After "Audition" and "Ichi The Killer", I had great expectations for this movie. What it delivers is essentially the "greatest hits" of Asian horror. There's more than a passing resemblance to "The Ring", with bits of "Ju-On" and other films thrown in for good measure.
The film revolves around mobile 'phones. A girl has a message left on her mobile 'phone answering service - only it's been left by herself and in the future! To make matters worse, it ends with a blood curdling scream! Well, it soon turns out that the message is the girl's final words on this mortal coil.
The girl is not alone. It's only a matter of time before the body count starts rising and a race against time begins to solve the mystery of the bizarre calls.
Despite being more than a shade Ringu-clone-esquire, I heartily enjoyed this film. It has some great set-pieces (including a memorable death), some spooky moments, a few "jump" sequences, etc. What the film didn't deliver, though, was any real fear. It was a case of "seen it all before" (a criticism that some levelled at "Ju-On").
The plot unravels in a logical manner and there's a decent pay off. It may not be a future classic, but this is a very well made example of Asian horror cinema.
My rating: 8 out of 10 for a stylish addition to Miike's portfolio
The film revolves around mobile 'phones. A girl has a message left on her mobile 'phone answering service - only it's been left by herself and in the future! To make matters worse, it ends with a blood curdling scream! Well, it soon turns out that the message is the girl's final words on this mortal coil.
The girl is not alone. It's only a matter of time before the body count starts rising and a race against time begins to solve the mystery of the bizarre calls.
Despite being more than a shade Ringu-clone-esquire, I heartily enjoyed this film. It has some great set-pieces (including a memorable death), some spooky moments, a few "jump" sequences, etc. What the film didn't deliver, though, was any real fear. It was a case of "seen it all before" (a criticism that some levelled at "Ju-On").
The plot unravels in a logical manner and there's a decent pay off. It may not be a future classic, but this is a very well made example of Asian horror cinema.
My rating: 8 out of 10 for a stylish addition to Miike's portfolio