Fortunately, I'm able to keep my personal feelings about Roman Polanski compartmentalized enough to say that this was a remarkable film. I've read many comparisons between "The Pianist" and "Schindler's List" on this board, and even though the films are quite different, the overpowering portrayals of Man's inhumanity against Man will leave the viewer forever affected. Adrien Brody's Best Actor award was stunningly achieved here, as his character arcs through an incredible series of circumstances to barely survive life in the Warsaw Ghetto during World War II. What little I knew of director Polanski outside of his marriage to Sharon Tate, the grisly Manson murders, and his rape conviction in the late 1970's, was put into an entirely different perspective when I learned about his own life in the Polish Ghetto. Much of what we see in the film must emanate from his own unique experience as a child during the War and experiencing Nazi atrocity first hand. I don't envy anyone who survived that experience enduring the painful daily memories of those times.
Given the film's title, I guess I was somewhat surprised by the paucity of musical sequences, though what was offered was artistically presented. Particularly poignant was the scene when Wladyslaw Szpilman (Brody) was left to hide in an apartment where a piano was available, and he mimed his way through a selection from memory by the need to maintain silence.
Many years following the end of World War II, a single film cannister simply marked "The Ghetto" was discovered, revealing valuable insight into how the Nazi propaganda machine attempted to manipulate public opinion about 'rich' Jews who lived in luxury alongside fellow Jews in squalid conditions. Even more intimate details of life in the Warsaw Ghetto are presented in "Shtikat Haarchion" (A Film Unfinished), describing conditions that are even more horrific than those depicted in "The Pianist" or "Schindler's List", if that can even be imagined. These movies exist for a higher calling as a constant reminder that the term "Never Again" be one to constantly take seriously in an ever increasingly dangerous world.
Given the film's title, I guess I was somewhat surprised by the paucity of musical sequences, though what was offered was artistically presented. Particularly poignant was the scene when Wladyslaw Szpilman (Brody) was left to hide in an apartment where a piano was available, and he mimed his way through a selection from memory by the need to maintain silence.
Many years following the end of World War II, a single film cannister simply marked "The Ghetto" was discovered, revealing valuable insight into how the Nazi propaganda machine attempted to manipulate public opinion about 'rich' Jews who lived in luxury alongside fellow Jews in squalid conditions. Even more intimate details of life in the Warsaw Ghetto are presented in "Shtikat Haarchion" (A Film Unfinished), describing conditions that are even more horrific than those depicted in "The Pianist" or "Schindler's List", if that can even be imagined. These movies exist for a higher calling as a constant reminder that the term "Never Again" be one to constantly take seriously in an ever increasingly dangerous world.