On March 27, 2022, “Coda” made history at the Oscars by being the first film from a streaming company (in this case Apple Original Films) to win Best Picture. (See the Oscars winners list.) In addition, Troy Kotsur entered the record books on his own accord by becoming the first Deaf male actor to win an Oscar. “Coda” is now the seventh Best Picture winner in Academy Awards history to go undefeated on Oscar night after winning all three of its categories: Best Picture, Best Supporting Actor (Kotsur) and Best Adapted Screenplay (Sian Heder). Read on for how to watch “Coda.”
SEE2022 SAG Awards film live blog: ‘Coda’ leads with 2 victories including best cast, Will Smith and Jessica Chastain also prevail
What is “Coda” about?
“Coda” tells the story of the tight knit Rossi family who all work in the fishing industry in Massachusetts. Mother Jackie (Marlee Matlin), father Frank (Kotsur) and...
SEE2022 SAG Awards film live blog: ‘Coda’ leads with 2 victories including best cast, Will Smith and Jessica Chastain also prevail
What is “Coda” about?
“Coda” tells the story of the tight knit Rossi family who all work in the fishing industry in Massachusetts. Mother Jackie (Marlee Matlin), father Frank (Kotsur) and...
- 3/28/2022
- by Marcus James Dixon
- Gold Derby
“Grand Hotel” (1932) holds a special place in Oscar pundits’ hearts. To date, it’s the only film to win Best Picture without receiving any other nominations. Because of that unique stat, “Grand Hotel” is often cited as an example when trying to make the case for a movie winning Best Picture without having a corresponding such-and-such nomination. How is that relevant to this year’s Academy Awards? Let me introduce you to “Coda.”
The Apple TV Plus drama about a predominantly Deaf family of fishing industry workers notably missed out on the two key Oscar bids a film usually needs in order to win the top category: Best Director and Best Film Editing. Put another way, every Best Picture winner since the creation of the film editing category in 1934 has been nominated in either directing or editing (often both). That means “Coda” would break an 87-year Oscars curse if it...
The Apple TV Plus drama about a predominantly Deaf family of fishing industry workers notably missed out on the two key Oscar bids a film usually needs in order to win the top category: Best Director and Best Film Editing. Put another way, every Best Picture winner since the creation of the film editing category in 1934 has been nominated in either directing or editing (often both). That means “Coda” would break an 87-year Oscars curse if it...
- 3/7/2022
- by Marcus James Dixon
- Gold Derby
Victoria Bedos, the creator and co-writer of “La Famille Belier,” the hit French movie that was remade into Sian Heder’s Oscar-nominated “Coda,” is getting ready to make her feature debut with Focus Features/Universal in France.
For her directorial debut, “Leo et moi,” Bedos will once tell the bittersweet story of a teenager set against an unusual backdrop, a theme she probed in “Famille Belier.” “Leo et moi” (working title) is produced by Hélène Cases at Lionceau Films and follows 14-year-old Marie-Luce Bison, who lives with her widowed father at a group home for seniors in rural France. Universal will distribute the film in theaters in France and Focus Features has global rights.
In the film, Marie, growing up as an outsider surrounded by elderly people and her distant father, isn’t like anyone else at school and the other kids notice it. One day, fed up of being bullied by her classsmates,...
For her directorial debut, “Leo et moi,” Bedos will once tell the bittersweet story of a teenager set against an unusual backdrop, a theme she probed in “Famille Belier.” “Leo et moi” (working title) is produced by Hélène Cases at Lionceau Films and follows 14-year-old Marie-Luce Bison, who lives with her widowed father at a group home for seniors in rural France. Universal will distribute the film in theaters in France and Focus Features has global rights.
In the film, Marie, growing up as an outsider surrounded by elderly people and her distant father, isn’t like anyone else at school and the other kids notice it. One day, fed up of being bullied by her classsmates,...
- 2/13/2022
- by Elsa Keslassy
- Variety Film + TV
As usual, contenders in the Adapted Screenplay category are a varied bunch, with movies of all shapes and sizes adapted from prior material, whether novels, short stories, or a prior film. As always, auteurs have the advantage with Academy voters.
Literary adaptations
While David Lynch and Alejandro Jodorowsky may have been defeated by big-screen adaptations of Frank Herbert’s 1965 science-fiction novel “Dune” (Warner Bros./HBO Max), Oscar-nominated French-Canadian auteur Denis Villeneuve (“Arrival”) embraced the chance to bring his trademark visual panache to the sci-fi epic, which will come in two parts. Part One was whittled down from the sprawling novel by the director, veteran Oscar-winner Eric Roth (“Forrest Gump”), and Jon Spaihts. Oscar Isaac’s Duke Leto Atreides and Rebecca Ferguson’s Lady Jessica travel with their son Paul (Timothée Chalamet) to dangerous desert planet Arrakis, which supplies the universe with the valuable spice melange. After pandemic delays, the movie...
Literary adaptations
While David Lynch and Alejandro Jodorowsky may have been defeated by big-screen adaptations of Frank Herbert’s 1965 science-fiction novel “Dune” (Warner Bros./HBO Max), Oscar-nominated French-Canadian auteur Denis Villeneuve (“Arrival”) embraced the chance to bring his trademark visual panache to the sci-fi epic, which will come in two parts. Part One was whittled down from the sprawling novel by the director, veteran Oscar-winner Eric Roth (“Forrest Gump”), and Jon Spaihts. Oscar Isaac’s Duke Leto Atreides and Rebecca Ferguson’s Lady Jessica travel with their son Paul (Timothée Chalamet) to dangerous desert planet Arrakis, which supplies the universe with the valuable spice melange. After pandemic delays, the movie...
- 2/12/2022
- by Anne Thompson
- Indiewire
As usual, contenders in the Adapted Screenplay category are a varied bunch, with movies of all shapes and sizes adapted from prior material, whether novels, short stories, or a prior film. As always, auteurs have the advantage with Academy voters.
Literary adaptations
While David Lynch and Alejandro Jodorowsky may have been defeated by big-screen adaptations of Frank Herbert’s 1965 science-fiction novel “Dune” (Warner Bros./HBO Max), Oscar-nominated French-Canadian auteur Denis Villeneuve (“Arrival”) embraced the chance to bring his trademark visual panache to the sci-fi epic, which will come in two parts. Part One was whittled down from the sprawling novel by the director, veteran Oscar-winner Eric Roth (“Forrest Gump”), and Jon Spaihts. Oscar Isaac’s Duke Leto Atreides and Rebecca Ferguson’s Lady Jessica travel with their son Paul (Timothée Chalamet) to dangerous desert planet Arrakis, which supplies the universe with the valuable spice melange. After pandemic delays, the movie...
Literary adaptations
While David Lynch and Alejandro Jodorowsky may have been defeated by big-screen adaptations of Frank Herbert’s 1965 science-fiction novel “Dune” (Warner Bros./HBO Max), Oscar-nominated French-Canadian auteur Denis Villeneuve (“Arrival”) embraced the chance to bring his trademark visual panache to the sci-fi epic, which will come in two parts. Part One was whittled down from the sprawling novel by the director, veteran Oscar-winner Eric Roth (“Forrest Gump”), and Jon Spaihts. Oscar Isaac’s Duke Leto Atreides and Rebecca Ferguson’s Lady Jessica travel with their son Paul (Timothée Chalamet) to dangerous desert planet Arrakis, which supplies the universe with the valuable spice melange. After pandemic delays, the movie...
- 2/12/2022
- by Anne Thompson
- Thompson on Hollywood
Chicago – It’s difficult to find a thematic trilogy with a conclusion as triumphant and potent as “Au Revoir Les Enfants.” The 1987 fact-based drama emerged as one of the great masterpieces in the career of Louis Malle, a giant of the French New Wave perhaps best known for his intimate two-character piece, 1981’s “My Dinner With Andre.” His films possess a purity and authenticity unmatched by many of his peers.
After a few critical and financial disappointments in America, Malle decided to get back in touch with his roots as a documentarian in the mid-80s (he won the Palme d’Or at age 24 for co-directing Jacques Cousteau’s “Le monde du silence”). Soon afterward, he returned to France and finally tackled the project he had promised to make once he was ready to do it justice. The plot of “Enfants” was directly inspired by an indelible memory from the director’s childhood.
After a few critical and financial disappointments in America, Malle decided to get back in touch with his roots as a documentarian in the mid-80s (he won the Palme d’Or at age 24 for co-directing Jacques Cousteau’s “Le monde du silence”). Soon afterward, he returned to France and finally tackled the project he had promised to make once he was ready to do it justice. The plot of “Enfants” was directly inspired by an indelible memory from the director’s childhood.
- 3/23/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Au Revoir Les Enfants / Goodbye, Children (1987) Direction and screenplay: Louis Malle Cast: Gaspard Manesse, Raphael Fejtö, Francine Racette, Stanislas Carré De Malberg, François Berléand, Philippe Morier-Genoud, Irène Jacob Oscar Movies, European Film Award Movies Highly Recommended Raphael Fejtö, Gaspard Manesse, Au revoir les enfants Synopsis: At a Catholic boys' school in occupied France, a snotty rich kid, Julien (Gaspard Manesse), slowly befriends an unusual newcomer, Bonnet (Raphael Fejtö), who happens to be a Jewish boy in hiding. The Pros: Unlike Roman Polanski's The Pianist and Steven Spielberg's Schindler's List, the two best-known movies about the persecution of Jews during the Nazi era, Louis Malle's Au revoir les enfants actually feels true to life. In Malle's autobiographical story, there are no movie heroes, no bullshit about the "triumph of the human spirit," and no one cries "I could have done more" or some such. Au revoir les enfants...
- 3/8/2011
- by Andre Soares
- Alt Film Guide
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