter first appeared in a special section of the Below-the-Line issue of TheWrap’s awards magazine.
The best solution to a difficult problem can sometimes come from an unexpectedly practical place. Just ask cinematographer Russell Carpenter, who had worked with James Cameron before. He served as Dp on 1994’s “True Lies” and 1997’s “Titanic” (where he came in as a replacement and wound up winning the Oscar for his work), and this time around his work encompassed live-action photography, motion-capture work and advising the visual effects teams on virtual lighting conditions.
And while there really isn’t any other film like “Avatar: The Way of Water,” photographically or otherwise, that doesn’t mean you can’t rely on old tricks of the trade. Like, for example, mirrors.
20th Century Pictures
In the sequence pictured on this page, our main characters,...
The best solution to a difficult problem can sometimes come from an unexpectedly practical place. Just ask cinematographer Russell Carpenter, who had worked with James Cameron before. He served as Dp on 1994’s “True Lies” and 1997’s “Titanic” (where he came in as a replacement and wound up winning the Oscar for his work), and this time around his work encompassed live-action photography, motion-capture work and advising the visual effects teams on virtual lighting conditions.
And while there really isn’t any other film like “Avatar: The Way of Water,” photographically or otherwise, that doesn’t mean you can’t rely on old tricks of the trade. Like, for example, mirrors.
20th Century Pictures
In the sequence pictured on this page, our main characters,...
- 12/26/2022
- by Drew Taylor
- The Wrap
“I was moving into a world of virtual creation. And that was brand new for me,” reveals “Avatar: The Way of Water” cinematographer Russell Carpenter. Unlike many key creatives on the film, he did not work on the first movie in this series, so he entered into a world where the visual language had been established. Though he had previously collaborated with director James Cameron on movies like “Titanic” and “True Lies,” Carpenter found himself presented with an entirely new set of puzzles to solve in order to make the visual effects heavy film work. “Jim is the grand provocateur,” he notes, “He’ll just lay a challenge at your feet.” Watch the exclusive video interview above.
See Simon Franglen interview: ‘Avatar: The way of Water’ composer
“It’s a layer cake,” says Carpenter of the complex creative process for “The Way of Water.” He started working a full year before live action photography began,...
See Simon Franglen interview: ‘Avatar: The way of Water’ composer
“It’s a layer cake,” says Carpenter of the complex creative process for “The Way of Water.” He started working a full year before live action photography began,...
- 12/22/2022
- by Sam Eckmann
- Gold Derby
Director James Cameron and costume designer Deborah Lynn Scott first worked together 25 years ago on “Titanic,” which went on to win 11 Oscars including best picture, director and costume design. Since then, the two have collaborated on “Avatar” and its long-awaited sequel “Avatar: The Way of Water,” and will continue their partnership with the next films in the franchise.
Below, for Variety‘s latest Creative Collaborators, Cameron and Scott discuss their working relationship and pouring hundreds of hours into building the costumes for “Avatar 2.”
Take us back to that first collaboration on “Titanic.” What was that like?
Deborah Lynn Scott: James used that hat very well. That day on set, we had never checked if the hat could fit through the car door, so, we were a little nervous. And he did that wonderful dip down and reveal which is a costume designer’s dream.
James Cameron: The worst case...
Below, for Variety‘s latest Creative Collaborators, Cameron and Scott discuss their working relationship and pouring hundreds of hours into building the costumes for “Avatar 2.”
Take us back to that first collaboration on “Titanic.” What was that like?
Deborah Lynn Scott: James used that hat very well. That day on set, we had never checked if the hat could fit through the car door, so, we were a little nervous. And he did that wonderful dip down and reveal which is a costume designer’s dream.
James Cameron: The worst case...
- 12/21/2022
- by Jazz Tangcay
- Variety Film + TV
This article contains spoilers for "Avatar: The Way of Water."
It took 13 years, a budget rivaling the Gdp of a small nation, and no shortage of capital-d discourse along the way, but one of the greatest blockbuster filmmakers of all time has finally debuted his long-awaited sequel to the highest grossing movie of all time. Yes, "Avatar: The Way of Water" is currently riding a tidal wave of hype into theaters -- look no further than /Film's review by Chris Evangelista -- to once again plunge audiences headfirst into the paradise known as Pandora. While it remains to be seen if this wildly expensive and extraordinarily risky gambit will pay off, one thing's certain: It's still James Cameron's world, folks, and we're all just living in it.
Now that audiences have begun to experience the highly-anticipated film for themselves, the biggest debate will likely unfold over whether it has outdone its predecessor or not.
It took 13 years, a budget rivaling the Gdp of a small nation, and no shortage of capital-d discourse along the way, but one of the greatest blockbuster filmmakers of all time has finally debuted his long-awaited sequel to the highest grossing movie of all time. Yes, "Avatar: The Way of Water" is currently riding a tidal wave of hype into theaters -- look no further than /Film's review by Chris Evangelista -- to once again plunge audiences headfirst into the paradise known as Pandora. While it remains to be seen if this wildly expensive and extraordinarily risky gambit will pay off, one thing's certain: It's still James Cameron's world, folks, and we're all just living in it.
Now that audiences have begun to experience the highly-anticipated film for themselves, the biggest debate will likely unfold over whether it has outdone its predecessor or not.
- 12/16/2022
- by Jeremy Mathai
- Slash Film
Antoine Fuqua’s “Emancipation” has finally been unveiled to the public, and critics agree it’s a visual achievement. For his most ambitious project yet, Fuqua collaborated with cinematographer Robert Richardson, whose credits include “Casino,” “The Aviator,” “Django Unchained,” and “Once Upon a Time in Hollywood.” Richardson’s ingenious, Oscar-winning work on “The Aviator” is a career highlight for visually recreating the transition from two-to-three-strip Technicolor as the film progresses through the 1930s. The legendary Dp has 10 Academy Award nominations (and three wins) to his name and deserves an 11th for lensing “Emancipation,” which sits in 12th position in our Oscar odds for Best Cinematography.
See ‘Emancipation’ star Will Smith says he hopes ‘horrific decision’ to slap Chris Rock doesn’t taint response to the historical drama
At the historical epic’s center is an escaped slave (Will Smith) who survives Louisiana marshland, a tenacious bounty hunter (Ben Foster) and...
See ‘Emancipation’ star Will Smith says he hopes ‘horrific decision’ to slap Chris Rock doesn’t taint response to the historical drama
At the historical epic’s center is an escaped slave (Will Smith) who survives Louisiana marshland, a tenacious bounty hunter (Ben Foster) and...
- 12/14/2022
- by Ronald Meyer
- Gold Derby
Gina Prince-Bythewood (The Woman King), Sarah Polley (Women Talking) among directing nominees.
Everything Everywhere All At Once leads the Critics Choice field on 14 nominations including best picture, while Charlotte Wells’ British indie Aftersun earned three for actor Paul Mescal, young actress Frankie Corio and screenplay.
The Fablemans is next on 11 nods followed by The Banshees Of Inisherin and Babylon on nine apiece. Each earned best picture nods from the Critics Choice Association as well as directing recognition for Steven Spielberg, Martin McDonagh and Damien Chazelle, respectively.
Everything Everywhere All At Once directors the Daniels are also in the running for best director,...
Everything Everywhere All At Once leads the Critics Choice field on 14 nominations including best picture, while Charlotte Wells’ British indie Aftersun earned three for actor Paul Mescal, young actress Frankie Corio and screenplay.
The Fablemans is next on 11 nods followed by The Banshees Of Inisherin and Babylon on nine apiece. Each earned best picture nods from the Critics Choice Association as well as directing recognition for Steven Spielberg, Martin McDonagh and Damien Chazelle, respectively.
Everything Everywhere All At Once directors the Daniels are also in the running for best director,...
- 12/14/2022
- by Jeremy Kay
- ScreenDaily
Underestimate James Cameron at your own peril — he feeds off it, as witnessed by “Aliens,” “Terminator 2: Judgment Day,” “Titanic,” “Avatar,” and now “Avatar: The Way of Water.” True to his promise, the master showman has delivered the cinematic goods beyond expectation with the sequel, topping the original in epic storytelling and high-tech spectacle.
This time Cameron expands the universe of Pandora by going underwater for splendor and adventure with the introduction of the Metkayina reef clan. In this regard, Cameron has truly become the heir apparent to his idol, Jacques Cousteau, and has outdone himself with innovation, thanks to the VFX wizards of Wētā FX and his other crafts teams. Once again, Cameron has proven that 3D isn’t dead, and has given us a reason to return to theaters this holiday season.
As far as the Oscars, “The Way of Water” could potentially equal its predecessor in nominations.
This time Cameron expands the universe of Pandora by going underwater for splendor and adventure with the introduction of the Metkayina reef clan. In this regard, Cameron has truly become the heir apparent to his idol, Jacques Cousteau, and has outdone himself with innovation, thanks to the VFX wizards of Wētā FX and his other crafts teams. Once again, Cameron has proven that 3D isn’t dead, and has given us a reason to return to theaters this holiday season.
As far as the Oscars, “The Way of Water” could potentially equal its predecessor in nominations.
- 12/14/2022
- by Bill Desowitz
- Indiewire
Click here to read the full article.
Everything Everywhere All at Once leads the film nominations for the 28th annual Critics Choice Awards, which were announced on Wednesday.
The film starring Michelle Yeoh earned 14 nominations, including best picture, best comedy, best actress for Yeoh, best supporting actor for Ke Huy Quan and best supporting actress nominations for Jamie Lee Curtis and Stephanie Hsu. Daniel Kwan and Daniel Scheinert were nominated in the best director and best original screenplay categories as well.
The Fabelmans followed with eleven nominations, with Steven Spielberg receiving a best director nomination as well as a best original screenplay nod alongside Tony Kushner. Cast members Michelle Williams, Paul Dano, Judd Hirsch and Gabriel Labelle were recognized with nominations as well.
Damien Chazelle’s Babylon and Martin McDonagh’s The Banshees of Inisherin both scored nine nominations, while Elvis and Tar collected even nods each. Avatar: The Way of Water,...
Everything Everywhere All at Once leads the film nominations for the 28th annual Critics Choice Awards, which were announced on Wednesday.
The film starring Michelle Yeoh earned 14 nominations, including best picture, best comedy, best actress for Yeoh, best supporting actor for Ke Huy Quan and best supporting actress nominations for Jamie Lee Curtis and Stephanie Hsu. Daniel Kwan and Daniel Scheinert were nominated in the best director and best original screenplay categories as well.
The Fabelmans followed with eleven nominations, with Steven Spielberg receiving a best director nomination as well as a best original screenplay nod alongside Tony Kushner. Cast members Michelle Williams, Paul Dano, Judd Hirsch and Gabriel Labelle were recognized with nominations as well.
Damien Chazelle’s Babylon and Martin McDonagh’s The Banshees of Inisherin both scored nine nominations, while Elvis and Tar collected even nods each. Avatar: The Way of Water,...
- 12/14/2022
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
Click here to read the full article.
James Cameron knows his way around a sequel. With Aliens and Terminator 2: Judgment Day, he showed he could build on the strengths of franchise starters with brawny action, steadily ratcheted tension and jaw-dropping technological invention. He’s also a storyteller very much at home in H2O, harnessing both the majestic vastness of the oceans and the icy perils of the deep in Titanic and The Abyss.
So it should surprise no one that Avatar: The Way of Water — which includes echoes of all those earlier films — is a hugely entertaining follow-up to the 2009 sci-fi eco-thriller that remains the top-grossing movie of all time.
In terms of narrative sophistication and even more so dialogue, this 350 million sequel is almost as basic as its predecessor, even feeble at times. But the expanded, bio-diverse world-building pulls you in, the visual spectacle keeps you mesmerized,...
James Cameron knows his way around a sequel. With Aliens and Terminator 2: Judgment Day, he showed he could build on the strengths of franchise starters with brawny action, steadily ratcheted tension and jaw-dropping technological invention. He’s also a storyteller very much at home in H2O, harnessing both the majestic vastness of the oceans and the icy perils of the deep in Titanic and The Abyss.
So it should surprise no one that Avatar: The Way of Water — which includes echoes of all those earlier films — is a hugely entertaining follow-up to the 2009 sci-fi eco-thriller that remains the top-grossing movie of all time.
In terms of narrative sophistication and even more so dialogue, this 350 million sequel is almost as basic as its predecessor, even feeble at times. But the expanded, bio-diverse world-building pulls you in, the visual spectacle keeps you mesmerized,...
- 12/13/2022
- by David Rooney
- The Hollywood Reporter - Movie News
When approaching features like those in his Avatar franchise and the fantastical worlds they depict, filmmaker James Cameron looks for “true, universal human experience” to ground the narrative.
In the case of the original sci-fi epic released by 20th Century Fox in 2009, he was looking at “a relatively simpler story” about “boy meets girl,” in the vein of Romeo and Juliet. And with his long-awaited sequel Avatar: The Way of Water, coming up for release on December 16, he’s turned his attention to family.
Related: The Contenders Film: Los Angeles – Deadline’s Full Coverage
“We all either know the family experience or long for it. It’s just in our genes, our code,” the three-time Oscar winner observed during a virtual appearance Saturday at Deadline’s Contenders Film: Los Angeles. “As a father of five, I’ve had plenty of experience with teen angst, the teen years. … [My kids] laughingly know they’re sorta,...
In the case of the original sci-fi epic released by 20th Century Fox in 2009, he was looking at “a relatively simpler story” about “boy meets girl,” in the vein of Romeo and Juliet. And with his long-awaited sequel Avatar: The Way of Water, coming up for release on December 16, he’s turned his attention to family.
Related: The Contenders Film: Los Angeles – Deadline’s Full Coverage
“We all either know the family experience or long for it. It’s just in our genes, our code,” the three-time Oscar winner observed during a virtual appearance Saturday at Deadline’s Contenders Film: Los Angeles. “As a father of five, I’ve had plenty of experience with teen angst, the teen years. … [My kids] laughingly know they’re sorta,...
- 11/20/2022
- by Matt Grobar
- Deadline Film + TV
Gold Derby’s latest Oscar odds show 12 viable contenders battling for Best Cinematography. Steven Spielberg’s autobiographical “The Fabelmans,” shot by longtime collaborator Janusz Kamiński, leads a particularly strong slate that includes three blockbuster sequels, a war epic, and an ode to cinema shot by Roger Deakins.
Kamiński’s won twice before, and both victories coincided with Spielberg’s. The pair walked away winners in 1994 and 1999 for “Schindler’s List” and “Saving Private Ryan,” respectively. Given Spielberg’s frontrunner status in Best Director, pundits are predicting lightning will strike a third time for these two. Kamiński pulled through with a nomination for “West Side Story” a year ago despite missing a predictive nod from the American Society of Cinematographers.
See Steven Spielberg in position to mine plenty of Oscars gold with ‘The Fabelmans’
Former winner Claudio Miranda also looks like a lock for his groundbreaking work on “Top Gun: Maverick.” The...
Kamiński’s won twice before, and both victories coincided with Spielberg’s. The pair walked away winners in 1994 and 1999 for “Schindler’s List” and “Saving Private Ryan,” respectively. Given Spielberg’s frontrunner status in Best Director, pundits are predicting lightning will strike a third time for these two. Kamiński pulled through with a nomination for “West Side Story” a year ago despite missing a predictive nod from the American Society of Cinematographers.
See Steven Spielberg in position to mine plenty of Oscars gold with ‘The Fabelmans’
Former winner Claudio Miranda also looks like a lock for his groundbreaking work on “Top Gun: Maverick.” The...
- 11/4/2022
- by Ronald Meyer
- Gold Derby
Click here to read the full article.
Select attendees at the Busan International Film Festival on Thursday got a sneak peek at 2022’s most anticipated movie — James Cameron’s long-gestating mega-tentpole Avatar: The Way of Water.
A 15-minute showreel of exclusive footage from the Avatar sequel was shown to a large Korean audience who had paid about 5 each (7,000 Korean won) to don 3-D glasses and attend the promo event (tickets sold out almost immediately after they went on sale ahead of the festival). Avatar: The Way of Water‘s lead producer, Jon Landau, was on hand at the event to introduce the footage and discuss some of the revolutionary technological processes employed in the new film’s creation.
Signaling its intention to take Busan by storm, Disney installed Avatar 2 posters all along the city’s iconic Haeundae Beach, along with massive sand sculptures on the beach itself, imprinted with...
Select attendees at the Busan International Film Festival on Thursday got a sneak peek at 2022’s most anticipated movie — James Cameron’s long-gestating mega-tentpole Avatar: The Way of Water.
A 15-minute showreel of exclusive footage from the Avatar sequel was shown to a large Korean audience who had paid about 5 each (7,000 Korean won) to don 3-D glasses and attend the promo event (tickets sold out almost immediately after they went on sale ahead of the festival). Avatar: The Way of Water‘s lead producer, Jon Landau, was on hand at the event to introduce the footage and discuss some of the revolutionary technological processes employed in the new film’s creation.
Signaling its intention to take Busan by storm, Disney installed Avatar 2 posters all along the city’s iconic Haeundae Beach, along with massive sand sculptures on the beach itself, imprinted with...
- 10/6/2022
- by Soomee Park and Patrick Brzeski
- The Hollywood Reporter - Movie News
The American Society of Cinematographers awarded Greig Fraser its top prize for his work on “Dune” at its annual awards on Sunday. He edged out three of his Oscar rivals for Best Cinematography: Bruno Delbonnel for “The Tragedy of Macbeth,” Dan Laustsen for “Nightmare Alley” and Ari Wegner for “The Power of the Dog.” The fifth ASC contender was Haris Zamberloukos for “Belfast” who bumped Oscar nominee Janusz Kamiński for “West Side Story.”
Over its 36-year history, the ASC has predicted 144 of the 180 Oscar nominees, including four in 2019, 2020 and 2021 and all five in both 2018 and 2017. However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 16 times:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall, “American Beauty” (2000)
Conrad L. Hall, “Road to Perdition” (2003)
Dion Beebe, “Memoirs of a Geisha” (2006)
Robert Elswit,...
Over its 36-year history, the ASC has predicted 144 of the 180 Oscar nominees, including four in 2019, 2020 and 2021 and all five in both 2018 and 2017. However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 16 times:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall, “American Beauty” (2000)
Conrad L. Hall, “Road to Perdition” (2003)
Dion Beebe, “Memoirs of a Geisha” (2006)
Robert Elswit,...
- 3/21/2022
- by Paul Sheehan
- Gold Derby
The American Society of Cinematographers nominations announced on January 25 include four of our five leading Oscar contenders for Best Cinematography including the frontrunner to win — Greig Fraser for “Dune” — as well as Bruno Delbonnel for “The Tragedy of Macbeth,” Ari Wegner for “The Power of the Dog” and Haris Zamberloukos for “Belfast.”
Our fifth predicted Oscar nominee, Janusz Kaminski for “West Side Story,” was snubbed in favor of our sixth-ranked contender, Dan Laustsen for “Nightmare Alley.”
Over its 35-year history, the ASC has predicted 140 of the 175 Oscar nominees, including four in 2019, 2020 and 2021 and all five in both 2018 and 2017. However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 16 times in 35 years:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall, “American Beauty” (2000)
Conrad L. Hall, “Road to Perdition” (2003)
Dion Beebe, “Memoirs of a Geisha” (2006)
Robert Elswit,...
Our fifth predicted Oscar nominee, Janusz Kaminski for “West Side Story,” was snubbed in favor of our sixth-ranked contender, Dan Laustsen for “Nightmare Alley.”
Over its 35-year history, the ASC has predicted 140 of the 175 Oscar nominees, including four in 2019, 2020 and 2021 and all five in both 2018 and 2017. However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 16 times in 35 years:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall, “American Beauty” (2000)
Conrad L. Hall, “Road to Perdition” (2003)
Dion Beebe, “Memoirs of a Geisha” (2006)
Robert Elswit,...
- 1/25/2022
- by Paul Sheehan
- Gold Derby
At six of the last nine Oscars, Best Cinematography has gone hand-in-hand with Best Director: Claudio Miranda and Ang Lee for “Life of Pi” (2013); Emmanuel Lubezki and Alfonso Cuaron for “Gravity” (2014); Lubezki and Alejandro G. Inarritu for both “Birdman” (2015) and “The Revenant” (2016); Linus Sandgren and Damien Chazelle for “La La Land” (2017); and Cuaron doing double duty on “Roma” (2019). Will that trend hold true this year? (Scroll down for the most up-to-date 2022 Oscars predictions for Best Cinematography.)
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception...
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception...
- 1/23/2022
- by Paul Sheehan
- Gold Derby
The American Society of Cinematographers were so impressed by the black-and-white lensing of “Mank” that it awarded Erik Messerschmidt the Best Cinematography prize at its annual awards on Sunday. He edged out three of his Oscar rivals — Phedon Papamichael for “The Trial of the Chicago 7,” Joshua James Richards for “Nomadland” and Dariusz Wolski for “News of the World — as well Newton Thomas Sigel for “Cherry. The fifth Oscar contender, Sean Bobbitt for “Judas and the Black Messiah,” was snubbed by the ASC.
Over its 35-year history, the ASC has predicted 140 of the 175 Oscar nominees, including four in both 2019 and 2020 and all five in both 2018 and 2017. However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 15 times in 34 years:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall, “American Beauty” (2000)
Conrad L.
Over its 35-year history, the ASC has predicted 140 of the 175 Oscar nominees, including four in both 2019 and 2020 and all five in both 2018 and 2017. However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 15 times in 34 years:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall, “American Beauty” (2000)
Conrad L.
- 4/18/2021
- by Paul Sheehan
- Gold Derby
The American Society of Cinematographers nominees announced on March 10 include four of the five leading Oscar contenders for Best Cinematography including Erik Messerschmidt for “Mank” as well as Phedon Papamichael for “The Trial of the Chicago 7,” Joshua James Richards for “Nomadland” and Dariusz Wolski for “News of the World. Also in contention is Newton Thomas Sigel for “Cherry. The fifth Oscar contender, Sean Bobbitt for “Judas and the Black Messiah” was snubbed by the guild.
Over its 35-year history, the ASC has predicted 140 of the 175 Oscar nominees, including four in both 2019 and 2020 and all five in both 2018 and 2017. However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 15 times in 34 years:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall, “American Beauty” (2000)
Conrad L. Hall, “Road to Perdition” (2003)
Dion Beebe,...
Over its 35-year history, the ASC has predicted 140 of the 175 Oscar nominees, including four in both 2019 and 2020 and all five in both 2018 and 2017. However, the ASC choice for the best in the business has presaged the eventual winner at the Oscars only 15 times in 34 years:
Dean Semler, “Dances with Wolves” (1991)
John Toll, “Braveheart” (1996)
John Seale, “The English Patient” (1997)
Russell Carpenter, “Titanic” (1998)
Conrad L. Hall, “American Beauty” (2000)
Conrad L. Hall, “Road to Perdition” (2003)
Dion Beebe,...
- 4/16/2021
- by Paul Sheehan
- Gold Derby
The American Society of Cinematographers nominees announced on March 10 include three of our five leading Oscar contenders for Best Cinematography including the frontrunner to win — Erik Messerschmidt for “Mank” — as well as Joshua James Richards for “Nomadland” and Dariusz Wolski for “News of the World. Also in contention are Phedon Papamichael for “The Trial of the Chicago 7” and Newton Thomas Sigel for “Cherry. We are predicting Sigel will reap an Oscar bid for “Da 5 Bloods” instead.
Papamichael is a favorite of the ASC; he was nominated here last year for “Ford v Ferrari” but was bumped out at the Oscars by “The Lighthouse” lenser Jarin Blaschke. We don’t expect him to contend at the Academy Awards this year either with Hoyte van Hoytema likely to land the fifth slot for “Tenet.”
Over its 34-year history, the ASC has predicted 136 of the 170 Oscar nominees, including four in both...
Papamichael is a favorite of the ASC; he was nominated here last year for “Ford v Ferrari” but was bumped out at the Oscars by “The Lighthouse” lenser Jarin Blaschke. We don’t expect him to contend at the Academy Awards this year either with Hoyte van Hoytema likely to land the fifth slot for “Tenet.”
Over its 34-year history, the ASC has predicted 136 of the 170 Oscar nominees, including four in both...
- 3/10/2021
- by Paul Sheehan
- Gold Derby
At six of the last eight Oscars, Best Cinematography has gone hand-in-hand with Best Director: Claudio Miranda and Ang Lee for “Life of Pi” (2013); Emmanuel Lubezki and Alfonso Cuaron for “Gravity” (2014); Lubezki and Alejandro G. Inarritu for both “Birdman” (2015) and “The Revenant” (2016); Linus Sandgren and Damien Chazelle for “La La Land” (2017); and Cuaron doing double duty on “Roma” (2019). Will that trend hold true this year? (Scroll down for the most up-to-date 2021 Oscars predictions for Best Cinematography.)
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception...
The academy usually regards award-winning cinematography as pretty pictures within an epic technical feat of filmmaking. While great lighting and framing are laudable on their own, having a movie that looks like it was difficult to shoot goes a long way to snagging an Oscar. Recent lensing winners “Avatar” (2009), “Inception” (2010), “Hugo” (2011), “Life of Pi” (2012), “Gravity” (2013), “Blade Runner 2049” (2018) and “1917” (2020) also took home the Oscar for Best Visual Effects.
While the lensers of “Inception...
- 3/4/2021
- by Paul Sheehan
- Gold Derby
The American Society of Cinematographers nominees announced on January 3 include four of our five leading Oscar contenders for Best Cinematography including the frontrunner to win — Roger Deakins for “1917” — as well as Rodrigo Prieto for “The Irishman,” Robert Richardson for “Once Upon a Time in Hollywood” and Lawrence Sher for “Joker.” The fifth Asc nominee, instead of “The Lighthouse” cinematographer Jarin Blaschke, was Phedon Papamichael for the racing drama “Ford v Ferrari.”
But Blaschke wasn’t snubbed. He did receive a nomination in the Spotlight Award category, which honors films that screen at festivals, internationally, or in limited release. He’s joined there by just two other nominees: Natasha Braier (“Honey Boy”) and Jasper Wolf (“Monos”). Though it must be noted that “The Lighthouse” actually grossed more domestically than “Cold War,” the Polish film that won last year’s top prize and not a separate race for limited-release movies.
Over its 33-year history,...
But Blaschke wasn’t snubbed. He did receive a nomination in the Spotlight Award category, which honors films that screen at festivals, internationally, or in limited release. He’s joined there by just two other nominees: Natasha Braier (“Honey Boy”) and Jasper Wolf (“Monos”). Though it must be noted that “The Lighthouse” actually grossed more domestically than “Cold War,” the Polish film that won last year’s top prize and not a separate race for limited-release movies.
Over its 33-year history,...
- 1/3/2020
- by Daniel Montgomery
- Gold Derby
With the new feature film reboot of the classic television series coming in November, Sony Home Entertainment is releasing the McG-directed films from 2000 and 2003. Both will contain a preview of the new film,w hich we have to say, looks like a lot of fun.
Charlie’S Angels (2000)
Cameron Diaz, Drew Barrymore and Lucy Liu star as the captivating crime-fighting trio who are masters of disguise, espionage and martial arts. When a devious mastermind embroils them in a plot to destroy individual privacy, the Angels, aided by their loyal sidekick Bosley (Bill Murray), set out to bring down the bad guys. But when a terrible secret is revealed, it makes the Angels targets for assassination.
Director: McG
Executive Producers: Betty Thomas, Jenno Topping, Joseph M. Caracciolo
Producers: Leonard Goldberg, Drew Barrymore, Nancy Juvonen
Written By: Ryan Rowe & Ed Solomon and John August
Cast: Cameron Diaz, Drew Barrymore, Lucy Liu,...
Charlie’S Angels (2000)
Cameron Diaz, Drew Barrymore and Lucy Liu star as the captivating crime-fighting trio who are masters of disguise, espionage and martial arts. When a devious mastermind embroils them in a plot to destroy individual privacy, the Angels, aided by their loyal sidekick Bosley (Bill Murray), set out to bring down the bad guys. But when a terrible secret is revealed, it makes the Angels targets for assassination.
Director: McG
Executive Producers: Betty Thomas, Jenno Topping, Joseph M. Caracciolo
Producers: Leonard Goldberg, Drew Barrymore, Nancy Juvonen
Written By: Ryan Rowe & Ed Solomon and John August
Cast: Cameron Diaz, Drew Barrymore, Lucy Liu,...
- 7/17/2019
- by ComicMix Staff
- Comicmix.com
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