Review of Star Trek

Star Trek (2009)
Frenetic, brainless bastardization of the original concept.
20 May 2009
Warning: Spoilers
It happens on daytime television: A new storyline is developed which renders everything that came before it impossible and inconsistent. It happens in comic books: Entire histories and established conceits of a character or situation are redone without regard for the previous effort. Here it happens in a movie. A revisionist, souped-up, tweaked version of the famous television series comes along that jettisons about 80% of what made the original meaningful, resonant and special. Not only does it reconfigure or ignore the "established" continuity of the characters' prior universe, but it's also unapologetic about it. Who cares what anyone else thought when they watched "Star Trek" during its original run or in syndication? This is the way it's going to be for the A.D.D., Xbox, Jonas Brothers, youtube, Hannah Montana, iPod, CGI set and anyone who doesn't like it can be damned. Since the makers of this and other products, which undercut any personal investment a viewer may have made in the previous work, have no regard for that audience, the only recourse that audience has is to resist supporting the new work. However, that hardly matters when something comes along that, despite its emptiness, idiocy and even ignorance, appeals so much to the target audience that it can't help but be a huge success. All that's left to do is either chuck one's emotional connection to the original concept and get on board or sit at home with the 4 decade old series on DVD. Though not every fan of the original series will be this polarized, it's a decision that many folks will have to make. The good news is that Pine is an appealing, dynamic and enthusiastic Kirk (though not much like William Shatner, for better or for worse), Quinto is close to perfection as Spock in both looks and manner and the chemistry between the core cast members is adequate enough to provide a decent sense of camaraderie in the inevitable follow-up, especially if, on the off chance, the producers decide to actually follow the intended path and put the team into the scenario of seeking out "new life and new civilizations" together instead of rehashing and retreading everything that was already "established." Cross and Ryder also prove to be effective choices as Quinto's parents. Also, Bana's ship is decidedly imposing and threatening looking. The bad news is that virtually any semblance of the vision, social commentary, optimism, discovery, sense of unity or even a sense of adventure, really, is absent from this incarnation. In its place are lightning fast camera-work and editing, animated effects, over-the-top "stunts" and lots of explosions and death. The people are props and/or caricatures and are, in fact, incidental to the action "showpieces." With luck, the next installment will capitalize on the premise of the Enterprise's mission and allow the ensemble to gel into a unit that sticks together as they explore the farthest reaches of the galaxy. This messy, inane, disrespectful prologue doesn't inspire much faith, however. Oh, and check out the female Vulcan council-member's beaming expression of pride and joy when Spock is admitted to their academy! Did anyone associated with this film ever see even one episode of the series?
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