Don't generalize every character behavior. There are a lot strong female characters on this show. Like assistant da carol baldwin.
6 Reviews
Nothing sexist about it
hanscarstenstenzel24 November 2018
Annie rocks!
ironmaidengod6 August 2020
Guest starring St. John Smith
safenoe31 October 2023
Warning: Spoilers
Sinjin Smith guest stars as Marcus Phillips, well Sinjin is how St. John is pronounced by the British, so the actor is St. John Smith, but really here we wouldn't say Jill Sinjin, we would say Jill St. John.
Anyway, Legacy from a Friend introduces us to Annie Potts. It's a shame she didn't become a regular recurring character because she brought a lot of spunk to the episode.
I'm enjoying watching the early seasons of Magnum, P. I., and admiring the sun-drenched beaches and streets of Honolulu with the diversity that Hawaii is famous for. I haven't bothered to watch the reboot so no interest in that.
Anyway, Legacy from a Friend introduces us to Annie Potts. It's a shame she didn't become a regular recurring character because she brought a lot of spunk to the episode.
I'm enjoying watching the early seasons of Magnum, P. I., and admiring the sun-drenched beaches and streets of Honolulu with the diversity that Hawaii is famous for. I haven't bothered to watch the reboot so no interest in that.
...Potts is the Pitts...
gclarkbloom10 August 2022
...Annie Potts, a genuinely talented comic actress, would later go on to much greater heights in the hit comedy series "Designing Women"...
...in this frankly irritating episode... she annoyinhly whines her way through every scene with a stereotyped "image of prople from Philadelphia"...
...her voice here is like fingernails on a blackbiard...you just want to cringe...
...in this frankly irritating episode... she annoyinhly whines her way through every scene with a stereotyped "image of prople from Philadelphia"...
...her voice here is like fingernails on a blackbiard...you just want to cringe...
Sexist Plot Starring Annie Potts
Ankhoryt23 October 2006
This episode is an early appearance by Annie Potts, who would guest star again in "Magnum P.I." three years later, in 1986. The plot line is that Annie's character presents herself as a homicide detective, who forces Magnum to work with her through a variety of tough-chick ploys and "feminine wiles." Nice thought -- well, half a nice thought -- but the scriptwriters are as condescending as Magnum. At one point, the character shamefacedly admits her gun "got stuck... in my make-up bag." Later, it's revealed she's actually a "meter maid" (parking enforcement officer, these days) who merely *aspires* to be in homicide "before my 31st birthday, and that's in two days!" What would be reasonable ambition in a male character (other than the two-day deadline) is presented here as something plaintive and ludicrous; you expect her to start yelping, "...and my career clock is ticking Like That!" while stomping one hoof, like the "My Cousin Vinny" scene rendered glorious by Marisa Tomei.
Potts does what she can with writing like that, but what *can* you do with writing like that? Other female characters: a pair of early 1980's hotties in spandex who kung-fu chop-socky Magnum to the floor, "because they're women! I can't hit a woman!" After being teased by his male chums, Magnum finds it in him to sucker-punch the blonde and knock her to the floor on their next meeting. Ah, there, manhood restored all around. As the two hooker-like henchwomen secure Magnum in the back seat for what might be his final ride, he quips, "You hated your fathers, didn't you?" The director has Potts drop her gun and knock her glasses askew in the final face-off, shouting "Police!" in a whiny, pleading voice so that it comes out as "Please?" In her last scene, the owlish glasses are removed without explanation so that she, too, can join the legion of lovelies who flirt with Magnum at the end of most episodes.
The only other female is a rich-bitch ice queen -- but I can't tell you her story, as that's relevant to the murder and would be a spoiler (though it's hard to imagine how one can spoil tripe this rank). On the other hand, the Hawaiian scenery is lovely, the clothes are an amusing review of early 80's fashions, the men are handsome, the real villain comes across as truly menacing (Bob Minor's character -- it looks like Minor's present career is solely as a stuntman, which is a shame, because he was quite good in this), and Selleck wears short-shorts for much of the episode...if you're into that. Not that there's anything wrong with that (cough, cough). So getting 5 out of 10, for Potts and Minor and Hawaii; and losing 5 out of 10 for the sexism that was retro and reactionary even back in 1983.
Potts does what she can with writing like that, but what *can* you do with writing like that? Other female characters: a pair of early 1980's hotties in spandex who kung-fu chop-socky Magnum to the floor, "because they're women! I can't hit a woman!" After being teased by his male chums, Magnum finds it in him to sucker-punch the blonde and knock her to the floor on their next meeting. Ah, there, manhood restored all around. As the two hooker-like henchwomen secure Magnum in the back seat for what might be his final ride, he quips, "You hated your fathers, didn't you?" The director has Potts drop her gun and knock her glasses askew in the final face-off, shouting "Police!" in a whiny, pleading voice so that it comes out as "Please?" In her last scene, the owlish glasses are removed without explanation so that she, too, can join the legion of lovelies who flirt with Magnum at the end of most episodes.
The only other female is a rich-bitch ice queen -- but I can't tell you her story, as that's relevant to the murder and would be a spoiler (though it's hard to imagine how one can spoil tripe this rank). On the other hand, the Hawaiian scenery is lovely, the clothes are an amusing review of early 80's fashions, the men are handsome, the real villain comes across as truly menacing (Bob Minor's character -- it looks like Minor's present career is solely as a stuntman, which is a shame, because he was quite good in this), and Selleck wears short-shorts for much of the episode...if you're into that. Not that there's anything wrong with that (cough, cough). So getting 5 out of 10, for Potts and Minor and Hawaii; and losing 5 out of 10 for the sexism that was retro and reactionary even back in 1983.
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