Spooky season is upon us and Max is getting in on the action.
New to the streamer in September are “Annabelle” (2014), “Annabelle: Creation” (2017) and “Annabelle Comes Home” (2019), as well as “The Curse of La Llorona” (2019) — all spin-offs from “The Conjuring” universe.
Other horror entries include “It” (2017), “It: Chapter Two” (2019), eight “Friday the 13th” films (from the 1980 cult classic to 1989’s “Jason Takes Manhattan”) and six “Children of the Corn” sequels.
As previously reported, over 200 episodes of AMC Networks’ television series are coming to Max in September at no additional cost to subscribers, spreading their availability beyond AMC+. Shows that are part of the partnership include “Anne Rice’s Interview with the Vampire” Season 1; ”Dark Winds” Season 1; “Gangs of London” Seasons 1 and 2; “Fear the Walking Dead” Seasons 1-7; “Killing Eve” Seasons 1-4; “A Discovery of Witches” Seasons 1-3; and “Ride with Norman Reedus” Seasons 1-5.
If fright flicks aren’t your thing,...
New to the streamer in September are “Annabelle” (2014), “Annabelle: Creation” (2017) and “Annabelle Comes Home” (2019), as well as “The Curse of La Llorona” (2019) — all spin-offs from “The Conjuring” universe.
Other horror entries include “It” (2017), “It: Chapter Two” (2019), eight “Friday the 13th” films (from the 1980 cult classic to 1989’s “Jason Takes Manhattan”) and six “Children of the Corn” sequels.
As previously reported, over 200 episodes of AMC Networks’ television series are coming to Max in September at no additional cost to subscribers, spreading their availability beyond AMC+. Shows that are part of the partnership include “Anne Rice’s Interview with the Vampire” Season 1; ”Dark Winds” Season 1; “Gangs of London” Seasons 1 and 2; “Fear the Walking Dead” Seasons 1-7; “Killing Eve” Seasons 1-4; “A Discovery of Witches” Seasons 1-3; and “Ride with Norman Reedus” Seasons 1-5.
If fright flicks aren’t your thing,...
- 9/1/2023
- by Lawrence Yee
- The Wrap
There’s an interesting experiment going on over at Max in September, as from the first of the month you’ll be able to find seven AMC+ series streaming for 60 days on the service. If you’ve been dying to check out some of their best shows but just haven’t had access to them, now’s your chance! Max will be streaming Fear the Walking Dead seasons 1-7, Anne Rice’s Interview with the Vampire season one, Dark Winds season one, Gangs of London seasons 1-2, Ride with Norman Reedus seasons 1-5, A Discovery of Witches seasons 1-3, and Killing Eve seasons 1-4.
Also on Max this September is the original animated series Young Love, a Matthew A. Cherry project which seeks to expand on the critically acclaimed short film, Hair Love. Sam Jay has a new stand-up special on HBO, too. Sam Jay: Salute or Shoot Me will...
Also on Max this September is the original animated series Young Love, a Matthew A. Cherry project which seeks to expand on the critically acclaimed short film, Hair Love. Sam Jay has a new stand-up special on HBO, too. Sam Jay: Salute or Shoot Me will...
- 9/1/2023
- by Kirsten Howard
- Den of Geek
The headline of this column is doubtlessly unfair. I’m judging a movie before I’ve seen it, before it has even been made. Given the vast volume of junky indifferent product that now slides through the megaplex, and the streaming ocean, on a weekly basis, why not settle in for an ambitious remake of “Vertigo,” Alfred Hitchcock’s romantically kinky and voluptuous dream thriller of 1958? At least it’s not “Texas Chainsaw Xviii” or another “Minions” movie. At least it will be interesting (right?).
Robert Downey Jr., who is in talks to produce and possibly star in a remake of “Vertigo” at Paramount (home of the original film), is a great actor. But once he became a box-office superstar, 15 years ago, with “Iron Man,” he got sucked into the escapist vortex of Marvel and “Sherlock Holmes” and duds like “Dolittle.” Downey, who is about to turn 58, needs to rediscover himself as an actor.
Robert Downey Jr., who is in talks to produce and possibly star in a remake of “Vertigo” at Paramount (home of the original film), is a great actor. But once he became a box-office superstar, 15 years ago, with “Iron Man,” he got sucked into the escapist vortex of Marvel and “Sherlock Holmes” and duds like “Dolittle.” Downey, who is about to turn 58, needs to rediscover himself as an actor.
- 3/25/2023
- by Owen Gleiberman
- Variety Film + TV
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
Another Round (Thomas Vinterberg)
Superlatives are fatuous, but Mads Mikkelsen’s final dance in Another Round was possibly one of the finest scenes of the year. It is here that Thomas Vinterberg tips his hand: in turns devastating and rambunctious, his latest neither glorifies nor condemns the magic––and sorrows––of day-drinking, but conjures a surprisingly sober study of a midlife crisis, climaxing in this moment of blissful catharsis. As a character-defining moment, it’s up there with Denis Lavant’s pirouettes at the end of Claire Denis’ Beau Travail. – Leonardo G.
Where to Stream: Hulu
Audrey (Helena Coan)
Despite her status as one of the most iconic movie stars in history,...
Another Round (Thomas Vinterberg)
Superlatives are fatuous, but Mads Mikkelsen’s final dance in Another Round was possibly one of the finest scenes of the year. It is here that Thomas Vinterberg tips his hand: in turns devastating and rambunctious, his latest neither glorifies nor condemns the magic––and sorrows––of day-drinking, but conjures a surprisingly sober study of a midlife crisis, climaxing in this moment of blissful catharsis. As a character-defining moment, it’s up there with Denis Lavant’s pirouettes at the end of Claire Denis’ Beau Travail. – Leonardo G.
Where to Stream: Hulu
Audrey (Helena Coan)
Despite her status as one of the most iconic movie stars in history,...
- 3/19/2021
- by Jordan Raup
- The Film Stage
The Lady Eve
Blu ray
Criterion
1941/ 94 min.
Starring Barbara Stanwyck, Henry Fonda, William Demarest
Cinematography by Victor Milner
Directed by Preston Sturges
In The Lady Eve a wealthy ophiologist named Charlie Pike and a sexy card shark named Jean Harrington fall in love. It’s a rapid-fire romance fueled by equal portions of love and lust and when the affair crashes and burns, director Preston Sturges simply restarts the movie: Jean reintroduces herself to Charlie as a British socialite named Eve and la affaire d’amour begins anew. The brazenness of her charade is part and parcel of Sturges’s own impudent take on the Human Comedy – the result is a screwball work of art.
Henry Fonda is Charlie and Barbara Stanwyck plays Jean – they meet aboard a cruise ship where Jean’s father, an avuncular but remorseless con man played by Charles Coburn, has pigeonholed Charlie as a sucker par excellence.
Blu ray
Criterion
1941/ 94 min.
Starring Barbara Stanwyck, Henry Fonda, William Demarest
Cinematography by Victor Milner
Directed by Preston Sturges
In The Lady Eve a wealthy ophiologist named Charlie Pike and a sexy card shark named Jean Harrington fall in love. It’s a rapid-fire romance fueled by equal portions of love and lust and when the affair crashes and burns, director Preston Sturges simply restarts the movie: Jean reintroduces herself to Charlie as a British socialite named Eve and la affaire d’amour begins anew. The brazenness of her charade is part and parcel of Sturges’s own impudent take on the Human Comedy – the result is a screwball work of art.
Henry Fonda is Charlie and Barbara Stanwyck plays Jean – they meet aboard a cruise ship where Jean’s father, an avuncular but remorseless con man played by Charles Coburn, has pigeonholed Charlie as a sucker par excellence.
- 7/25/2020
- by Charlie Largent
- Trailers from Hell
Exclusive: Orlando von Einsiedel, whose short doc The White Helmets picked up the 2017 Academy Award, is teaming with National Geographic to launch a series of short films celebrating Nobel Peace Prize Laureates from around the world.
The five docs will launch on Nat Geo’s YouTube channel on May 20. Three are making world premieres, while two screened at Telluride in 2019.
The films were all directed by von Einsiedel and produced by Grain Media and Rideback. They are:
Into The Fire (Telluride 2019) – In an area of Iraq destroyed by Isis, Hana Khider leads an all-female team of Yazidi de-miners in their attempts to clear the land of mines. Their job involves painstakingly searching for booby traps in bombed out buildings and fields, where one wrong move means certain death. Hana works for the Mines Advisory Group, an organisation who are part of the ‘International Campaign to Ban Landmines’, a coalition awarded...
The five docs will launch on Nat Geo’s YouTube channel on May 20. Three are making world premieres, while two screened at Telluride in 2019.
The films were all directed by von Einsiedel and produced by Grain Media and Rideback. They are:
Into The Fire (Telluride 2019) – In an area of Iraq destroyed by Isis, Hana Khider leads an all-female team of Yazidi de-miners in their attempts to clear the land of mines. Their job involves painstakingly searching for booby traps in bombed out buildings and fields, where one wrong move means certain death. Hana works for the Mines Advisory Group, an organisation who are part of the ‘International Campaign to Ban Landmines’, a coalition awarded...
- 5/14/2020
- by Tom Grater
- Deadline Film + TV
Let All The Children Boogie | Unfaithfully Yours: The Comedies Of Preston Surges
Few directors wrote their own material in the 1940s, but Preston Sturges was an exception in every way. He sold his script for The Great McGinty for $10 in exchange for the chance to direct it, and he clearly knew what he wanted, which is about the same things audiences today want: polished repartee, energetic screwball comedy, cheese-free romance and sharp social satire. This season showcases his work, from his masterpiece, Sullivan’s Travels – as fine a film about film-making as has ever been made – to those that tested the boundaries of the era audaciously. In The Miracle Of Morgan’s Creek, a woman can’t remember who she’s married (and she’s pregnant). In The Palm Beach Story, a woman marries someone richer in order to bankroll her first husband; and in McGinty itself, a homeless...
Few directors wrote their own material in the 1940s, but Preston Sturges was an exception in every way. He sold his script for The Great McGinty for $10 in exchange for the chance to direct it, and he clearly knew what he wanted, which is about the same things audiences today want: polished repartee, energetic screwball comedy, cheese-free romance and sharp social satire. This season showcases his work, from his masterpiece, Sullivan’s Travels – as fine a film about film-making as has ever been made – to those that tested the boundaries of the era audaciously. In The Miracle Of Morgan’s Creek, a woman can’t remember who she’s married (and she’s pregnant). In The Palm Beach Story, a woman marries someone richer in order to bankroll her first husband; and in McGinty itself, a homeless...
- 2/5/2016
- by Steve Rose
- The Guardian - Film News
When we think about the “writer/director” we often think about the works of Quentin Tarantino, Kevin Smith, Paul Thomas Anderson, Jean-Luc Godard or Lars Von Trier. The auteurs who charge into the uphill battle of putting their own story to film. It’s more than a credit, it’s a type of filmmaker – one that more often than not starts outside of the studio system, one that more often than not considers themselves a writer first and a director second, one that falls in love with their own dialog. It’s very common now but it didn’t used to be.
75 years ago this week a film was released with the first “Written and Directed by” credit, making official something that had been going on in movie making since the evolution of narrative filmmaking and giving birth to the modern day writer/director. The first credited writer/director: playwright Preston Sturges,...
75 years ago this week a film was released with the first “Written and Directed by” credit, making official something that had been going on in movie making since the evolution of narrative filmmaking and giving birth to the modern day writer/director. The first credited writer/director: playwright Preston Sturges,...
- 8/20/2015
- by Charlie Sanford
- SoundOnSight
Bill Hader has come a long way since his stint on Saturday Night Live, creating many popular characters and impersonations such as Stefon, Vincent Price and CNN’s Jack Cafferty. He is one of the highlights in such films as Adventureland, Knocked Up, Superbad and Pineapple Express, and so it is easy to see why author Mike Sacks interviewed him for his new book Poking A Dead Frog. In it, Hader talks about his career and he also lists 200 essential movies every comedy writer should see. Xo Jane recently published the list for those of us who haven’t had a chance to read the book yet. There are a ton of great recommendations and plenty I haven’t yet seen, but sadly my favourite comedy of all time isn’t mentioned. That would be Some Like It Hot. Still, it really is a great list with a mix of old and new.
- 8/28/2014
- by Ricky
- SoundOnSight
Below is the nearly 50-minute press conference with Quentin Tarantino from this year's Cannes Film Festival where he introduced a remastered version of Sergio Leone's Fistful of Dollars and a 35mm screening of Pulp Fiction took place. Now why is it important to mention it was a 35mm screeningc Well, as Cannes director Thierry Fremaux mentions at the beginning of the press conference, Pulp Fiction was the only film at this year's festival not screening in digital, which Tarantino believes to be the death of cinema as he knows it: As far as I'm concerned, digital projection and DCPs is the death of cinema as I know it. It's not even about shooting your film on film or shooting your film on digital. The fact that most films now are not presented in 35mm means that the war is lost. And digital projections, that's just television in public. And...
- 5/26/2014
- by Brad Brevet
- Rope of Silicon
Probably the single most influential piece of film criticism in my life is Manny Farber's piece on Preston Sturges, and in particular his paean to the Sturges stock company ~
"They all appear to be too perfectly adjusted to life to require minds, and, in place of hearts, they seem to contain an old scratch sheet, a glob of tobacco juice, or a brown banana. The reason their faces--each of which is a succulent worm's festival, bulbous with sheer living--seem to have nothing in common with the rest of the human race is precisely because they are so eternally, agelessly human, oversocialized to the point where any normal animal component has vanished. They seem to be made up not of features but a collage of spare parts, most of them as useless as the vermiform appendix."
There are things I don't love about Farber—his insistence upon virility as a...
"They all appear to be too perfectly adjusted to life to require minds, and, in place of hearts, they seem to contain an old scratch sheet, a glob of tobacco juice, or a brown banana. The reason their faces--each of which is a succulent worm's festival, bulbous with sheer living--seem to have nothing in common with the rest of the human race is precisely because they are so eternally, agelessly human, oversocialized to the point where any normal animal component has vanished. They seem to be made up not of features but a collage of spare parts, most of them as useless as the vermiform appendix."
There are things I don't love about Farber—his insistence upon virility as a...
- 5/15/2014
- by David Cairns
- MUBI
From new voices like NoViolet Bulawayo to rediscovered old voices like James Salter, from Dave Eggers's satire to David Thomson's history of film, writers, Observer critics and others pick their favourite reads of 2013. And they tell us what they hope to find under the tree …
Curtis Sittenfeld
Novelist
My favourite books of 2013 are Drama High (Riverhead) by Michael Sokolove, Sea Creatures (Turnaround) by Susanna Daniel, and & Sons (Harper Collins) by David Gilbert. Drama High is incredibly smart, moving non-fiction about an American drama teacher who for four decades coaxed sophisticated and nuanced theatrical performances out of teenage students who weren't privileged or otherwise remarkable and in so doing, changed their conceptions of what they could do with their lives. Sea Creatures is a gripping, beautifully written novel about the mother of a selectively mute three-year-old boy; when she takes a job ferrying supplies to a hermit off the coast of Florida,...
Curtis Sittenfeld
Novelist
My favourite books of 2013 are Drama High (Riverhead) by Michael Sokolove, Sea Creatures (Turnaround) by Susanna Daniel, and & Sons (Harper Collins) by David Gilbert. Drama High is incredibly smart, moving non-fiction about an American drama teacher who for four decades coaxed sophisticated and nuanced theatrical performances out of teenage students who weren't privileged or otherwise remarkable and in so doing, changed their conceptions of what they could do with their lives. Sea Creatures is a gripping, beautifully written novel about the mother of a selectively mute three-year-old boy; when she takes a job ferrying supplies to a hermit off the coast of Florida,...
- 11/24/2013
- by Ali Smith, Robert McCrum, Tim Adams, Kate Kellaway, Rachel Cooke, Sebastian Faulks, Jackie Kay
- The Guardian - Film News
"Like Phone Booth, but with a piano." "It's what you'd get if Brian De Palma decided to rework Unfaithfully Yours."
Glib descriptions of Grand Piano like the ones above (overheard at Fantastic Fest) don't do the film justice, not at all. I'm not even certain they give you an accurate idea of what you're about to see. On the other hand, a plot summarization of the thriller makes it sound ridiculous ... and thanks to filmmakers and stars, it is instead breathtakingly suspenseful.
Grand Piano takes place during a concert of classical music. It begins as one of those potentially enervating movies about a pianist, Tom Selznick (Elijah Wood), giving his first public performance five years after a notorious failed concert. His wife (Kerry Bishe) is a famous actress whose career has eclipsed his, and who's obviously pulled strings to get the event set up, with help from a conductor friend...
Glib descriptions of Grand Piano like the ones above (overheard at Fantastic Fest) don't do the film justice, not at all. I'm not even certain they give you an accurate idea of what you're about to see. On the other hand, a plot summarization of the thriller makes it sound ridiculous ... and thanks to filmmakers and stars, it is instead breathtakingly suspenseful.
Grand Piano takes place during a concert of classical music. It begins as one of those potentially enervating movies about a pianist, Tom Selznick (Elijah Wood), giving his first public performance five years after a notorious failed concert. His wife (Kerry Bishe) is a famous actress whose career has eclipsed his, and who's obviously pulled strings to get the event set up, with help from a conductor friend...
- 9/24/2013
- by Jette Kernion
- Slackerwood
Rex Harrison hat on TCM: ‘My Fair Lady,’ ‘Anna and the King of Siam’ Rex Harrison is Turner Classic Movies’ final "Summer Under the Stars" star today, August 31, 2013. TCM is currently showing George Cukor’s lavish My Fair Lady (1964), an Academy Award-winning musical that has (in my humble opinion) unfairly lost quite a bit of its prestige in the last several decades. Rex Harrison, invariably a major ham whether playing Saladin, the King of Siam, Julius Caesar, the ghost of a dead sea captain, or Richard Burton’s lover, is for once flawlessly cast as Professor Henry Higgins, who on stage transformed Julie Andrews from cockney duckling to diction-master swan and who in the movie version does the same for Audrey Hepburn. Harrison, by the way, was the year’s Best Actor Oscar winner. (See also: "Audrey Hepburn vs. Julie Andrews: Biggest Oscar Snubs.") Following My Fair Lady, Rex Harrison...
- 8/31/2013
- by Andre Soares
- Alt Film Guide
Labor Day weekend is here for 2013 and if you don't have any plans, there are plenty of great shows to check out over the weekend. You can catch up on "Continuum" Season 2 on Syfy, or watch the first three episodes of "The White Queen" on Starz. Sunday, Sept. 1 there's a killer Alfred Hitchcock movie marathon running all day on TCM.
Also, it's college football kick-off weekend, so settle in Saturday for the guys' returning to the gridiron.
Set your DVRs and check your local listings for times and channel numbers. All times Eastern below.
Friday, Aug. 30
A&E: "Shipping Wars" and "Storage Wars" marathon, 9 a.m. to 11 p.m.
The CW: New "America's Next Top Model" episode, 9 p.m.
Discovery: "Alaskan Steel Men" premiere, 10 p.m.
Espn: Cfb, Texas Tech at Southern Methodist, 8 p.m.
Espn 2: 2013 U.S. Open Tennis, men's second and women's third round, 1 p.m. to 7 p.
Also, it's college football kick-off weekend, so settle in Saturday for the guys' returning to the gridiron.
Set your DVRs and check your local listings for times and channel numbers. All times Eastern below.
Friday, Aug. 30
A&E: "Shipping Wars" and "Storage Wars" marathon, 9 a.m. to 11 p.m.
The CW: New "America's Next Top Model" episode, 9 p.m.
Discovery: "Alaskan Steel Men" premiere, 10 p.m.
Espn: Cfb, Texas Tech at Southern Methodist, 8 p.m.
Espn 2: 2013 U.S. Open Tennis, men's second and women's third round, 1 p.m. to 7 p.
- 8/30/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
A few years ago, Empire magazine asked Quentin Tarantino for his eleven favorite films. At the time, he listed "The Good, The Bad and The Ugly" as his favorite movie, but things have apparently changed. Tarantino was recently asked to once again submit a list of his favorite movies and some of his choices are a bit surprising. "The Good, The Bad and the Ugly" now landed in fifth place. Meanwhile, his new favorite movie has become "Apocalypse Now," despite the fact that it wasn't on the Empire list. In fact, only five movies appear on both lists. But there are some great choices. Check out both lists below. New List: * Apocalypse Now * The Bad News Bears * Carrie * Dazed and Confused * The Good, The Bad and The Ugly * The Great Escape * His Girl Friday * Jaws * Pretty Maids All In A Row * Rolling Thunder * Sorcerer * Taxi Driver Old List: * The Good,...
- 8/23/2013
- WorstPreviews.com
Los Angeles, CA (February 19, 2013) – Twentieth Century Fox Home Entertainment today introduced 23 new films to its manufacture-on-demand (Mod) series, Fox Cinema Archives. Designed for true collectors and film aficionados, Fox Cinema Archives goes deep into the studio’s vault each month to bring classic films featuring some of the biggest stars of the twentieth century to DVD for the first time. Launched in 2012, Fox Cinema Archives has seen the release of more than 140 films from the Studio’s library. Movie lovers can purchase previously released and new films from the Fox Cinema Archives series at major online retailers and at www.foxconnect.com. New titles available today include: Warlock (1959), 122 min. The town of Warlock is plagued by a gang of thugs, leading the inhabitants to hire Clay Blaisdell, a famous gunman, to act as marshal. Clive of India (1935), 94 min. In the mid-1700′s the East India Company has power over commerce...
- 2/22/2013
- by ComicMix Staff
- Comicmix.com
Comedy Classics! week continues at Trailers from Hell with editor Marshall Harvey introducing Preston Sturges' "Unfaithfully Yours," originally conceived in 1932 but not made until after Sturges left Paramount in 1948. Perhaps too black a comedy for its era, Preston Sturges' second effort after his departure from Paramount did not find much favor with audiences and effectively ended his career as an A-list Hollywood director. But subsequent years have proved kind to what was always a clever concept, originally conceived by Sturges in 1932 but summarily rejected for production at the time. Cut from 127 minutes to 105 after previews, its release was delayed due to scandal involving star Rex Harrison. Remade in 1984 by Howard Zieff.
- 1/30/2013
- by Trailers From Hell
- Thompson on Hollywood
From Fred and Ginger to Jennifer and Ashton, romantic comedies used to be one of the safest bets in Hollywood. But it seems that rom is just not into com any more
Is it the end for the romcom? You can imagine the celebrity mag headlines: "Romcom's relationship on the rocks?" "Com: I'm just not that into Rom" "Rom: Com doesn't make me laugh any more."
After all, who says romance and comedy go together like a horse and carriage? It seems to be a chiselled Hollywood commandment that the two shall be forever conjoined in cinematic matrimony, but perhaps it's time they went their separate ways. Sure, they got off to a great start: in those early years it was all fun and games and sparkling repartee, but recently they haven't quite looked the happy couple; the spark just hasn't been there.
They've been stuck in the same repetitive formula: boy meets girl,...
Is it the end for the romcom? You can imagine the celebrity mag headlines: "Romcom's relationship on the rocks?" "Com: I'm just not that into Rom" "Rom: Com doesn't make me laugh any more."
After all, who says romance and comedy go together like a horse and carriage? It seems to be a chiselled Hollywood commandment that the two shall be forever conjoined in cinematic matrimony, but perhaps it's time they went their separate ways. Sure, they got off to a great start: in those early years it was all fun and games and sparkling repartee, but recently they haven't quite looked the happy couple; the spark just hasn't been there.
They've been stuck in the same repetitive formula: boy meets girl,...
- 2/11/2012
- by Steve Rose, Richard Vine
- The Guardian - Film News
Below you will find a list of movie that Shaun of the Dead and Hot Fuzz director Edgar Wright has never seen. Not long ago Wright went out and asked his friends and fans to recommend some movies they thought he may have missed over the last thirty years of his life. He got recommendations from Quentin Tarantino, Daniel Waters, Bill Hader, John Landis, Guillermo Del Toro, Joe Dante, Judd Apatow, Joss Whedon, Greg Mottola, Schwartzman, Doug Benson, Rian Johnson, Larry Karaszeski, Josh Olson, Harry Knowles and hundreds of fans on this blog.
From these recommendations, Wright created a master list of recommended films that were frequently mentioned. The director now wants the fans to choose which of the films on the list he should watch on the big screen.
Wright is holding a film event at the New Beverly Cinema in Los Angeles called Films Edgar Has Never Seen.
From these recommendations, Wright created a master list of recommended films that were frequently mentioned. The director now wants the fans to choose which of the films on the list he should watch on the big screen.
Wright is holding a film event at the New Beverly Cinema in Los Angeles called Films Edgar Has Never Seen.
- 10/18/2011
- by Venkman
- GeekTyrant
Edgar Wright's latest epic project [1] has him partnering with Quentin Tarantino, Judd Apatow, Joss Whedon, Bill Hader, Guillermo Del Toro, Joe Dante, Greg Mottola, Harry Knowles, Rian Johnson and, probably, several of you. Like all of us, Wright has a bunch of classic and cult films he's never seen. Unlike all of us, he has the means to see them for the first time on the big screen and will do just that in December [2] at the New Beverly Cinema in Los Angeles during Films Edgar Has Never Seen. The director of Shaun of the Dead and Scott Pilgrim vs. The World asked both his famous friends (some of which are listed above) and fans to send in their personal must see lists and, from those titles, Wright came up with one mega list from which he'll pick a few movies to watch December 9-16. After the jump check...
- 10/18/2011
- by Germain Lussier
- Slash Film
Cul-de-sac, Roman Polanski’s (The Ghost Writer) 1966 absurdist movie about over-the-top paranoia and bizarre sexuality (sound familiar?), comes to Blu-ray and DVD from Criterion on Aug. 16 for the list prices of $39.95 and $29.95, respectively.
Françoise Dorléac gives hubby Donald Pleasance a makeover in Roman Polanski's Cul-de-sac.
The film stars Donald Pleasance (Halloween) and Françoise Dorléac (The Soft Skin) as a cowardly eccentric and his slutty French wife, whose isolated beachfront castle is overrun by a burly American gangster (Lionel Stander, Unfaithfully Yours) on the lam. As the tide rises and flocks of chickens close in (!), the trio engages in a sly game of shifting identities, sexual challenges and emotional humiliations. It’s weird, weird stuff that’s both laugh out loud funny and quietly clever as a metaphor for a modern world in chaos.
As is usual for Criterion’s releases, the movie will have a digital restoration, approved by director Polanski,...
Françoise Dorléac gives hubby Donald Pleasance a makeover in Roman Polanski's Cul-de-sac.
The film stars Donald Pleasance (Halloween) and Françoise Dorléac (The Soft Skin) as a cowardly eccentric and his slutty French wife, whose isolated beachfront castle is overrun by a burly American gangster (Lionel Stander, Unfaithfully Yours) on the lam. As the tide rises and flocks of chickens close in (!), the trio engages in a sly game of shifting identities, sexual challenges and emotional humiliations. It’s weird, weird stuff that’s both laugh out loud funny and quietly clever as a metaphor for a modern world in chaos.
As is usual for Criterion’s releases, the movie will have a digital restoration, approved by director Polanski,...
- 5/20/2011
- by Laurence
- Disc Dish
Over the past (almost) two years, I feel like we’ve managed to shine some more light on the Criterion Collection, through our podcast and website. Clearly we were not the first people to get the idea to take a trip through the Collection, going movie by movie until we would hypothetically be current with their new releases. Long before we ever had this idea, there have been folks diligently and methodically writing about each and every film that they watch, with whatever audience they draw cheering them on. I’m so fortunate to have befriended several of these folks, and I thought it’d be nice to try and maintain a weekly column, where I highlight, and link to other folks in the Criterion Collection blog-o-sphere. I usually will try to link to most of these sites on my Twitter and Facebook pages, but I thought something more permanent would help everyone out.
- 3/17/2011
- by Ryan Gallagher
- CriterionCast
-
With a distinct lack of interesting fare in this chunk of the year, we came up with the bright idea of highlighting the careers of directors never before discussed in Sound on Sight’s relatively long history. The first name to come up: Preston Sturges, who became one of the very first writers in Hollywood to gain enough clout to direct his own pictures, ultimately becoming powerful enough to run afoul of the ruthless studio system. His comedies broke new ground in tonal complexity and freewheeling transcendence of genre (as well as coy subversion of the Hays code). Justine, Derek and Simon discuss three of his best-loved movies: The Lady Eve, Sullivan’s Travels, and Unfaithfully Yours.
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Playlist:
Broadcast – Where Youth and Laughter Go
Iron and Wine – Your Fake Name Is Good Enough For Me
Mission of Burma – Fame and Fortune
Camera Obscura...
With a distinct lack of interesting fare in this chunk of the year, we came up with the bright idea of highlighting the careers of directors never before discussed in Sound on Sight’s relatively long history. The first name to come up: Preston Sturges, who became one of the very first writers in Hollywood to gain enough clout to direct his own pictures, ultimately becoming powerful enough to run afoul of the ruthless studio system. His comedies broke new ground in tonal complexity and freewheeling transcendence of genre (as well as coy subversion of the Hays code). Justine, Derek and Simon discuss three of his best-loved movies: The Lady Eve, Sullivan’s Travels, and Unfaithfully Yours.
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Broadcast – Where Youth and Laughter Go
Iron and Wine – Your Fake Name Is Good Enough For Me
Mission of Burma – Fame and Fortune
Camera Obscura...
- 3/9/2011
- by Simon Howell
- SoundOnSight
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly Ioncinephile profile (read here), we ask the filmmaker the incredibly arduous task of identifying their top ten list of favorite films. This month we feature Aaron Katz [Cold Weather 02.04]. Here are his Top 10 Films of All Time as of February 2011. A Night at the Opera - Sam Wood (1935) My favorite movie. Great scene follows great scene. The state-room, the contract, the Russian aviators, and my all-time favorite, the bed moving scene. From that scene: Detective: You live here all alone? Groucho: Yes. Just me and my memories. I'm practically a hermit. Detective: Oh. A hermit. I notice the table's set for four. Groucho. That's nothing, my alarm clock is set for eight. That doesn't prove a thing. Alien - Ridley Scott (1979) By far my favorite science fiction and my favorite horror movie.
- 2/14/2011
- IONCINEMA.com
Julie Andrews, Gloria Swanson, Lauren Bacall, Cary Grant, Linda Darnell, George Hamilton, Melvyn Douglas, and Louise Brooks are some of the female and male clotheshorses on parade in the New York Public Library's Performing Arts film series "Not Off the Rack: High Fashion in the Movies," which kicks off on Tuesday, Sept. 21, at 2:30 p.m. The series will run every Tuesday through Oct. 26. Admission is free. Arranged by guest programmer Joseph Yranski, "Not Off the Rack" will present seven movies: the double bill Tonight or Never (1931) / Prix de beauté (1930), The Fan (1981), Star! (1968), That Touch of Mink (1962), Unfaithfully Yours (1948), and Love at First Bite (1979). Featured costume designers include Coco Chanel, Jean Patou, Oscar de la Renta, Donald Brooks, and Halston. "Not Off the Rack" is being presented as a tie-in to Fashion Week, along with the Nypl's exhibition "On Stage in Fashion: Designs [...]...
- 9/20/2010
- by Andre Soares
- Alt Film Guide
See I was born and I will die here
And the seasons never change
Scatter my ashes in the water
The gods have smiled, all hail the new queen
The south will rise again
The Auteurs, The South Will Rise Again (1999)
I call it Brodkey Syndrome. A term deriving from a 1994 newspaper interview with the now-deceased Harold Brodkey—author of famously long-gestating novel The Runaway Soul—in which he recalls how, as a young man, he "lay in Central Park, looking up at the sky, thinking, 'If only I'd been tall.' He got up to walk home, and then remembered that he was."
My most recent example of this odd psychological peccadillo came a couple of days ago when chatting to an acquaintance who runs a profitable small business. This pal has recently returned from a long weekend in San Sebastian, the medium-sized, relatively affluent resort-city in northern Spain,...
And the seasons never change
Scatter my ashes in the water
The gods have smiled, all hail the new queen
The south will rise again
The Auteurs, The South Will Rise Again (1999)
I call it Brodkey Syndrome. A term deriving from a 1994 newspaper interview with the now-deceased Harold Brodkey—author of famously long-gestating novel The Runaway Soul—in which he recalls how, as a young man, he "lay in Central Park, looking up at the sky, thinking, 'If only I'd been tall.' He got up to walk home, and then remembered that he was."
My most recent example of this odd psychological peccadillo came a couple of days ago when chatting to an acquaintance who runs a profitable small business. This pal has recently returned from a long weekend in San Sebastian, the medium-sized, relatively affluent resort-city in northern Spain,...
- 10/28/2009
- MUBI
Before getting a chance to sit down and talk with Dean Haspiel (American Splendor, The Quitter, Billy Dogma) at the Alternative Press Expo, I met him at the Isotope Comics Lounge on the eve of Ape weekend for a pre-ape Isotope in-store bash. Currently, Haspiel is but one artist that is part of a larger collective of storytellers at Act-i-vate.
Recently, October saw the recent release of The Act-i-vate Primer by Idw Publishing, featuring new and original stories. While at the Isotope, I discovered Haspiel is as gracious and as nice as I could have imagined just sitting and talking with him as he signed and sketched a head shot of Harvey Pekar in my copy of The Quitter.
That night talking generally about the unique positivity that courses through the comic industry, Haspiel signs my Pekar sketch advising me to “never quit.” It’s good advice.
Needless to say,...
Recently, October saw the recent release of The Act-i-vate Primer by Idw Publishing, featuring new and original stories. While at the Isotope, I discovered Haspiel is as gracious and as nice as I could have imagined just sitting and talking with him as he signed and sketched a head shot of Harvey Pekar in my copy of The Quitter.
That night talking generally about the unique positivity that courses through the comic industry, Haspiel signs my Pekar sketch advising me to “never quit.” It’s good advice.
Needless to say,...
- 10/26/2009
- by Joey Pangilinan
- The Flickcast
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