Probably the worst thing about Tim Roth's audacious directorial debut is its title: 'The War Zone' conjures images of something rather noisier, and less subtle, than this film about aberrant sexuality within a family unit. Roth is brave enough to show love among the hate, and to assign a limited degree of complicit guilt to the apparent victim: the film gains greatly from both of these decisions. He also has interesting visual ideas: the film is full of lonely, widescreen images in which the central subjects appear almost lost; and homely Devon has never looked wilder and less civilised than it does here, depicted in winter and at night. Roth also gets great performances from all his cast: in what is essentially a four-hander, Tilda Swinton is good in a limited part, Ray Winstone shows (not for the first time) that he has talents beyond those required for his customary hard-man roles, but it's the young actors who are most outstanding: Freddie Cunliffe as the troubled boy who discovers dark secrets, and especially the beautiful, opaque Laura Belmont who is simply tremendous as his sexually aware, not-as-cool-as-she-seems sister. At time the soundtrack seems a bit generic, and I'm not entirely convinced by the open ending, but this is still a better film than many directors make in their careers. On the strength of this movie, Roth should enjoy a long career behind the camera.
Review of The War Zone
